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A “brilliant and provocative” (The New Yorker) celebration of Melville’s masterpiece—from the bestselling author of In the Heart of the Sea, Valiant Ambition, and In the Hurricane's Eye One of the greatest American novels finds its perfect contemporary champion in Why Read Moby-Dick?, Nathaniel Philbrick’s enlightening and entertaining tour through Melville’s classic. As he did in his National Book Award–winning bestseller In the Heart of the Sea, Philbrick brings a sailor’s eye and an adventurer’s passion to unfolding the story behind an epic American journey. He skillfully navigates Melville’s world and illuminates the book’s humor and unforgettable characters—finding the thread that binds Ishmael and Ahab to our own time and, indeed, to all times. An ideal match between author and subject, Why Read Moby-Dick? will start conversations, inspire arguments, and make a powerful case that this classic tale waits to be discovered anew. “Gracefully written [with an] infectious enthusiasm…”—New York Times Book Review
AHOY! Come with us aboard the Pequod. We search for Moby Dick, the Great White Whale! Along with Captain Ahab, you'll meet danger face to face, hunting the fiercest creature the seas have ever known! Are you brave enough— and bold enough— for the adventure of your life? The award-winning author and illustrator team of Eric A. Kimmel and Andrew Glass introduce a new generation of readers to a magnificent and memorable retelling of Herman Melville's masterpiece, Moby Dick.
In Herman Melville's classic tale of revenge, Ishmael tells his story of becoming a whaler on the Pequod. When Ishmael and his unexpected friend Queequeg join Captain Ahab's hunt for Moby Dick, the voyage of a lifetime turns into tragedy. The adventures of sailing the seas on the hunt for the great white whale is retold in the Calico Illustrated Classics adaptation of Melville's Moby Dick. Calico Chapter Books is an imprint of Magic Wagon, a division of ABDO Group. Grades 3-8.
"There have been a lot of crazy books about Melville and Moby-Dickiut this isn't one of them. Dowling's overarching analogy, between Ishmael's and Melville's obsessions and the annual marathon group-reading of Moby-Dick in New Bedford, makes perfect sense and generates illuminating analyses of the novel and its cultural contexts. It also lets him open his book up into a passionate exploration of how great literature can still play a vital role in people's lives today"-Damion Searls, editor, Thoreau's The Journal: 1837-1861 and Melville's; or The Whale --Book Jacket.
Jeremiah N. Reynolds (1799-1858), an American newspaper editor, lecturer, explorer and author who became an influential advocate for scientific expeditions. Reynolds gathered first-hand observations of Mocha Dick, an albino sperm whale off Chile who bedeviled a generation of whalers for thirty years before succumbing to one. Mocha Dick survived many skirmishes (by some accounts at least 100) with whalers before he was eventually killed. In May 1839, The Knickerbocker, or New-York Monthly Magazine published Reynolds' "Mocha Dick: Or the White Whale of the Pacific," the inspiration for Herman Melville's 1851 novel Moby-Dick. In Reynolds' account, Mocha Dick was killed in 1838, after he appeared to come to the aid of a distraught cow whose calf had just been slain by the whalers. His body was 70 feet long and yielded 100 barrels of oil, along with some ambergris. He also had several harpoons in his body.
In Moby-Dick’s wide philosophical musings and central narrative arch, Herman finds a philosophy very closely aligned specifically with the original teachings of Zen Buddhism. In exploring the likelihood of this hitherto undiscovered influence, Herman looks at works Melville is either known to have read or that there is a strong likelihood of his having come across, as well as offering a more expansive consideration of Moby-Dick from a Zen Buddhist perspective, as it is expressed in both ancient and modern teachings. But not only does the book delve deeply into one of the few aspects of Moby-Dick’s construction left unexplored by scholars, it also conceives of an entirely new way of reading the greatest of American books—offering critical re-considerations of many of its most crucial and contentious issues, while focusing on what Melville has to teach us about coping with adversity, respecting ideological diversity, and living skillfully in a fickle, slippery world.
Herman Melville's novel MOBY DICK immortalised the concept of a battling white sperm whale, but did such a creature really exist? Acclaimed explorer and writer Tim Severin travelled to the islands of the Pacific to find out. From Nuku Hiva in the Marquesas archipelago to Pamilacan and Tonga, Severin compares myth with reality in a fascinating journey of discovery. Along the way he investigates the real extent of Melville's whaling experience, and unearths other potential sources for his famous story; encounters the extraordinary whale-jumpers, who even now make their living by leaping on the backs of whales to ram home their spears; and observes a retired harpooner re-enact the curious ballet of a kill -- transporting himself to his youth in the process, like a shaman from a forgotten age. Superb travel writing combined with personal and historical anecdote make this a hugely enjoyable and enlightening exploration of one of the ocean's enduring myths.