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This book "is a pioneering text that recognises the importance of this area of the tourism industry. It brings together an international contributor team of experts and uses leading research to examine the specialist nature of the food and wine festival/event and the linkages that exist between food, festivity and place. Divided into three parts, the book looks at Food Festivals, Wine /Drink Festivals and Farmers Markets. Each section has an introductory chapter which will set the context and provide an overview of current activity in that particular area." - product description.
A far-reaching examination of how international theatre festivals shape 21st-century intercultural negotiation and exchange.
This is an open access book. This edited collection aims to document the effects of Covid-19 on film festivals and to theorize film festivals in the age of social distancing. To some extent, this crisis begs us to consider what happens when festivals can’t happen; while films have found new (temporary) channels of distribution (most often in the forms of digital releases), the festival format appears particularly vulnerable in pandemic times. Imperfect measures, such as the move to a digital format, cannot recapture the communal experience at the very core of festivals. Given the global nature of the pandemic and the diversity of the festival phenomenon, this book features a wide range of case studies and analytical frameworks. With contributors including established scholars and frontline festival workers, the book is conceived as both a theoretical endeavour and a practical exploration of festival organizing in pandemic times.
The global rise of festival culture and experience has taken over that which used to merely be events. The Cambridge Companion to International Theatre Festivals provides an up-to-date, contextualized account of the worldwide reach and impact of the 'festivalization' of culture. It introduces new methodologies for the study of the global network of theatre production using digital humanities, raises questions about how alternative origin stories might impact the study of festivals, investigates the festivalized production of space in the world's 'Festival Cities', and re-examines the social role and cultural work of twenty-first-century theatre, performance, and multi-arts festivals. With chapters on festivals in Africa, Asia, Australia, the Arab world, the francophone world, Europe, North America, and Latin America it analyses festivals as sites of intercultural negotiation and exchange.
Human rights film festivals have been steadily growing in number in recent years. They are all bound by a common thread, human rights, and yet show distinctly different films. What leads them to be so different, and how is the universalism of human rights made sense by each?
This is the first book to offer an in-depth examination of the history, operation, and growth of film festivals as a cultural phenomenon within Australia. Tracing the birth of film festivals in Australia in the 1950s through to their present abundance, it asks why film festivals have prospered as audience-driven spectacles throughout Australia, while never developing the same industry and market foci of their international fellows. Drawing on over sixty-years of archival records, festival commentary, interviews with festival insiders and ephemera, this book opens up a largely uncharted history of film culture activity in Australia.
This book has an original focus and is structured in two parts: the first discusses broad issues affecting music festivals globally, especially in the context of rural revitalisation.The second part looks in more detail at a range of types of festivals commonly found throughout North America, Europe and Australasia, such as country music, jazz, opera and alternative music festivals. The authors draw on in-depth research undertaken over the past five years in a range of Australian places and make clear conclusions on their significance for rural and regional change.
This volume represents a multi-faceted, cross-period product of fieldwork conducted in contemporary Greece in combination with ancient sources. Based on a comparative analysis of important religious festivals and life-cycle rituals, the book investigates the importance of cults connected with the Greek female sphere and its relation to the official male-dominated ideology. Within these festivals are encountered supplementary, complementary or competing ideologies connected with men and women, and it is shown that there is not a one-way power structure or male dominance within Greek culture, but rather competing powers linked to the two sexes and their respective spheres. In addition to gender, the book also explores the relationship between the “great” and “little” societies, in the form of official and popular religion. As such, it will serve to broaden the reader’s knowledge of ancient, but also modern, society, because it concerns the relationship between various spheres of life which each possess their own competing and overlapping, but also co-existing, value-systems.
Festivals is a must-have guide to the world’s best and most memorable music festivals – a list of all those you need to know and those you should experience. Discover the compelling stories behind the most significant and exciting events around the world which shape music and festival culture. This inspirational global guide showcases 50 bucket list festivals with photographs, posters, facts and figures, and draws attention to hundreds more to explore. Highlighting festival giants and jazz classics, pop powerhouses and indie favourites to dance scene darlings and punk rock adventures, we travel from Woodstock, Glastonbury, Coachella and Roskilde to Fuji Rock, Tomorrowland, Burning Man and Afro Punk. Here, the unique experience of a music festival is evocatively captured and an overview of the rise of the wonderful world of festival culture as we know it today revealed. Music journalist and DJ Oliver Keens writes with expertise, having played across Europe, from Glastonbury to the top of a Bulgarian mountain, and he guides us through these special and truly unique cultural gatherings with insight, bringing the vibrant scenes recounted in these pages to life.