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April 25 - May 25, 1985
Colombian-born Fernando Botero (b. 1932) is a painter, sculptor, and draftsman renowned for his extravagantly rounded figures combining the polish and excess of Spanish colonial baroque with the social realism of the Mexican muralists. Their humorous exaggeration belies the more serious content of Botero’s work—commentary on colonialism, political instability in Latin America, and the vernacular artistic traditions of the region, as well as European art history. Accompanying the artist’s first American retrospective in over thirty years, The Baroque World of Fernando Botero is the most extensive study of his life and work to date. Drawn exclusively from Botero’s private collection, the 100 works featured in this book, including previously unpublished paintings and drawings, represent the full scope of his oeuvre from a uniquely personal perspective. Many of these—portraits of friends and family members and remembered scenes—have remained in the artist’s possession since their creation, while others he has bought back over the years as markers of significant developments in his career. Three essays examine the artist’s creative life, from the aesthetic environment in which Botero developed his unique style to his catalyzing influence on the Colombian art world of the 1960s and 70s.
November 4 - December 5, 1998
Fernando Botero has never been in fashion in academic/art critic circles because his work is too accessible, too easy to like. Almost all of his work has a cartoonish quality that is disarming, often humorous, and easily accessible to people unschooled in the arcane art theories of the moment. Indeed, who wants critics and theoreticians around to distract one from the sheer enjoyment of what Botero has to offer? And enjoyment is what this book is about. Botero's drawings are charming in both their subject matter and their execution, and this book shows them off superbly. Mixtures of watercolor, pencil, charcoal, or pastel, on paper or often on raw canvas, their techniques are varied and interesting. Admittedly their quality is somewhat variable, but at their best they are wry, eloquent, and riveting.
The work of contemporary Colombian artist Fernando Botero is well known throughout the world. His exaggerated rendering of fleshy human, animal, and still-life figures has become an unmistakable characteristic of his style. This beautifully illustrated volume is one of the few to focus solely on Botero's sculpture, which provides an ideal medium for his exploration of space and volume. The book showcases works in small and medium format as well as the famous monumental works that have made Botero the leading sculptor of the 20th century.
One of Latin America's most garlanded novelists—and the recipient of the 2010 Nobel Prize in Literature—Mario Vargas Llosa is also an acute and wide-ranging cultural critic and an acerbic political commentator. Touchstones collects Vargas Llosa's brilliant readings of seminal twentieth-century novels, from Heart of Darkness to The Tin Drum; incisive essays on political and social thinkers; and contemporary pieces on 9/11 and the immediate aftermath of the war in Iraq. Fantastically intelligent, inspired, and surprising, Touchstones is a landmark collection of essays from one of the world's leading writers and intellectuals.
Par son caractère exhaustif, cette bibliographie offre au praticien, au simple amateur, aussi bien qu'au chercheur spécialisé, la possibilité d'embrasser d'un coup d'oeil la quasi-totalité des ouvrages en français, concernant les spectacles, parus entre 1985 et 1995. This comprehensive bibliography of the performing arts lists almost 8000 French-language books, published between 1985 and 1995, and is a welcome work of reference for anyone interested in the subject.