Download Free Fender Bass For Britain Book in PDF and EPUB Free Download. You can read online Fender Bass For Britain and write the review.

The book "A Fender Bass for Britain" tells the story of a rare bass guitar made in 1966, the heyday of classic rock bands. Only a few of this particular bass with it's unique combination of features were ever made, and they mostly came to Britain. There are many Pictures of John Entwistle and others, with the bass, never been seen or published before. This book tells of the man that made them, the men that played them and where some of them ended up. The book features interviews with the stars that used the bass, such as John Entwistle of The Who, Chip Hawkes of The Tremeloes and a number of others. The author, Barry Matthews, came across this bass in the Seventies and was intrigued. Then, in the Nineties, he started a systematic search to track them down and write the story behind them. He has travelled to the USA and to a number of places in England in the process of compiling this fascinating account.
by Paul Balmer This manual covers the Fender Bass guitars in detail, explaining how to maintain them, set them up to get the best sound, and repair them when things go wrong or damage occurs. Leo Fender s design concept based on his own Telecaster guitar was the first large-scale production bass guitar and changed the sound of popular music forever. Superbly illustrated and designed, this manual includes case studies of key models everything from the Bass VI to a Fretless Jaco Pastorious Jazz model.
Gorgeously illustrated and authoritatively written, Fender 75 Years is the officially licensed celebration of the legendary brand's landmark anniversary, covering all of Fender's iconic guitars, amps, and basses.
A must have read for Fender bass lovers and fans of the 60's music scene who will love the colour and vibe of this book. It tells how in 1966, the author's order for a Telecaster Bass engendered a unique Hybrid of Leo Fender's standard Precision Bass. The Hybrid has become legendary; its reputation is peerless. Finally the true history is unlocked.
A complete illustrated history of bass guitars.
(Book). When Leo Fender added a bass to his growing family of instruments 50 years ago, he created a new world for musicians and revolutionized an industry in the process. Using hundreds of photographs, this exciting release chronicles the evolution of that instrument from 1951 to 2001, providing background, history and highly researched facts vital to understanding everything about this remarkable member of the Fender family. A must for all music fans!
(Book). Most musicians are familiar with the famous Bigsby Vibrato, but not as many know about the wonderful guitars that Paul Bigsby built in the 1940s. Bigsby, who was responsible for developing and refining the pedal steel guitar, also built the first modern solid body electric guitar for Merle Travis in 1948, predating Leo Fender and Gibson's Les Paul by a number of years. The Story of Paul A. Bigsby tells how Bigsby influenced Fender and Gibson, as well as a number of other guitar manufacturers, in building techniques and design. This deluxe illustrated coffee table book contains over 300 color and black & white photos. Many of these have not previously been published, and over 50 are actual Bigsby instrument photos taken by fine arts photographer Greg Morgan. The book also comes with an audio CD of Paul Bigsby, recorded in the late 1950s, telling stories of his business.
An audio-visual guide to Stratocasters, Telecasters and more. The Totally Interactive Fender Bible is a two-part set, comprising a DVD on which author Dave Hunter and former XTC guitarist Dave Gregory demonstrate a litany of vintage and modern Fender guitars and amplifiers and a reference book full of information about and pictures of the complete Fender range. The DVD also includes a host of special features and music files that will show you how to get the best out of Teles, Strats, Jazzmasters, Mustangs and more.
The guitar has become the most emotive musical instrument of the last 50 years of rock and roll. From the early days when wannabee stars fashioned homemade guitars out of old tea chests, to today's sophisticated instruments the impact has been phenomenal. In this book, Mo Foster, one of the industry's most prestigious bass guitarists, and renowned producer, composer and session musician draws upon his own recollections and those of some of the greatest exponents of the rock guitar, from Hank Marvin to Eric Clapton and Brian May. Once managed by Ronnie Scott, Foster has recorded and toured with many of the world's biggest musical icons including Jeff Beck, Phil Collins, Eric Clapton, Gerry Rafferty, Van Morrison and George Martin. In this insightful, passionate and humorous book Mo Foster has written the definitive history of the importance of the guitar in the development of British music over the last 50 years.
“A hot-rod joy ride through mid-20th-century American history” (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar’s amplified sound—Leo Fender and Les Paul—and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built. In the years after World War II, music was evolving from big-band jazz into rock ’n’ roll—and these louder styles demanded revolutionary instruments. When Leo Fender’s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul—whose endorsement Leo Fender had sought—to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s—including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton—adopted one maker’s guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In “an excellent dual portrait” (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering “spot-on human characterizations, and erotic paeans to the bodies of guitars” (The Atlantic). “The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new” (The Washington Post).