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This book contains a representation of an early 20th century typescript by A. F. Johnson, currently owned by the Howard de Walden Library and housed in the Wallace Collection, containing his unpublished translation of the 1606 treatise of Salvator Fabris. Since it is not possible to scan the book, it was photographed by Guy Windsor and these photos were carefully transcribed by Michael Chidester, and then formatted to resemble the original as closely as modern technology allows. No attempt has been made to correct spelling, grammar, or formatting errors present in the original. This is the illustrated edition, containing reproductions of Fabris' artwork on the blank verso pages, as might have been intended for the original. There is also an unillustrated edition, exactly matching the typescript.
This book contains a representation of an early 20th century typescript by A. F. Johnson, currently owned by the Howard de Walden Library and housed in the Wallace Collection, containing his unpublished translation of the 1606 treatise of Salvator Fabris. Since it is not possible to scan the book, it was photographed by Guy Windsor and these photos were carefully transcribed by Michael Chidester, and then formatted to resemble the original as closely as modern technology allows. No attempt has been made to correct spelling, grammar, or formatting errors present in the original. This is the unillustrated edition, exactly matching the typescript. There is also an illustrated edition containing reproductions of Fabris' artwork on the blank verso pages, as might have been intended for the original.
Camillo Agrippa's widely influential "Treatise on the Science of Arms" was a turning point in the history of fencing. The author - an engineer by trade and not a professional master of arms - was able to radically re-imagine teaching the art of fencing. Agrippa's treatise is the fundamental text of Western swordsmanship. Just as earlier swordsmanship can be better understood from Agrippa's critiques, so too was his book the starting point for the rapier era. Every other treatise of the early-modern period had to deal explicitly or implicitly with Agrippa's startling transformation of the art and science of self-defense with the sword. Likewise, all of the fundamental ideas that are still used today - distance, time, line, blade opposition, counterattacks and countertime - are expressed in this paradigm-shifting treatise. This is a work that should be on the bookshelf of anyone interested in the history, practice or teaching of fencing. His treatise was also a microcosm of sixteenth-century thought. It examines the art, reduces it to its very principles, and reconstructs it according to a way of thinking that incorporated new concepts of art, science and philosophy. Contained within this handy volume are concrete examples of a new questioning of received wisdom and a turn toward empirical proofs, hallmarks of the Enlightenment. The treatise also presents evidence for a redefinition of elite masculinity in the wake of the military revolution of the sixteenth century. At the same time, is offers suggestive clues to the place of the hermetic tradition in the early-modern intellectual life and its implications for the origins of modern science. Camillo Agrippa's "Treatise on the Science of Arms" was first published in Rome in 1553 by the papal printer Antonio Blado. The original treatise was illustrated with 67 engravings that belong to the peak of Renaissance design. They are reproduced here in full. "Mondschein has at last made available to English-speaking readers one of the most important texts in the history of European martial arts. Agrippa marks a turning point in the intellectual history of these arts.... Mondschein's introduction to his work helps the reader understand Agrippa - and the martial practices themselves - as pivotal agents in the evolving cultural and intellectual systems of the sixteenth century. Above all, Mondschein's translation is refreshingly clean and idiomatic, rendering the systematic clarity of the Italian original into equally clear modern English - evidence of the author's familiarity with modern fencing and understanding of the physical realities that his author is trying to express. Mondschein's contextualization of his topic points the way for future scholarly exploration, and his translation will doubtless be valued by both students of cultural history and practitioners of modern sword arts." - Dr. Jeffrey L. Forgeng, Paul S. Morgan Curator -Higgins Armory Museum, Adj. Assoc. Prof. of Humanities, Worcester Polytechnic Institute First English translation. Hardcover, 234 pages, 67 illustrations, introduction, bibliography, glossary, appendix, index."
The Italian Rapier has held a special place in the history of European swordsmanship. Famous for generations after his death, Salvatore Fabris became the personal fencing master to the equally famous King Christianus of Denmark. Towards the end of his career, and at the king's request, the great master set down the sum of his art in clear in a clear, concise manual of footwork, guards, attacks, defenses, and conterattacks with the rapier, used alone or with a dagger or cloak. A landmark work brought to English for the very first time, Tomasso Leoni offers a complete translation that accompanies the 200 17th century engravings.
The most detailed and comprehensive treatise on swordsmanship ever written, Gerard Thibault's Academy of the Sword offers an extraordinary glimpse into a forgotten landscape of ideas, in which Pythagorean sacred geometry illuminated the lethal realities of rapier combat to create one of the Western world's only thoroughly documented esoteric martial arts. Translated by the widely respected occultist and scholar John Michael Greer, this stunningly illustrated and precisely detailed manual of Renaissance swordsmanship is a triumphant document of Renaissance culture-as well as a practical manual of a martial art that can still be studied and practiced today.
The definitive work on fencing history and the art swordsmanship traces the sport from its rough beginnings to its latter-day refinement, focusing primarily on the 16th-century development of the rapier and its popularity in Italy.