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These are poems of positions and relationships, shifting angles on received wisdom or cultural cliché, fiercely signifying in an age of raging information and vicious exploitation. For Patricia Spears Jones, subjectivity is a challenge and a bugaboo. "Who wants to know your stuff unless Subject (Black and Female) is violated and/or perseveres against all odds?" asks Spears Jones. She tackles grand issues like racism and sexism, but with an intimate poet's eye to details, moments, miracles, pains, and the wildness of the moon and stillness of water. History and the visual serve as analogs for this collection, tying together a diverse group of poems written about the paintings and statuary in Paris; mansions in Virginia; the commes de garcons store in Soho; or a chocolate shop's window in Munich. This is a textured landscape of troubles and terrors and temptations galore. A world that would look familiar to Dante, whose observations about winners and losers haunts these poems. "We know more than we care to admit and live lives of such great challenge that where humor and awe finds us is where poetry begins," Spears Jones writes. "Luck is a harsh thing to hang one's life on. Better to be curious. Get up. Walk out the door and face what the world offers with humor, with courage, with joy."
Ils m'ont violee est un recit poignant qui ne laisse pas le lecteur indifferent. Face a un drame qui dure depuis des annees, Masumbuko Mununguri nous offre une fiction cathartique qui demeure neanmoins une invitation a l'action. Comment peut-on rester les bras croises face a tous ces morts ? C'est la question a laquelle le lecteur est oblige de repondre en refermant ce livre. Un temoignage au nom de ceux qui sont morts et qui ne pourront pas parler. Masumbuko se veut le porte-parole de ceux-la. Il tire sa legitimite de sa connaissance de la region dont sa famille est originaire et qu'il visite regulierement voila deja vint ans; vingt ans que l'on tue dans l'indifference generale.
The World of the Salons is a revisionist study of the French salon of the eighteenth century, arguing that it was a place governed by social hierarchy, not equality, connected to the world of the Court, and not the fount of the Enlightenment as has traditionally been believed.