Download Free Feminized Vacation Book in PDF and EPUB Free Download. You can read online Feminized Vacation and write the review.

In Working at Play, Cindy Aron offers the first full length history of how Americans have vacationed--from eighteenth-century planters who summered in Newport to twentieth-century urban workers who headed for camps in the hills. In the early nineteenth century, vacations were taken for health more than for fun, as the wealthy traveled to watering places, seeking cures for everything from consumption to rheumatism. But starting in the 1850s, the growth of a white- collar middle class and the expansion of railroads made vacationing a mainstream activity. Aron charts this growth with grace and insight, tracing the rise of new vacation spots as the nation and the middle class blossomed. She shows how late nineteenth-century resorts became centers of competitive sports--bowling, tennis, golf, hiking, swimming, and boating absorbed the hours. But as vacationing grew, she writes, fears of the dangers of idleness grew with it. Religious camp grounds, where gambling, drinking, and bathing on Sundays were prohibited, became established resorts. At the same time 'self improvement' vacations began to flourish, allowing a middle class still uncomfortable with the notion of leisure to feel productive while at play. With vivid detail and much insight, Working at Play offers a lively history of the vacation, throwing new light on the place of work and rest in American culture.
Literature departments are staffed by, and tend to be focused on turning out, "good" readers--attentive to nuance, aware of history, interested in literary texts as self-contained works. But the vast majority of readers are, to use the author's tongue-in-cheek term, "bad" readers. They read fiction and poetry to be moved, distracted, instructed, improved, engaged as citizens. The author of this book argues that we should think of such readers not as non-literary but as paraliterary--thriving outside the institutions we take as central to the literary world. She traces this phenomenon to the postwar period, when literature played a key role in the rise of American power. At the same time as American universities were producing good readers by the hundreds, many more thousands of bad readers were learning elsewhere to be disciplined public communicators, whether in diplomatic and ambassadorial missions, private and public cultural exchange programs, multinational corporations, or global activist groups. As we grapple with literature's diminished role in the public sphere, she suggests a new way to think about literature, its audience, and its potential, one that looks at the civic institutions that have long engaged readers ignored by the academy.
She turns him into her girlfriend? A young, openminded couple goes to a fantasy resort for a vacation. Little did Jack know what they had signed up for. Sindy becomes the girl of any man's dreams and Jack becomes her equally alluring girlfriend, Jackie. No longer their old selves, but now as two girlfriends on vacation, will Jack be able to deal with being not simply cross-dressed as a woman, but nearly fully feminized and playing the role of a sexy young lady surrounded with handsome men? The same handsome men that have an eye for his love Sindy as well? Will jealousy raise its ugly head or will they be able to share in their mutual pleasures and still be in love with each other...or find love with others, in unexpected ways? Join them on their transformational journey as they become two girls on vacation in this gender-bending, new-adult, LGBT, transgender, crossdressing, feminization, first-time, short-read romance.
The rhetoric surrounding Empire, freedom, and adventure are nowhere more striking than in nineteenth-century British women’s travel writing. The Right Sort of Woman charts the progression of British feminism in relationship to exploration of the Empire. Precious McKenzie introduces us to the lesser known writings of Florence Douglas Dixie, Mrs. Aubrey Le Blond, and Isabel Savory, and also revisits the more widely read travel texts of Isabella Bird Bishop and Mary Kingsley. Their travel writings explore the hotly debated Victorian ideologies of femininity, equality, and fitness. McKenzie contends that British women travel writers found opportunities for freedom when traveling abroad. Women travelers could participate in what were traditionally men’s sports – hunting, riding, canoeing, shooting, mountaineering – when far away from strict Victorian social codes of behavior. Because of their athletic pursuits while abroad, British women travelers found their health improved as did their self-reliance and self-confidence. McKenzie considers how sports shaped the British feminist movement and then became integral to the revolutionary image of the New Woman at the fin de siècle.
Are you a feminist? Or are you a masculinist? It's a trick question-they're the same thing, says mother of two and parenting magazine journalist, Natalie Ritchie. Five decades after feminism began, women are trapped in a masculinist dead end. Feminists claim to be women's friend, but their actions shout the opposite. Feminism cheerleads a woman's man-identical career, but sneers at her work as mother and housewife. It pushes women into nine-to-five jobs designed for a man with a 24/7 wife at home, but fails to shape jobs around the domestic workload of the working woman who is also that 24/7 wife. It exhorts women to ape men's working style, and shuns development of a truly womanly working style. It celebrates a woman's 'leadership' that copies a man's leadership in the economy and politics, but blindsides a woman's more profound leadership outside the workplace as the one who shapes the souls of the next generation, and who lives, loves and spreads the joy in our homes, friendship circles and communities. Feminists seek a 50/50 'gender-equal' world in which one hundred percent of women do what one hundred percent of men do, ensuring women's interests, contributions and priorities are eradicated. In its bid to bust the patriarchy, feminism has become the patriarchy.After a wide-ranging career in public relations and writing, as a mother, and from her most recent role as features editor at a national parenting magazine, Natalie Ritchie shows feminism up for what it is-masculinism. With a warm regard for women, a big-picture eye for feminism's hypocritical man-worship, and a defiant refusal to bow to it, she points to what the world looks like when it truly values women.
From television, film, and music to sports, comics, and everyday life, this book provides a comprehensive view of working-class culture in America. The terms "blue collar" and "working class" remain incredibly vague in the United States, especially in pop culture, where they are used to express and connote different things at different times. Interestingly, most Americans are, in reality, members of the working class, even if they do not necessarily think of themselves that way. Perhaps the popularity of many cultural phenomena focused on the working class can be explained in this way: we are endlessly fascinated by ourselves. Blue-Collar Pop Culture: From NASCAR to Jersey Shore provides a sophisticated, accessible, and entertaining examination of the intersection between American popular culture and working-class life in America. Covering topics as diverse as the attacks of September 11th, union loyalties, religion, trailer parks, professional wrestling, and Elvis Presley, the essays in this two-volume work will appeal to general readers and be valuable to scholars and students studying American popular culture.
Today science is moving in the direction of synthesis of the achievements of various academic disciplines. The idea to prepare and present to the international academic milieu, a multidimensional approach to globalization phenomenon is an ambitious undertaking. The book The Systemic Dimension of Globalization consists of 14 chapters divided into three sections: Globalization and Complex Systems; Globalization and Social Systems; Globalization and Natural Systems. The Authors of respective chapters represent a great diversity of disciplines and methodological approaches as well as a variety of academic culture. This is the value of this book and this merit will be appreciated by a global community of scholars.
Providing an overview of Japanese media theory from the 1910s to the present, this volume introduces English-language readers to Japan's rich body of theoretical and conceptual work on media for the first time. The essays address a wide range of topics, including the work of foundational Japanese thinkers; Japanese theories of mediation and the philosophy of media; the connections between early Japanese television and consumer culture; and architecture's intersection with communications theory. Tracing the theoretical frameworks and paradigms that stem from Japan's media ecology, the contributors decenter Eurocentric media theory and demonstrate the value of the Japanese context to reassessing the parameters and definition of media theory itself. Taken together, these interdisciplinary essays expand media theory to encompass philosophy, feminist critique, literary theory, marketing discourse, and art; provide a counterbalance to the persisting universalist impulse of media studies; and emphasize the need to consider media theory situationally. Contributors. Yuriko Furuhata, Aaron Gerow, Mark Hansen, Marilyn Ivy, Takeshi Kadobayashi, Keisuke Kitano, Akihiro Kitada, Thomas Looser, Anne McKnight, Ryoko Misono, Akira Mizuta Lippit, Miryam Sas, Fabian Schäfer, Marc Steinberg, Tomiko Yoda, Alexander Zahlten
What does the tradition of marriage mean for people who have historically been deprived of its legal status? Generally thought of as a convention of the white middle class, the marriage plot has received little attention from critics of African-American literature. In this study, Ann duCille uses texts such as Nella Larsen's Quicksand (1928) and Zora Neale Hurston's Their Eyes Were Watching God (1937) to demonstrate that the African-American novel, like its European and Anglo-American counterparts, has developed around the marriage plot--what she calls "the coupling convention." Exploring the relationship between racial ideology and literary and social conventions, duCille uses the coupling convention to trace the historical development of the African-American women's novel. She demonstrates the ways in which black women appropriated this novelistic device as a means of expressing and reclaiming their own identity. More than just a study of the marriage tradition in black women's fiction, however, The Coupling Convention takes up and takes on many different meanings of tradition. It challenges the notion of a single black literary tradition, or of a single black feminist literary canon grounded in specifically black female language and experience, as it explores the ways in which white and black, male and female, mainstream and marginalized "traditions" and canons have influenced and cross-fertilized each other. Much more than a period study, The Coupling Convention spans the period from 1853 to 1948, addressing the vital questions of gender, subjectivity, race, and the canon that inform literary study today. In this original work, duCille offers a new paradigm for reading black women's fiction.