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First book in English to offer a thorough introduction to key concepts and figures in Spanish feminist thought. Major Concepts in Spanish Feminist Theory is the first book in English to offer a substantial overview of Spanish feminist thought. It focuses on six concepts—solitude, personality, social class, work, difference, and equality—and distinguishes Spanish feminist theory from that of other countries. Roberta Johnson employs a chronological format to highlight continuity and polemics in Spanish feminist thinking from the eighteenth century to the present. She brings together arguments from well-known names such as Benito Jerónimo Feijoo, Concepción Arenal, Emilia Pardo Bazán, María Martínez Sierra, Carmen de Burgos, and Carmen Laforet, as well as less familiar figures such as the Countess Campo Alange María Laffitte and Lilí Álvarez, who defied restrictions on feminist activity during the Franco dictatorship to publish feminist books. The topics of difference and equality are explored, and the book recounts the long tension between theorists of each persuasion—a tension that erupted publicly during Spain’s democratic era. Each theorist’s arguments are laid out in straightforward, non-jargonistic prose, making this book a useful classroom tool for courses on Spanish women writers, Spanish culture, and cross-cultural feminist studies. “This book is a significant overview of the theoretical concepts and authors that make up the history of Spanish feminism from the eighteenth century to the present. The organization of the book around concepts is not only its great strength but is also refreshing—a novel approach to a chronological history of Spanish feminism.” — Alda Blanco, San Diego State University
The State will not protect us from gender violence. Our feminism must be anti-racist and decolonial, and must fight for everyone's safety
At no point in recorded history has there been an absence of intense, and heated, discussion about the subject of how to conduct relations between women and men. This Handbook provides a comprehensive guide to these omnipresent issues and debates, mapping the present and future of thinking about feminist theory. The chapters gathered here present the state of the art in scholarship in the field, covering: Epistemology and marginality Literary, visual and cultural representations Sexuality Macro and microeconomics of gender Conflict and peace. The most important consensus in this volume is that a central organizing tenet of feminism is its willingness to examine the ways in which gender and relations between women and men have been (and are) organized. The authors bring a shared commitment to the critical appraisal of gender relations, as well as a recognition that to think ‘theoretically’ is not to detach concerns from lived experience but to extend the possibilities of understanding. With this focus on theory and theorizing about the world in which we live, this Handbook asks us, across all disciplines and situations, to abandon our taken-for-granted assumptions about the world and interrogate both the origin and the implications of our ideas about gender relations and feminism. It is an essential reference work for advanced students and academics not only of feminist theory, but of gender and sexuality across the humanities and social sciences.
"A range of contemporary feminist critical writers are discussed: Gloria Anzaldua, Judith Butler, Helene Cixous, Rachel Blau DuPlessis, Jane Flax, Susan Griffin, Donna Haraway, Luce Irigaray, Julia Kristeva, Elaine Pagels, Adrienne Rich, Eve Sedgwick, Joan Scott, Jane Tompkins, Trinh Minh-ha, and Patricia Williams. Their investment in the oral modulations of words marks not only a provocative engagement with the incommensurability of contemporary theory, but also a turn to the ambiguous and tangled qualities of language - "poetic literacy" - that generate an evocative epistemology."--BOOK JACKET.
Hope is central to marginal politics which speak of desires for equality or simply for a better life. Feminism might be characterised as a politics of hope, a movement underpinned by a utopian drive for equality. This version of hope has been used, for example in Barack Obama’s phrase ‘the audacity of hope’ – a mobilisation of an affirmative politics which nevertheless implies that we are living in hopeless times. Similiarly, in recent years, feminism has seen the production of a prevailing mood of hopelessness around a generational model of progress, which is widely imagined to have ‘failed’. However, as a number of feminist theorists have pointed out, the temporality of feminism cannot be conceived as straightforwardly linear: feminism can only be imagined as having failed if it is understood as a particular set of relations and things. This collection grapples with the question of hope: how it figures and structures feminist theory as both a movement towards certain goals, and as inherently hopeful. Questions addressed include: Does hope necessarily imply a fantasy of perfectibility, a progression to a utopian future? Might it also be conceived in other ways: as an attachment?A lure? Does life tend towards hope, happiness, optimism? And, if so, what are the consequences when hope fails? Who decides which hopes are false? What is the cost of giving up hope? This book was published as a special issue of the Journal for Cultural Research.
Essays discuss the relations among gender, self, and society, the significance of women's mothering for gender personality and gender relations, and how the psychodynamics of gender create and sustain individualism
Feminist Theory Reader is an anthology of classic and contemporary works of feminist theory, organized around the goal of providing both local and global perspectives.
The third edition of the Feminist Theory Reader anthologizes the important classical and contemporary works of feminist theory within a multiracial transnational framework. This edition includes 16 new essays; the editors have organized the readings into four sections, which challenge the prevailing representation of feminist movements as waves. Introductory essays at the beginning of each section lay out the framework that brings the readings together and provide historical and intellectual context. Instructors who have adopted the book can email [email protected] to receive test questions associated with the readings. Please include your school and location (state/province/county/country) in the email. Now available for the first time in eBook format 978-0-203-59831-3.
This book reconsiders the dominant Western understandings of freedom through the lens of women's real-life experiences of domestic violence, welfare, and Islamic veiling. Nancy Hirschmann argues that the typical approach to freedom found in political philosophy severely reduces the concept's complexity, which is more fully revealed by taking such practical issues into account. Hirschmann begins by arguing that the dominant Western understanding of freedom does not provide a conceptual vocabulary for accurately characterizing women's experiences. Often, free choice is assumed when women are in fact coerced--as when a battered woman who stays with her abuser out of fear or economic necessity is said to make this choice because it must not be so bad--and coercion is assumed when free choices are made--such as when Westerners assume that all veiled women are oppressed, even though many Islamic women view veiling as an important symbol of cultural identity. Understanding the contexts in which choices arise and are made is central to understanding that freedom is socially constructed through systems of power such as patriarchy, capitalism, and race privilege. Social norms, practices, and language set the conditions within which choices are made, determine what options are available, and shape our individual subjectivity, desires, and self-understandings. Attending to the ways in which contexts construct us as "subjects" of liberty, Hirschmann argues, provides a firmer empirical and theoretical footing for understanding what freedom means and entails politically, intellectually, and socially.
Based on the blog of the same name, a humorous book pairs 120 photos of Ryan Gosling with favorite feminist theories.