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Hannah Bacon draws on qualitative research conducted inside one UK secular commercial weight loss group to show how Christian religious forms and theological discourses inform contemporary weight-loss narratives. Bacon argues that notions of sin and salvation resurface in secular guise in ways that repeat well-established theological meanings. The slimming organization recycles the Christian terminology of sin – spelt 'Syn' – and encourages members to frame weight loss in salvific terms. These theological tropes lurk in the background helping to align food once more with guilt and moral weakness, but they also mirror to an extent the way body policing techniques in Christianity have historically helped to cultivate self-care. The self-breaking and self-making aspects of women's Syn-watching practices in the group continue certain features of historical Christianity, serving in similar ways to conform women's bodies to patriarchal norms while providing opportunities for women's self-development. Taking into account these tensions, Bacon asks what a specifically feminist theological response to weight loss might look like. If ideas about sin and salvation service hegemonic discourses about fat while also empowering women to shape their own lives, how might they be rethought to challenge fat phobia and the frenetic pursuit of thinness? As well as naming as 'sin' principles and practices which diminish women's appetites and bodies, this book forwards a number of proposals about how salvation might be performed in our everyday eating habits and through the cultivation of fat pride. It takes seriously the conviction of many women in the group that food and the body can be important sites of power, wisdom and transformation, but channels this insight into the construction of theologies that resist rather than reproduce thin privilege and size-ist norms.
Academic theology is in need of a new genre. In "Transgressive Devotion" Natalie Wigg-Stevenson articulates a theological vision of that genre as performance art. She argues that theology done as performance art stops trying to describe who God is, and starts trying to make God appear. Recognising that the act of studying theology or practicing ministry is always a performance, where the boundaries between what we see, feel, experience and learn are not just blurred but potentially invisible, Wigg-Stevenson brings together ethnographic theological fieldwork, historical and contemporary Christian theological traditions, and performance artworks themselves. A daring vision of theology which will energise anybody feeling ‘boxed in’ by the discipline, Transgressive Devotion blurs borders between orthodoxy, heterodoxy and heresy to reveal how the very act of doing theology makes God and humanity vulnerable to each other. This is theology which is a liturgy of Divine incantation. In other words: this is theology which is also prayer.
The stories of Scripture are for everyone. No exceptions. Emmy Kegler has a complicated relationship with the Bible. As a queer woman who grew up in both conservative Evangelical and progressive Protestant churches, she knows too well how Scripture can be used to wound and exclude. And yet, the stories of Scripture continue to captivate and inspire her--both as a person of faith and as a pastor to a congregation. So she set out to fall in love with the Bible, wrestling with the stories inside, where she met a God who continues to seek us out--appearing again and again as a voice, a presence, and a promise. Whenever we are pushed to the edges, our voices silenced, or our stories dismissed, God goes out after us--seeking us until we are found again. And God is seeking out those whose voices we too quickly silence and dismiss, too. Because God's story is a story of welcome and acceptance for everyone--no exceptions. Kegler shows us that even when we feel like lost and dusty coins--rusted from others' indifference, misspent and misused--God picks up a broom and sweeps every corner of creation to find us.
We live in an age uniquely attentive to the problem of mental illness. More than half of us will be diagnosed with a mental illness or disorder at some point in our lifetime. It has been easy, for centuries, to relegate persistent emotional and mental struggles entirely to the realm of a failed personal work ethic ("Just don't worry so much!"), not enough faith ("Just pray harder!"), or, in recent years, a chemical imbalance in our brains ("Just take this pill!"). Yet, for those of us who live with mental illness, none of these suggestions provides the quick relief it promises, and the continued struggle takes its toll on our already burdened hearts and minds. In All Who Are Weary, Emmy Kegler joins the reader on the long walk of reflection, understanding, and compassion, calling followers of Jesus back to ancient practices of lament, vulnerability, honesty, community, and hope. This book is not a map to a cure, nor a perfectly restorative prayer. Written with a wide community in mind--patients, but also parents and partners, coworkers and friends, pastors and therapists, and the whole church--All Who Are Weary points to the embodied grace known in Jesus, trusting in the promise of a lighter load for all.
The phrase "dude food" likely brings to mind a range of images: burgers stacked impossibly high with an assortment of toppings that were themselves once considered a meal; crazed sports fans demolishing plates of radioactively hot wings; barbecued or bacon-wrapped . . . anything. But there is much more to the phenomenon of dude food than what's on the plate. Emily J. H. Contois's provocative book begins with the dude himself—a man who retains a degree of masculine privilege but doesn't meet traditional standards of economic and social success or manly self-control. In the Great Recession's aftermath, dude masculinity collided with food producers and marketers desperate to find new customers. The result was a wave of new diet sodas and yogurts marketed with dude-friendly stereotypes, a transformation of food media, and weight loss programs just for guys. In a work brimming with fresh insights about contemporary American food media and culture, Contois shows how the gendered world of food production and consumption has influenced the way we eat and how food itself is central to the contest over our identities.
The work of Marcella Maria Althaus-Reid is both groundbreaking and notoriously difficult to read, as it blends theories from post-colonial studies, queer studies, gender and sexuality studies, and feminist and liberation theologies. Offering a much needed introduction to the work of the theologian, Queer and Indecent shows the development of Althaus-Reid’s core concepts - indigeneity, economic oppression, the body, indecency, heterosexuality, and sex, as well as setting her life in context with an overview of her stance on feminist teaching and activism, and her critique of Latin American liberation theology. Designed to introduce a new generation to her work, the book serves as both an indispensable guidebook and a launchpad for students to explore her extraordinary writing for themselves.
This volume describes the context and methodology of Christian theology by Africans in the past two decades and provides brief descriptions of sample treatments of theological issues, such as creation, Christology, ecclesiology and eschatology. The aim of the book is to lead interested persons to the sources of African women's Christian theology. Throughout an effort has been made to illustrate how African culture and the multi-religious context has influenced Christian women's selection of theological issues. The importance of daily life to theology and the attempt to probe the spirituality of African Christian women is also evident in this introduction to African women's theology.
Black Christology and the Quest for Authenticity: A Philosophical Appraisal constitutes a philosophical inquiry on Black Theology and its attendant Black Christology. Explicitly, the philosophical examination of Black Theology conceptually maps its quest for establishing Black Christology as an authentic form within Christian theology. This text critically expounds on the methodologies and arguments, which guide how Black Theology specifically affirms Black Christology as the definitive paradigm for authentic Christianity. Significantly, the racialized character of Black Theology immediately sets this discourse within the context of philosophy of race. Clearly, the philosophy of race in terms of its substance and scope is continually expanding. Notably, the philosophy of religion in its conceptual association with the African American experience considerably enriches the content of the philosophy of race. Therefore, Black Christology and the Quest for Authenticity: A Philosophical Appraisal stands as a unique contribution to philosophy of race. Summarily, while this book tackles the formidable problem of Christian theological subject matter, nonetheless, the reader must be aware that this is not a work executed methodologically in any theological manner, inclusive of Christian theology. Subsequently, while the object of our investigation substantively remains theological in character, the method of investigation is guided by philosophical inquiry, which is based on secular principles. Furthermore, although, most mainstream works in philosophy of religion, along with theology neglect to exam African American theologians and philosophers, the subject matter of Black Christology substantially facilitates in filling this intellectual void.
Introduction: theology, food and fat: a healthy recipe? -- Syn, danger, and disordered desire -- Syn, self-surveillance and taking care: tensions and ambiguities -- Salvation, "getting rid" and "getting there" -- Rethinking sin: sizeism, the victimization of food, and the divided-self -- Rethinking salvation: a (re)turn to "sensible" eating -- Rethinking salvation: Sabbath and fat pride -- Conclusion: for the love of food, for the love of fat.
In Invisible, Grace Ji-Sun Kim examines racism, sexism, and xenophobia as she works toward ending Asian American women's invisibility. She proclaims that the histories, experiences, and voices of Asian American women must be rescued from obscurity. Speaking with the weight of a theologian, she powerfully paves the way for a theology of visibility.