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The author detects the coexistence of feminist consciousness and its unconscious repression in short stories by Lilia Pablo Amansec, Edith L. Tiempo, Tita Lacambra-Ayala, Kerima Polotan, and Ines Taccad Cammayo. She also examines the representation of women by four male fictionists - Nick Joaquin, Rony V. Diaz, Gregorio C. Brillantes, and Jose Y. Dalisay, Jr. Except for young Dalisay, all these writers were most productive during the so-called Golden Age of Philippine Fiction in English, an age when feminism was a non-word in literary discourse. An analysis of their stories within the contemporary feminist environment opens them to fresh insights which the traditional male canon would normally overlook. This book thus hopes to develop an awareness of a fascinating activity, namely, reading as a woman, particularly a Filipino woman. But the reader need not be a woman to get the point.
Research Paper (postgraduate) from the year 2016 in the subject English Language and Literature Studies - Comparative Literature, grade: 1.25, , course: Graduate Program in Master of Arts in English Language Teaching, language: English, abstract: This paper attempted to analyze in the six Philippine short stories written by Filipino women the struggles that continue to plague women as they continue to improve their plight in a patriarchal society. "Desire" by Paz Latorena (1937); "The Corals" by Edith Tiempo (1948); "The Virgin" by Kerima Polotan-Tuvera (1952); "Love in the Corn Husk" by Aida Rivera-Ford (1957); "Magnificence" by Estrella Alfon (1960); and "The Visitation of the Gods" by Gilda Cordero-Fernando (1962). Specifically this study aimed to answer these following questions: What elements of feminism are present in the six short stories? What struggles are experienced by these women characters in terms of: economic inequality; social discrimination; political power; and psychological oppression? What are the causes of their struggles? What courses of action do the women take to triumph over their struggles? How can this study contribute to the in promoting gender equality and women empowerment in the local setting as well as in the international stage? For the research methodology, the study made use of the descriptive method. The researcher found it was appropriate because it makes use of the processes of gathering, analyzing and classifying data about prevailing conditions, practices, beliefs, processes, trends, and cause and effect relationships. The principal anchor of this method was the description of the nature of a situation as it exists during the time of the study and to explore the causes of a particular phenomenon.
Celebrating the centennial of his birth, the first-ever U.S. publication of Philippine writer Nick Joaquin’s seminal works, with a foreword by PEN/Open Book Award–winner Gina Apostol A New York Times Book Review Editor's Choice Nick Joaquin is widely considered one of the greatest Filipino writers, but he has remained little-known outside his home country despite writing in English. Set amid the ruins of Manila devastated by World War II, his stories are steeped in the post-colonial anguish and hopes of his era and resonate with the ironic perspectives on colonial history of Gabriel García Márquez and Mario Vargas Llosa. His work meditates on the questions and challenges of the Filipino individual’s new freedom after a long history of colonialism, exploring folklore, centuries-old Catholic rites, the Spanish colonial past, magical realism, and baroque splendor and excess. This collection features his best-known story, “The Woman Who Had Two Navels,” centered on Philippine emigrants living in Hong Kong and later expanded into a novel, the much-anthologized stories “May Day Eve” and “The Summer Solstice” and a canonic play, A Portrait of the Artist as Filipino. As Penguin Classics previously launched his countryman Jose Rizal to a wide audience, now Joaquin will find new readers with the first American collection of his work. Introduction and Suggestions for Further Reading by Vicente L. Rafael For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
DIVFocusing on the early to mid-twentieth century, Denise Cruz illuminates the role that a growing English-language Philippine print culture played in the emergence of new classes of transpacific women./div
"The first of its kind in Philippine scholarship. It chronicles the evolution of Philippine literature simultaneously in terms of medium (English) and gender (women). In addition, the book proposes hypotheses regarding the whys and wherefores of this specific segment of Philippine literature."--Page [4] of cover.
Philippines is Hélène Cixous's reverie or 'true dreaming' which intertwines Freud's uneasy views on telepathy, autobiographical memories conflating Algeria and Paris, childhood and adult life, shared with her brother 'Pete', and literary evocations from Proust and George du Maurier's forgotten novel Peter Ibbetson. Amid telepathic conversations, real or imagined, and life events uncannily answering one another from a distance, Cixous's dense evocative journey ceaselessly 'returns to its starting point' and, like the twin almonds in one shell evoked by the title, reveals intimate, secret bonds between scenes and beings, real and fictional. Its interpretive sharpness delivered with stylistic elegance and candour will make this study typical of Cixous's art, which plies between literature and criticism, appealing not only to scholars and critics interested in psychoanalysis, autobiography and the act of reading, but also to a broader readership captivated by the hallucinatory coincidences between life, dream and fiction, when 'Reality is the dream. The dream is the true reality'.
Three novellas--including Obsession, Platinum, and Cadena de Amor--examine the Philippine experience through the lives of three female characters, a prostitute, a student activist, and a politician.
In this first ever book-length study of maternal representations in Cebuano literature, Hope Sabanpan-Yu reveals the confluence of indigenous and foreign cultures and convincingly connects the theory of split-level maternity to the debate on motherhood in the Philippines. Yu traces the history of motherhood and examines the maternal stereotypes including the important roles played by patriarchal and societal structures.