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Feminist theologians often claim that "women's experience" is their starting point. However, most feminist theology is remarkably void of analysis of particular women's experiences of imaging God. In this book, Knight provides practical recommendations to help people transform images in the context of religious practices. What difference does it make whether we picture God as an elderly white grandfather, a nurturing African American mother, or a stranger on the bus? Jennie Knight says our image of God affects how we see ourselves, how we worship, how we treat one another, how (or whether) we work for justice, and a host of other life practices. But after years of knowing intellectually that God transcends a specific human type, Knight still struggles to make an emotional connection with God in different forms. She suspects that that struggle is why many seminarians who wrote papers about thea/theology abandon nontraditional God images once they hit parish ministry, perpetuating the practice of seeing God as a European male on a throne and all the accompanying problems that such imagery creates. Knight believes that personal and critical reflection in the context of a supportive learning community, combined with experiences of diverse images for the divine in worship, can lead to profound changes in self-image, relationship with the divine, and agency in the world. This book aims to demonstrate why and how this transformation is both possible and necessary. The popularity of The Shack, The Secret Life of Bees, Joan of Arcadia, and other works with nontraditional God-figures reveals a culture ready to embrace God in many forms. Knight examines how the church can do the same.
Lanzetta illuminates the transformative potential of the classical tradition of women mystics, especially in light of contemporary violence against women around the world. Focusing on the contemplative process as women's journey from oppression to liberation, Lanzetta draws especially on the mysticism of Julian of Norwich and Teresa of Avila. She lays out the contemplative techniques used by mystics to achieve their highest spiritual potential and also investigates how unjust social and political conditions afflict women's souls. Lanzetta identifies a specific historical female mystical path (the via feminina) and draws contemporary conclusions for how women might understand their bodies, their rights, and their ethics.
There is a growing awareness that we are doomed as a species and planet unless we have a radical shift in consciousness and the re-emergence of the Goddess is becoming the symbol and metaphor for this transformation. Feminine Mysticism in Art fills the void of Goddess imagery and wisdom in the West by providing images and writings by 70 contemporary visionary artists and writers (male and female) who have committed their life's work to the re-birth of the Divine Feminine in the West. Some of the visionary artists are: AfraShe Asungi, Yasmin Hernandez, Martina Hoffmann, Penny Slinger, Autumn Skye Morrison, Heather Taylor, Mark Henson, Abba Yahudah, David Joaquin, Andrew Annenberg, Paul Heussenstamm, etc. Some of the visionary writers are: Anne Baring, Margaret Starbird, Arisika Razak, Vicki Noble, Sandra Ingerman, Hank Wesselman, Llewellyn Vaughn Lee, Lotus Linton, and so many more. It is an epic co-creative effort by powerful voices in the Women's Spirituality movement, Inter-Spirituality movement, and Transcendental Art movement. The mission of the book is to not only document a genre of art referred to as feminine mysticism or Goddess art, but also to reveal powerful images of the Divine in his/her myriad forms. The ultimate mission of the book is to assist humanity in evolving our conceptualization of the Divine, transcending out of antagonistic, dualistic, and hierarchical gender associations and into a new mode of consciousness that is more inclusive of all of God's creation. In order for this to occur, however, it is essential that the sacred feminine be firmly rooted in human consciousness. Since the masculine side of God has been so heavily portrayed in Western culture, a large number of people are yearning for images of the Goddess in order to provide alternatives to the conventional dominance of men in religion and society. In contrast, the Goddesses show us that the female can also be symbolic of all the is creative and powerful in the universe as well as provide us with an orientation that can help us save the planet from ecological destruction. Feminine mysticism is a spiritual movement devoted to the re-enchantment of the feminine principle or feminine side of God. Feminine mysticism is a spiritual journey for women, as well as for men, which has been lost to many Westerners, but is beginning to resurface in various ways. In the past thirty years, scholars from various disciplines have documented the ancient cultures and religions of the Goddess and the ways in which they had been intentionally subjugated by the patriarchal religions of Judaism, Christianity, and Islam. Archeological and historical evidence all reveal that for thousands of years, matriarchal religions and patriarchal societies existed simultaneously, and that over time, matriarchal or "pagan" religions suffered under centuries of persecution and suppression by the patriarchal societies, which held male deities as supreme. As a result, the feminine side of God has been hidden from view, leading to a deconstructed perception of humanity and disrespect towards many attributes associated with the feminine. Although the reign of matriarchal societies is long gone, the time of union between the masculine and feminine principles are close at hand. The Goddess is revealing herself to the human psyche in an assortment of ways, from the arts to the sciences. Her re-emergence is crucial to our society's shift into a new paradigm, a symbiotic union between the masculine and feminine aspects within the human psyche, society, and the world of spirit. However, before this shift in consciousness can occur, the awakening of the Divine Mother needs to occur on a worldwide level, which is why is is crucial to get as many images of HER as possible into the public's view at this time. See book's website: www.mysticspiritart.com
Wild Mercy is essential reading for anyone ready to awaken the feminine mystic within and birth her loving, creative, and untamed power into the world. “Mystical brilliance at its best.” —Caroline Myss “No one can take us into the fiery and tender depths of the sacred feminine with more skill, humor, clarity, and vibrant naked honesty than Mirabai Starr.” —Andrew Harvey, author of The Hope and The Return of the Mother We live in a world that has suffered the abuses of an unbalanced masculine rule for thousands of years—but the feminine is rising. “Seeds of feminine wisdom that have been quietly germinating underground are now breaking through the surface,” writes Mirabai Starr. “Women everywhere are rising to the collective call to step up and repair our broken Earth. And we are activating a paradigm shift such as the world has never seen.” With Wild Mercy, Mirabai shares the subversive wisdom and fierce compassion of the feminine mystic across cultural boundaries and throughout history. From saints and sages, to goddesses and archetypal energies, to contemporary teachers and seekers—you’ll meet women who blazed a path that will illuminate your own. Each chapter explores a different facet of feminine mysticism through a tapestry of teachings, reflections, and stories, along with a practice for integrating the chapter’s themes into your own life. As you journey through these pages, you’ll explore: Taking refuge in contemplative practice with St. Teresa of Avila and the ShekinahLonging, embodiment, and union as the heart of feminine spiritual practice with the Hindu poet Mirabai and Mary MagdaleneYour relationship with the Earth, motherhood in all its forms, and a loving call to action alongside Gaia and Ix ChelCommunity and the web of life with Indra, the Beguines, and female prophets throughout historyWild, playful, and compassionate mercy with Tara and Kuan YinFinding joy in creativity and the arts with Saraswati and Chiyo-niMore inspiration from archetypal goddesses and amazing women past and present—Julian of Norwich, the Sufi saint Rabia, Pachamama, Sophia, Old Spider Woman, Hildegard of Bingen, Demeter, Kali, and more Wild Mercy provides a much-needed alternative to the models of religion and spirituality that have dominated history. Here, Mirabai invites you to welcome the wisdom of women back into the collective field where it may transform the human family, heal the ravaged Earth, and awaken the divine love in our hearts.
One of Kabbalah's most distinctive images of the feminine divine is that of a motherly, breastfeeding God. Suckling at My Mother's Breasts traces this idea from its origins in ancient rabbinic literature through its flourishing in the medieval classic Sefer ha-Zohar (The Book of Splendor). Taking the position that kabbalistic images provide specific, detailed models for understanding the relationship between God and human beings, Ellen Davina Haskell connects divine nursing theology to Jewish ideals regarding motherhood, breastfeeding, and family life from medieval France and Spain, where Kabbalah originated. Haskell's approach allows for a new evaluation of Kabbalah's feminine divine, one centered on culture and context, rather than gender philosophy or psychoanalysis. As this work demonstrates, the image of the nursing divine is intended to cultivate a direct emotional response to God rooted in nurture, love, and reliance, rather than knowledge, sexuality, or authority.
In this beautifully realized study, Peter Schäfer investigates the origins of a female manifestation of God in Jewish mysticism. The search itself is a fascinating exploration of the idea of a feminine divinity. And Schäfer's surprising but persuasive conclusions yield deeper understanding of the complex but frequently intimate relationship between Christianity and Judaism--and of the development of religious concepts more generally. Toward the end of the twelfth century, a small book titled the Bahir (Light) appeared in Provence. The first document of Judaism's emerging kabbalistic movement, it introduced a completely new view of God, one that included a divine potency that was essentially female. This female divinity was portrayed both as a mediator between Jews and God and as part of the Godhead itself. Examining Judaic history from the biblical Wisdom tradition to the Middle Ages, Schäfer finds some precedents for the Kabbalah's feminine divinity. But he cannot account for her forceful appearance in twelfth-century southern France without reference to the immediate Christian environment, particularly the flourishing veneration of the Virgin Mary. Indeed, twelfth-century Jews and Christians were simultaneously rediscovering the feminine as an aspect of the Godhead after having abandoned it in favor of either an abstract, disembodied God or an exclusively male one. In proposing that the medieval cult of Mary--rather than eastern Gnosticism--is the appropriate framework for understanding the feminine elements in Jewish mysticism, Mirror of His Beauty represents a sea change in Kabbalah and Jewish-Christian cultural studies. It shifts our attention from the Byzantine East to the Latin Christian West. And in contrast to histories that treat the development of Judaism and Christianity in isolation, it leads us to a fuller understanding of Jews and Christians living in proximity, aware of each other.
A sequel to the popular Mujerista Theology that addresses themes relevant at the beginning of the 21st century.Mujerista theology begins with personal experience and moves toward a theology that advances the dignity and liberation of all Hispanic/Latino women. This collection of essays combining personal narratives and theological discourse brings together important insights into the concerns of Hispanic women, the ways in which they can help shape theology, and the roles they can take on in the church.Divided into two sections, Part 1, The Personal Is Political, presents three essays on the author?s religious-theological experiences, showing how they help form her theology. The eight essays in Part 2, In God?s Image--Latinas and Our Struggles, focus on theological understandings essential for justice.
Diving Deep and Surfacing reveals how the writings of Kate Chopin, Margaret Atwood, Doris Lessing, Adrienne Rich, and Ntozake Shange can inform women's search for spiritual renewal. A new afterword testifies to the importance of spiritual autobiography for women.
In the western Christian tradition, the mystic was seen as having direct access to God, and therefore great authority. In this study, Dr Jantzen discusses how men of power defined and controlled who should count as a mystic, and thus who would have power: women were pointedly excluded. This makes her book of special interest to those in gender studies and medieval history. Its main argument, however, is philosophical. Because the mystical has gone through many social constructions, the modern philosophical assumption that mysticism is essentially about intense subjective experiences is misguided. This view is historically inaccurate, and perpetuates the same gendered struggle for authority which characterises the history of western christendom. This book is the first on the subject to take issues of gender seriously, and to use these as a point of entry for a deconstructive approach to Christian mysticism.
Feminism and the End of Traditional Religions