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Aandacht voor het werk van Derrida, vanuit feministisch perspectief. De volgende bijdragen zijn opgenomen: Choreographies : interview / door Jacques Derrida en Christie V. McDonald; Displacement and the discourse of woman / door Gayatri Chakravorty Spivak; Ontology and equivocation: Derida's politics of sexual difference / door Elizabeth Grosz; Deconstruction and feminism: a repetition / door Peggy Kamuf; Toward an ethic of desire: Derrida, fiction, and the law of the feminine / door Peg Birmingham; Civil disobedience and deconstruction / door Drucilla Cornell; The force of law: metaphysical or political? / door Nancy Fraser; Sentiment recuperated: the performative in women's AIDS-related testimonies / door Kate Mehuron; Crossing the boundaries between deconstruction, feminism, and religion / door Ellen T. Armour; Kolossos: the measure of a man's cize / door Dorothea Olkowski.
The 14 essays included in this collection illustrate the ways in which feminist readings can deepen understanding of Heidegger's philosophy. They illuminate both the richness and the limitations of the resources Heidegger's work can provide for feminist thought.
Traditional accounts of the feminist history of philosophy have viewed reason as associated with masculinity and subsequent debates have been framed by this assumption. Yet recent debates in deconstruction have shown that gender has never been a stable matter. In the history of philosophy 'female' and 'woman' are full of ambiguity. What does deconstruction have to offer feminist criticism of the history of philosophy? Yielding Gender explores this question by examining three crucial areas; the issue of gender as 'troubled'; deconstruction; and feminist criticism of the history of philosophy. The first part of the book discusses the work of Judith Butler, Jacques Derrida, and contemporary French feminist philosophy including key figures such as Luce Irigiray. Particular attention is given to the possibilities offered by deconstruction for understanding the history of philosophy. The second part considers and then challenges feminist interpretations of some key figures in the history of philosophy. Penelope Deutscher sketches how Rousseau, St. Augustine and Simone de Beauvoir have described gender and argues that their readings of gender are in fact empowered by gender's own contradiction and instability rather than limited by it.
Drawing attention to the vexed relationship between feminist theory and philosophy, Is Feminist Philosophy Philosophy? demonstrates the spectrum of significant work being done at this contested boundary. The volume offers clear statements by seventeen distinguished scholars as well as a full range of philosophical approaches; it also presents feminist philosophers in conversation both as feminists and as philosophers, making the book accessible to a wide audience.
This book probes the feminist faultlines in Derrida's thought and generates original feminist insight into key concerns of contemporary film studies, including spectatorship, realism vs artifice, narrative, adaptation, auto/biography and the still.
At last - an intelligent and accessible introduction to the relationship between feminism and deconstruction. In this incisive and illuminating book, Diane Elam unravels: * the contemporary relevance of feminism and deconstruction * how we can still understand and talk about the materiality of women's bodies * whether gender can be distinguished from sex * the place of ethics and political action in the light of postmodernist theory. Clearly and brilliantly written, Feminism and Deconstruction is essential reading for anyone who needs a no-nonsense but stimulating guide through one of the mazes of contemporary theory.
A kaleidoscopic portrait of Derrida's life and works through the prism of his Jewish heritage, by a leading feminist thinker and close personal friend. From the circumcision act to family relationships, through Derrida's works to those of Celan, Rousseau, and Beaumarchais, Cixous effortlessly merges biography and textual commentary in this playful portrait of the man, his works, and being (or not being) Jewish.
Deutscher is the first scholar to focus on Irigaray's controversial later works. She examines Irigaray's claim that the politics of feminism and multiculturalism are intrinsically linked. The book also gives a clear introduction to the entire corpus of her work.
Jacques Derrida argues that the feminist and intellectual Hélène Cixous is the most important writer working within the French idiom today. To prove this, he elucidates the epistemological and historical interconnectedness of four terms: genesis, genealogy, genre, and genius, and how they pertain to or are implicated in Cixous's work. Derrida explores Cixous's genius (a masculine term in French, he is quick to point out) and the inspiration that guides and informs her writing. He marvels at her skillful working within multiple genres. He focuses on a number of her works, including her extraordinary novel Manhattan and her lyrical and evocative Dream I Tell You, a book addressed to Derrida himself and one in which Cixous presents a series of her dreams. Derrida also delves into the nature of the literary archive, the production of literature, and the importance of the poetic and sexual difference to the entirety of his own work. For forty years, Derrida had a close personal and intellectual relationship with Hélène Cixous. Clever, playful, and eloquent, Geneses, Genealogies, Genres, and Genius charts the influence these two critical giants had on each other and is the most vital work to address Cixous's contribution to French thought.