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If you're too accessible they'll make your life miserable. God was with me as I endured my hard lessons to overcome. How else to learn how mean, spiteful, status-driven, competitive, catty and cruel females have become? I had to endure, but from my own sisters, are you kidding me? That's the hardest lessons of life, unfortunately. I finally understood what men do: life is a war so keep out problems not invite in more. Cover design by Karen Kellock, Inside art by Blaze Goldburst
Examining the popularity of low-budget cinema, particularly slasher, occult, and rape-revenge films, the author argues that, while such films have been traditionally understood as offering only sadistic pleasure to their mostly male audiences, in actuality they align spectators not with the male tormentor but with the females being tormented--particularly the slasher movie's "final girls"--Who endure fear and degradation before rising to save themselves.--Adapted from publisher description.
From Claire C. Holland, a timely collection of poetry that follows the final girl of slasher cinema - the girl who survives until the end - on a journey of retribution and reclamation. From the white picket fences of 1970s Haddonfield to the apocalyptic end of the world, Holland confronts the role of women in relation to subjects including feminism, violence, motherhood, sexuality, and assault in the world of Trump and the MeToo movement. Each poem centers on a fictional character from horror cinema, and explores the many ways in which women find empowerment through their own perceived monstrousness.
William Miller embarks on an alluring journey into the world of disgust, showing how it brings order and meaning to our lives even as it horrifies and revolts us. Our notion of the self, intimately dependent as it is on our response to the excretions and secretions of our bodies, depends on it. Cultural identities have frequent recourse to its boundary-policing powers. Love depends on overcoming it, while the pleasure of sex comes in large measure from the titillating violation of disgust prohibitions. Imagine aesthetics without disgust for tastelessness and vulgarity; imagine morality without disgust for evil, hypocrisy, stupidity, and cruelty. Miller details our anxious relation to basic life processes: eating, excreting, fornicating, decaying, and dying. But disgust pushes beyond the flesh to vivify the larger social order with the idiom it commandeers from the sights, smells, tastes, feels, and sounds of fleshly physicality. Disgust and contempt, Miller argues, play crucial political roles in creating and maintaining social hierarchy. Democracy depends less on respect for persons than on an equal distribution of contempt. Disgust, however, signals dangerous division. The high's belief that the low actually smell bad, or are sources of pollution, seriously threatens democracy. Miller argues that disgust is deeply grounded in our ambivalence to life: it distresses us that the fair is so fragile, so easily reduced to foulness, and that the foul may seem more than passing fair in certain slants of light. When we are disgusted, we are attempting to set bounds, to keep chaos at bay. Of course we fail. But, as Miller points out, our failure is hardly an occasion for despair, for disgust also helps to animate the world, and to make it a dangerous, magical, and exciting place.
KELLOCK PSYCH TEXTBOOKS FOR A LOST GENERATION: MANUAL FOR SUPERIOR MEN: VOLUME TWO Extended Versions by Karen Kellock NEW PSYCH THEORY by Karen Kellock Ph.D., Psychology & Proverb Author. The cause of mental illness is other people: be shocked into a new world view seeing mental illness in a new light. Elite Review: "Koestler [1962] shows all discoveries blend art with science. Vivid poetic images combined with rock-solid psychology show the tyranny of groups vs. the individual: collective insanity, the contagion of lunacy. What does it take to be a champion in a sea of sharks? That’s the essence of this work. The writing is subtle, witty, clever and highly accurate. The therapy: open the book anywhere". Mansell Pattison M.D., Postdoctoral Sponsor at UCI School of Medicine, Dept. of Psychiatry.
KELLOCK PSYCH TEXTBOOKS FOR A LOST GENERATION: MANUAL FOR SUPERIOR MEN. THE FULL COLLECTED WORKS OF KAREN KELLOCK. NEW PSYCH THEORY by Karen Kellock Ph.D., Psychology & Proverb Author. The cause of mental illness is other people: be shocked into a new world view seeing mental illness in a new light. Elite Review: "Koestler [1962] shows all discoveries blend art with science. Vivid poetic images combined with rock-solid psychology show the tyranny of groups vs. the individual: collective insanity, the contagion of lunacy. What does it take to be a champion in a sea of sharks? That’s the essence of this work. The writing is subtle, witty, clever and highly accurate. The therapy: open the book anywhere". Mansell Pattison M.D., Postdoctoral Sponsor at UCI School of Medicine, Dept. of Psychiatry. Karen Kellock received her Ph.D. from University of California, Irvine and was a postdoctoral fellow at the Medical School, Dept. of Psychiatry [NIAAA and NIMH grants] to develop a theory of System Pathology: the Debris Theory of Disease, presented in 120 books and 22 textbooks for the general public. The theory has a general formula: All disease is obstruction, all recovery is elimination, all success is attraction. The three obstructions are people, habit and food. Remove your obstruction and snap to your goals, waiting in the wings. "An integrator and discoverer. As her Ph.D. advisor it's WOW on pathological systems theory, a sudden eye-opener". Doug Chalmers, Ph.D., UCI Dept. of Psychology "Brilliance inspires thinking in new realms by debunking old myths. A true theoretician ties everything together so we can see the whole". Daniel Feldman M.D., Postdoc sponsor V.A. hospital/UCI Med Chapter art by Karen Kellock and Fox Design, Cover by Blaze Goldburst
From scream queens to femmes fatale, horror isn’t just for the boys. Gothic media moguls Meg Hafdahl and Kelly Florence, authors of The Science of Monsters, and co-hosts of the Horror Rewind podcast called “the best horror film podcast out there” by Film Daddy, present a guide to the feminist horror movies, TV shows, and characters we all know and love. Through interviews, film analysis, and bone-chilling discoveries, The Science of Women in Horror uncovers the theories behind women’s most iconic roles of the genre. Explore age-old tropes such as “The Innocent” like Lydia in Beetlejuice, “The Gorgon” like Pamela Voorhees in Friday the 13th, and “The Mother” like Norma Bates in Pyscho and Bates Motel, and delve deeper into female-forward film and TV including: The Haunting of Hill House Teeth Chilling Adventures of Sabrina Buffy the Vampire Slayer And so much more! Join Kelly and Meg in The Science of Women in Horror as they flip the script and prove that every girl is a “final girl.”
First published in 1988, The Women Who Knew Too Much remains a classic work in film theory and criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic Master of Suspense. This new edition features a new chapter which considers the last 15 years of Hitchcock criticism as it relates to the ideas in this landmark book.
In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, T
Looks at how violent women characters disrupt cinematic narrative and challenge cultural ideals.