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Erotic book two stories in one. Short story #1 Don't judge me. When a Prosecutor lives a secret life as a dominatrix and loves nothing more than to peg a man. As a well known Mistress in the area, she retires but still maintains a weekly date with the best sub she has ever had. Short Story # 2 Cuffed and stuffed When Detective Reese Maner wants to get closer to Attorney Mary Lenis so he follows her to the exclusive BDSM hoping she will fulfil his fantasy of being pegged by a strong female. Mary wants nothing more than to dominate the detective until she finds out she is his first then all bets are off.
A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.
The 120 Days of Sodom by Marquis de Sade relates the story of four wealthy men who enslave 24 mostly teenaged victims and sexually torture them while listening to stories told by old prostitutes. The book was written while Sade was imprisoned in the Bastille and the manuscript was lost during the storming of the Bastille. Sade wrote that he "wept tears of blood" over the manuscript's loss. Many consider this to be Sade crowing acheivement.
Reproduction of the original: Strange True Stories of Louisiana by George W. Cable
Sophia Morrison (1859 - 1917) was a Manx cultural activist, folklore collector and author. Through her own work and through her role in encouraging and enthusing others, she is considered to be one of the key figures of the Manx cultural revival. 'Manx Fairy Tales' was first published in 1911. "There is at least one spot in the world where Fairies are still believed in, and where, if you look in the right places, they may still be found, and that is the little island from which these stories come - Ellan Vannin, the Isle of Mann. But I have used a word which should not be mentioned here -they are never called Fairies by the Manx, but Themselves, or the Little People, or the Little Fellows, or the Little Ones, or some times even the Lil' Boys. These Little People are not the tiny creatures with wings who flutter about in many English Fairy tales, but they are small persons from two to three feet in height, otherwise very like mortals. They wear red caps and green jackets and axe very fond of hunting indeed they are most often seen on horseback followed by packs of little hounds of all the colours of the rainbow. They are rather inclined to be mischievous and spiteful, and that is why they are called by such good names, in case they should be listening!" "Besides these red-capped Little Fellows there are other more alarming folk. There is the Fynoderee, who is large, ugly, hairy and enormously strong, but not so bad as he looks, for often he helps on the farm during the night by thrashing corn. He does not like to be seen, so if a farmer wants work done by him, he must take care to keep out of the Fynoderee's way. Then, far uglier than Fynoderee, are the Bugganes, who are horrible and cruel creatures. They can appear in any shape they please - as ogres with huge heads and great fiery eyes, or without any heads at all; as small dogs who grow larger and larger as you watch them until they are larger than elephants, when perhaps they turn into the shape of men or disappear into nothing; as homed monsters or anything they choose. Each Buggane has his own particular dwelling place-a dark sea-cave, a lonely hill, or a ruined Keeill, or Church. There are many others too, but these are the chief."
Tyler Meyer is totally straight. But then the hot woman he's hooking up with sticks her finger where she shouldn't, and suddenly he's not so sure... Straight guys can like that sort of thing too, right?Except things get confusing-and frustrating-when fingers and toys aren't quite enough.Enter Nick Hardaway, Tyler's best friend. What's a little fun between bros, right?Publisher's note: This book contains explicit MM content, feminization, and strong language. Book #9 in the Straight Guys series, but it can be read as a stand alone.
Unattractive, maladapted, these sissies’ (usually evil) weaknesses make them easy meat for predatory women. Clandestine incarceration is swiftly succeeded by sexual subjugation of the most sadistic sorts. Fortunate Phillip earns a cosseted spot as The Predators’ Pet when he falls to a pair of gorgeous vigilantes determined to stamp out misogynist terrorism. Huge Heather Hunter is such a notorious fetish model she is often plagued by stalkers – keeping her Underground Fan Club properly stocked. Similarly for Madam Peregrine, Seducing the New Recruit for filling those dollar-a-blow-job booths is by far the best part of running a bdsm brothel. Two entitled losers prepare a hideously equipped dungeon for their planned career of kidnapping, rape and femicide, only to become Impaled on Our Charged Petard. Less deserving surely, eternally friend-zoned Andy little suspects where it all might end when his foxy pot-dealing partner confesses to a choking fetish in Breathless Suspense. Likewise a besotted stripling trying to make amends for ruining his deliciously strict grade school disciplinarian is driven into Becoming Fluffy – and thus succumbing to a degraded destiny that shouldn’t happen to the naughtiest doggy. Eroticism revels in riotous rebellion as the most drastic emasculations happen to those that most asked for them – one way or another.
New York Times Bestseller • Finalist for the Pulitzer Prize • An Oprah's Book Club Selection “Powerful . . . [Kingsolver] has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty.” —Los Angeles Times Book Review The Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa. The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.