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In this fascinating book, Peter Vronsky exposes and investigates the phenomenon of women who kill—and the political, economic, social and sexual implications buried with each victim. How many of us are even remotely prepared to imagine our mothers, daughters, sisters or grandmothers as fiendish killers? For centuries we have been conditioned to think of serial murderers and psychopathic predators as men—with women registering low on our paranoia radar. Perhaps that’s why so many trusting husbands, lovers, family friends, and children have fallen prey to “the female monster.” From history’s earliest recorded cases of homicidal females to Irma Grese, the Nazi Beast of Belsen, from Britain’s notorious child-slayer Myra Hindley to ‘Honeymoon Killer’ Martha Beck to the sensational cult of Aileen Wournos—the first female serial killer-as-celebrity—to cult killers, homicidal missionaries, and our pop-culture fascination with the sexy femme fatale, Vronsky not only challenges our ordinary standards of good and evil but also defies our basic accepted perceptions of gender role and identity. INCLUDES PHOTOGRAPHS
From Lady Elizabeth Bathory to Bell Gunness to Aileen Wuornos, this book takes an in-depth approach to evaluating the life and crimes of some of the world’s most vicious women, who are grouped into chapters by psychological type. Readers can also take a personality disorder self-assessment quiz to learn more about psychopathy—the most common psychological condition for serial killers.
Although they account for only ten percent of all murders, those attributed to women seem especially likely to captivate the public. This absorbing book examines why that is true and how some women, literally, get away with murder. Combining compelling storytelling with insightful observations, the book invites readers to take a close look at ten high-profile killings committed by American women. The work exposes the forces that underlie the public's fascination with female killers and determine why these women so often become instant celebrities. Cases are paired by motive—love, money, revenge, self-defense, and psychopathology. Through them, the authors examine the appeal of women who commit murders and show how perceptions of their crimes are shaped. The book details both the crimes and the criminals as it explores how pop culture treats stereotypes of female murderers in film and print. True crime aficionados will be fascinated by the minute descriptions of what happened and why, while pop culture enthusiasts will appreciate the lens of societal norms through which these cases are examined.
Women who murder . . . why are they so much more fascinating than their male counterparts? For evidence, dip into any of the sixteen strange-but-true tales collected in this anthology by Cleveland’s leading historical crime writer. You’ll meet: • Ill-fated Catherine Manz, the “Bad Cinderella” who poisoned her step-sister in revenge for years of mistreatment, then made her getaway wearing her victim’s most fetching outfit, a red dress and an enormous feathered hat . . . • Velma West, the big-city girl who scandalized rural Lake County in the 1920s with her “unnatural passions”—and ended her marriage-made-in-hell with a swift hammer’s blow to the skull of her dull husband, Eddie . . . • Eva Kaber, “Lakewood’s Lady Borgia,” who, along with her mother and daughter, conspired to dispose of an inconvenient husband with arsenic and knife-wielding hired killers . . . • Martha Wise, Medina’s not-so-merry widow, who poisoned a dozen relatives—including her husband, mother, and brother—because she enjoyed going to funerals . . . And a cast of other, equally fascinating women who behaved very, very badly. This is wickedly entertaining reading!
Whether a side-street skirmish or an all-out war, fight scenes bring action to the pages of every kind of fiction. But a poorly done or unbelievable fight scene can ruin a great book in an instant. In Fight Write you'll learn practical tips, terminology, and the science behind crafting realistic fight scenes for your fiction. Broken up into "Rounds," trained fighter and writer Carla Hoch guides you through the many factors you'll need to consider when developing battles and brawls. • In Round 1, you will consider how the Who, When, Where, and Why questions affect what type of fight scene you want to craft. • Round 2 delves into the human factors of biology (think fight or flight and adrenaline) and psychology (aggression and response to injuring or killing another person). • Round 3 explores different fighting styles that are appropriate for different situations: How would a character fight from a prone position versus being attacked in the street? What is the vocabulary used to describe these styles? • Round 4 considers weaponry and will guide you to select the best weapon for your characters, including nontraditional weapons of opportunity, while also thinking about the nitty-gritty details of using them. • In Round 5, you'll learn how to accurately describe realistic injuries sustained from the fights and certain weapons, and what kind of injuries will kill a character or render them unable to fight further. By taking into account where your character is in the world, when in history the fight is happening, what the character's motivation for fighting is, and much more, you'll be able write fight scenes unique to your plot and characters, all while satisfying your reader's discerning eye.
Why does a young woman lure teenagers into her car then participate in their horrific rape and torture? What makes a nurse lethally inject the healthy babies in her care? Women, statistically, aren`t a violent breed ... but the female of the species can be just as deadly as the male. From the mass poisoner to the sexual sadist, from profit killings to crimes committed just for twisted thrills, Carol Anne Davis sets out to explore the dark and disturbing world of the female serial killer. In depth analysis of individual cases, including new information from the minister who heard Myra Hindley`s confession, provides an invaluable insight into the psychology behind these atrocities.
Coloring books are certainly not Just for kids anymore! This unique adult coloring book is a virtual encyclopedia of the who's who in American female serial killers and may be the perfect gift for a budding artist with a penchant for the macabre. Included in this coloring book are original, single-sided illustrations for you to color, as well as information about the killers their victims the murder weapons used the location of crimes span of their crimes While enjoying coloring the vibrant illustrations in this book, you will learn about some of America's most infamous female murderers including Judy Buenoano (aka Judias Goodyear and Judias Morris). Meet Velma Barfield (the first woman to be executed by lethal injection), and Martha Jule Beck (one half of "The Lonely Hearts Killers" couple who murdered as many as 20 women between 1947 and 1949). Coloring has been proven to help adults manage both mental and physical stress, reduce anxiety, and treat depression. As you work on these detailed and bold illustrations, you may well notice your stress and tension melt away. And, as a bonus result, you may learn to become a bit more careful in your dating choices. Whether choosing this coloring book for yourself or as a gift for a friend, you will find coloring the illustrations in this unique coloring book relaxing as well as educational. Click the buy button at the top of the page to order your copy now!
AN INSTANT NEW YORK TIMES BESTSELLER! “This Golden Girls meets James Bond thriller is a journey you want to be part of.” -Buzzfeed Older women often feel invisible, but sometimes that’s their secret weapon. They’ve spent their lives as the deadliest assassins in a clandestine international organization, but now that they're sixty years old, four women friends can’t just retire – it’s kill or be killed in this action-packed thriller by New York Times bestselling and Edgar Award-nominated author Deanna Raybourn. Billie, Mary Alice, Helen, and Natalie have worked for the Museum, an elite network of assassins, for forty years. Now their talents are considered old-school and no one appreciates what they have to offer in an age that relies more on technology than people skills. When the foursome is sent on an all-expenses paid vacation to mark their retirement, they are targeted by one of their own. Only the Board, the top-level members of the Museum, can order the termination of field agents, and the women realize they’ve been marked for death. Now to get out alive they have to turn against their own organization, relying on experience and each other to get the job done, knowing that working together is the secret to their survival. They’re about to teach the Board what it really means to be a woman—and a killer—of a certain age.
Four turn-of-the-century fiends whose “crimes, even by today’s standards, are still shocking—because they were committed by women” (Yorkshire Magazine). Their names may not be as familiar as such notorious female serial killers as Aileen Wuornos, Myra Hindley, Martha Beck, or Belle Gunness. But more than a century ago they made headlines and enthralled a bloodthirsty public. Now, venturing into the darkest side of human behavior, journalist Stephen Jakobi unearths the life and crimes of four of history’s most twisted women: Agnes Norman, a London servant girl whose victims of choice were children, including three infants. Most startling is that Agnes was a child herself—only fifteen-years-old. Louie Calvert, a prostitute condemned for only one murder. But her unique death cell autobiography revealed much more to her story. Kate Webster committed one of the sickest slayings of the Victorian era. Was she also responsible for the Thames Torso Murders which rivaled Jack the Ripper? Finally, the mysterious Mrs. Willis, an English “baby farmer” whose services included foster care, wet-nursing, and infanticide. Using original research based on family-owned primary sources and government files only recently made available, In the Mind of a Female Serial Killer delves into to the grisly psyche of these infamous murderesses.