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Seven gripping tales of murder, mystery and intrigue featuring Satyajit Rayýs inimitable super sleuth, Feluda Feludaýs Last Case collects seven cases which span the career of Pradosh Mitter, a.k.a. Feluda. Starting with the first Feluda story, ýDanger in Darjeelingý ( 1965), in which Feluda and Topshe, his young cousin, grapple with anonymous letters, the young, keen-eyed detective grows more mature with each baffling crime he encounters. With amazing mental dexterity Feluda solves a gruesome murder case in ýTrouble in Gangtoký (1970), catches an unusual burglar in ýThe Anubis Mysteryý (1970), unravels the riddle of ýThe Keyý to a treasure (1973), lays a trap for the person who has stolen ýThe Gold Coins of Jehangirý (1983), and deals deftly with a group of kidnappers in ýThe Mystery of Nayaný (1990). The last story in this collection, ýRobertsonýs Rubyý ( 1992) was published after Satyajit Ray passed away, and brings to a close the glorious career of Feluda. In some of the stories Feluda and Topshe are assisted by Lalmohan Babu, alias Jatayu (a bumbling writer of crime fiction), who adds a touch of humour to the gripping action and high drama.
An incident near the desolate Chhinnamasta temple on the rocky riverbank of Rajrappa leads to the death of Mahesh Chowdhury, the head of a Hazaribagh family. Adding to the mystery are a set of coded diaries, a valuable stamp collection that is missing and a tiger that is roaming the streets of Hazaribagh. One of Feluda’s most intriguing adventures, this shows the master sleuth at his best.
Nineteen gripping tales of suspense and mystery For readers who enjoyed the adventures of Feluda in Volume 1, this second omnibus volume holds more delights. Accompanied by his cousin Topshe and the bumbling crime writer Lalmohan Ganguly (Jatayu), Feluda travels from Puri to Kedarnath, from Kathmandu to London in his pursuit of culprits; he tracks down Napoleon’s last letter, a forgotten painting by Tintoretto and a stolen manuscript.
Six exciting stories of deceit, intrigue and murder, featuring Rayýs super-sleuth Feluda, a.k,a, Pradosh Mitter, and his lieutenants, cousin Topshe and the dim-witted crime-writer, Lalmohan Babu. Their adventures begin in ýThe House of Deathý when a holiday to the beaches of Puri is interrupted by the theft of a priceless manuscript, quickly followed by a mysterious murder. Feludaýs skills are once more put to the test in ýNapoleonýs Letterý when the last known letter of the great emperor disappears and its owner is found murdered. Locating a missing person becomes the challenge in ýThe Disappearance of Ambar Sený which turns out to be a most unusual case, testing Feludaýs powers of detection to the full. ýCrime in Kedarnathý centres around a priceless pendant that a Maharaja generously bestows on Upadhyaya, a homoeopath, for curing him of asthma. But, when Upadhyaya renounces his worldly life to become a sanyasi and leaves for Kedarnath, he is hotly pursued by three different people. Can Feluda unravel the mystery before something disastrous occurs? The theatre becomes the scene of crime in ýThe Acharya Murder Caseý but Feluda is equal to the challenge. Lalmohan Babuýs joy at seeing one of his novels filmed is quickly replaced with fear as the set becomes a place of murder and theft in ýMurder in the Mountainsý, but even the most cunning of villains is no match for Feluda. Gripping drama and suspense combine with humour and memorable writing to form a splendid treat for Rayýs fans everywhere.
Feluda, Topshe and Lalmohan Babu are holidaying in the seaside town of Puri, when they discover a dead body on the beach. And soon Feluda's holiday turns into an edge-of-the-seat hunt for the killer. Some very odd things are happening in this little coastal town. Ancient Buddhist manuscripts vanish. An unknown man walks on the sand leaving very strange footprints. Lalmohan Babu finds an amazing astrologer but Topshe is not so sure. And something really spooky is going on in an abandoned house by the sea. Feluda races against time to unmask a murderer with many faces who will not hesitate to kill again. One of Feluda's most chilling cases is brought alive by Tapas Guha's brilliant artwork, and twists and turns in the story will keep you riveted till the breathtaking showdown!
Recent crime fiction increasingly transcends national boundaries, with investigators operating across countries and continents. Frequently, the detective is a migrant or comes from a transcultural background. To solve the crime, the investigator is called upon to decipher the meaning(s) hidden in clues and testimonies that require transcultural forms of understanding. For the reader, the investigation discloses new interpretive methods and processes of social investigation, often challenging facile interpretations of the postcolonial world order. Under the rubric 'postcolonial postmortems', this collection of essays seeks to explore the tropes, issues and themes that characterise this emergent form of crime fiction. But what does the 'postcolonial' bring to the genre apart from the well-known, and valid, discourses of resistance, subversion and ethnicity? And why 'postmortems'? A dissection and medical examination of a body to determine the cause of death, the 'postmortem' of the postcolonial not only alludes to the investigation of the victim's remains, but also to the body of the individual text and its contexts. This collection interrogates literary concepts of postcoloniality and crime from transcultural perspectives in the attempt to offer new critical impulses to the study of crime fiction and postcolonial literatures. International scholars offer insights into the 'postcolonial postmortems' of a wide range of texts by authors from Africa, South Asia, the Asian and African Diaspora, and Australia, including Robert G. Barrett, Unity Dow, Wessel Ebersohn, Romesh Gunesekera, Kazuo Ishiguro, Sujata Massey, Alexander McCall Smith and Michael Ondaatje.
A Deserted Temple. The Death Of A Patriarch. An Escaped Tiger&Hellip; An Incident Near The Desolate Chinnamasta Temple On The Rocky Riverbank Of Rajrappa Leads To The Death Of Mahesh Chowdhury, The Head Of A Hazaribagh Family. Adding To The Mystery Are A Set Of Coded Diaries, A Valuable Stamp Collection That Is Missing, And A Tiger That Is Roaming The Streets Of Hazaribagh. One Of Feluda&Rsquo;S Most Intriguing Adventures, This Shows The Master Sleuth At His Best. &Nbsp;
A client with an evil lookalike. A stabbing in a hotel. A gang that peddles spurious drugs... The murder of a stranger in a Calcutta hotel leads Feluda and his friends to Kathmandu, straight into the den of Maganlal Meghraj, their old adversary. With an incident at Swayambhunath, an ambush in a prayer wheel factory, a thrilling night at the casino, and a prolonged LSD-induced delusion for Jatayu, the case soon turns into a memorable adventure. In a sensational climax, the master sleuth uncovers an international racket in spurious drugs and emerges victorious yet again.
A quintessential fan tribute and a celebration of Feluda on the occasion of the sleuth's fiftieth anniversary In 1965, Satyajit Ray, drawing from the detective tradition made popular by characters such as Sherlock Holmes and Hercule Poirot, created a character who would go on to influence Bengalis of an entire generation: Feluda. And when Soumitra Chatterjee played the dapper detective in the film Sonar Kella, a cult was born. Fifty years later, the cult endures. Every new Feluda film has the box office in a tizzy. Feluda@50 seeks to explore the phenomenon. What makes Feluda tick? What is it that we love about this man? Why is it that every Feluda film continues to run to packed houses for weeks and months on end in an otherwise struggling Bengali film industry? What is the way forward for the franchise in the years to come? What role do Feluda's sidekicks, Topshe and Lalmohan-babu, play? The book also delves deep into Ray's motivations for keeping Feluda cocooned from contemporary politics and never allowing him to have a love interest. Also including in-depth interviews with the three stars who have played Feluda onscreen, this is the quintessential fan tribute and a celebration of Feluda on the occasion of the sleuths fiftieth anniversary.