Download Free Fellinis Eternal Rome Book in PDF and EPUB Free Download. You can read online Fellinis Eternal Rome and write the review.

*** Winner of the2019 Flaiano Prize in the category Italian Studies *** In Fellini's Eternal Rome, Alessandro Carrera explores the co-existence and conflict of paganism and Christianity in the works of Federico Fellini. By combining source analysis, cultural history and jargon-free psychoanalytic film theory, Carrera introduces the reader to a new appreciation of Fellini's work. Life-affirming Franciscanism and repressive Counter-Reformation dogmatism live side by side in Fellini's films, although he clearly tends toward the former and resents the latter. The fascination with pre-Christian Rome shines through La Dolce Vita and finds its culmination in Fellini-Satyricon, the most audacious attempt to imagine what the West would be if Christianity had never replaced classical Rome. Minimal clues point toward a careful, extremely subtle use of classical texts and motifs. Fellini's interest in the classics culminates in Olympus, a treatment of Hesiod's Theogony for a never-realized TV miniseries on Greek mythology, here introduced for the first time to an English-speaking readership. Fellini's recurrent dream of the Mediterranean Goddess is shaped by the phantasmatic projection of paganism that Christianity created as its convenient Other. His characters long for a “maternal space” where they will be protected from mortality and left free to roam. Yet Fellini shows how such maternal space constantly fails, not because the Church has erased it, but because the utopia of unlimited enjoyment is a self-defeating fantasy.
*** Winner of the2019 Flaiano Prize in the category Italian Studies *** In Fellini's Eternal Rome, Alessandro Carrera explores the co-existence and conflict of paganism and Christianity in the works of Federico Fellini. By combining source analysis, cultural history and jargon-free psychoanalytic film theory, Carrera introduces the reader to a new appreciation of Fellini's work. Life-affirming Franciscanism and repressive Counter-Reformation dogmatism live side by side in Fellini's films, although he clearly tends toward the former and resents the latter. The fascination with pre-Christian Rome shines through La Dolce Vita and finds its culmination in Fellini-Satyricon, the most audacious attempt to imagine what the West would be if Christianity had never replaced classical Rome. Minimal clues point toward a careful, extremely subtle use of classical texts and motifs. Fellini's interest in the classics culminates in Olympus, a treatment of Hesiod's Theogony for a never-realized TV miniseries on Greek mythology, here introduced for the first time to an English-speaking readership. Fellini's recurrent dream of the Mediterranean Goddess is shaped by the phantasmatic projection of paganism that Christianity created as its convenient Other. His characters long for a “maternal space” where they will be protected from mortality and left free to roam. Yet Fellini shows how such maternal space constantly fails, not because the Church has erased it, but because the utopia of unlimited enjoyment is a self-defeating fantasy.
Cover page -- Halftitle page -- Series page -- Title page -- Copyright page -- Contents -- Series Editor's Preface -- Author's Preface -- Introduction -- 1 Fellini, Dante and the Gaze of Medusa -- Beaming up Fellini -- Eyes wide shut -- 2 Fellini and Rossellini -- 'Appennino emiliano' or a lesson in humility -- 'The Miracle', or the satyr and the nymph -- The mystery of Perfect Joy -- 3 La dolce vita -- All gods lead to Rome -- The fish-thing and the maiden -- 4 81⁄2 Or Trouble in Paradise -- An albatross around Guido's neck -- Circe vs the virginal saints -- The troublesome ethics of eternal life -- 5 Fellini Satyricon I -- Foreclosing Rome -- What were you (analogically) thinking? -- Madness or 'mental confusion'? Parallel lives -- 6 Fellini Satyricon II -- 'The mask is ripped off ' -- Lichas, Acéphale -- 'Come on baby, light my fire', or the two bodies of Oenothea -- The sailor's tale -- 7 Roma -- Internal city, eternal city -- Attack of the sixty-foot goddess -- Escape from Rome -- 8 From City of Women to The Voice of the Moon -- The witch and the lawyer -- Fellini on Mount Olympus -- Shooting at the moon -- Conclusion: Rome's extensive and in-tensive space -- Notes -- Bibliography -- Index.
The magnificent and definitive history of the Eternal City, narrated by a master historian. Why does Rome continue to exert a hold on our imagination? How did the "Caput mundi" come to play such a critical role in the development of Western civilization? Ferdinand Addis addresses these questions by tracing the history of the "Eternal City" told through the dramatic key moments in its history: from the mythic founding of Rome in 753 BC, via such landmarks as the murder of Caesar in 44 BC, the coronation of Charlemagne in AD 800 and the reinvention of the imperial ideal, the painting of the Sistine chapel, the trial of Galileo, Mussolini's March on Rome of 1922, the release of Fellini's La Dolce Vita in 1960, and the Occupy riots of 2011. City of the Seven Hills, spiritual home of Catholic Christianity, city of the artistic imagination, enduring symbol of our common European heritage—Rome has inspired, charmed, and tempted empire-builders, dreamers, writers, and travelers across the twenty-seven centuries of its existence. Ferdinand Addis tells this rich story in a grand narrative style for a new generation of readers.
A groundbreaking academic treatment of Fellini, provides new, expansive, and diverse perspectives on his films and influence The Wiley Blackwell Companion to Federico Fellini presents new methodologies and fresh insights for encountering, appreciating, and contextualizing the director’s films in the 21st century. A milestone in Fellini scholarship, this volume provides contributions by leading scholars, intellectuals, and filmmakers, as well as insights from collaborators and associates of the Italian director. Scholarly yet readable essays explore the fundamental aspects of Fellini’s works while addressing their contemporary relevance in contexts ranging from politics and the environment to gender, race, and sexual orientation. As the centennial of Federico Fellini’s birth in approaches in 2020, this timely work provides new readings of Fellini’s films and illustrates Fellini’s importance as a filmmaker, artist,and major cultural figure. The text explores topics such as Fellini’s early cinematic experience, recurring themes and patterns in his films, his collaborations and influences, and his unique forms of cinematic expression. In a series of “Short Takes” sections, contributors look at specific films that have particular significance or personal relevance. Destined to become the standard research tool for Fellini studies, this volume: Offers new theoretical frameworks, encounters, critiques, and interpretations of Fellini’s work Discusses Fellini’s creativity outside of filmmaking, such as his graphic art and his Book of Dreams published after his death. Examines Fellini’s influence on artists not only in the English-speaking world but in places such as Turkey, Japan, South Asia, Russia, Cuba, North Africa. Demonstrates the interrelationship between Fellini’s work and visual art, literature, fashion, marketing, and many other dimensions of both popular and high culture. Features personal testimonies from family, friends and associates of Fellini such as Francesca Fabbri Fellini, Gianfranco Angelucci, Valeria Ciangottini, and Lina Wertmüller Includes an extensive appendix of freely accessible archival resources on Fellini’s work The Wiley Blackwell Companion to Federico Fellini is an indispensable resource for students, instructors, and scholars of Fellini, Italian cinema, cinema and art history, and all areas of film and media studies.
Discover la dolce vita on this grand tour of !--?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" /--Italy's historic capital told through 30 dramatic true stories spanning nearly 3,000 years, plus detailed walking tours complete with easy-to-read maps. From the Curia Pompei, site of Julius Caesar's assassination in 44 BC, to the Borgia Apartments in the Vatican, see the real-life places where history happened in this richly illustrated guide. Along with infamous power games between heroes and villains, you will find Rome's smart and powerful women, such as Agrippina, St. Agnes, Margherita, Artemisia, and more. Then relax like Goethe and Keats at the Café Greco, Rome's chicest coffee bar since 1760, or visit the Palazzo Colonna, the site of Audrey Hepburn's Roman Holiday.
“A brisk, frothy narrative . . . informative and fun.” —The Wall Street Journal In the dizzying wake of World War II, Rome skyrocketed to prominence as an epicenter of film, fashion, photography, and boldfaced libertinism. Artists, exiles, and a dazzling array of movie talent rushed to Rome for a chance to thrive in this hotbed of excitement. From the photographers who tailed the stars to the legends who secured their place in cinematic fame, Dolce Vita Confidential resurrects the drama that permeated the streets and screens of Rome.
Music, Authorship, Narration, and Art Cinema in Europe: 1940s to 1980s investigates the function of music in European cinema after the Second World War up to the fall of the Berlin wall, a period when composers and directors embraced experimentation. Through analyses of music and sound in a wide range of iconic films from across Europe, the essays in this book provide a nuanced reconsideration of three core themes: auteur theory, art house film, and national cinema. Chapters written by an international array of contributors focus on case studies of music in the cinema of Carlos Saura, Jean-Pierre Melville, the Polish School, and Romanian directors, as well as collaborations between directors and composers, including Michelangelo Antonioni and Giovanni Fusco, Federico Fellini and Nino Rota, Leo Arnshtam and Dmitry Shostakovich, and Peter Greenaway and Michael Nyman. The contributors shift the emphasis from a director-centered view to the working relationship between director and composer, and from the visual component to the sonic aspects of these films, without ignoring the close correlation between soundtrack and visual elements. Enriching our understanding of the complex, intertwined nature of authorship in film, the role of film music, and sound, nation-state and art cinema, and European cinematic history, this volume offers a valuable addition to research across music and film studies.
The sweeping story of the city of Rome, told through twenty-two moments that shaped its history. ***A TimesHistory Book of the Year*** 'Vivid, pacey ... Superb'The Times. 'Grand narrative underpinned by serious reading'Guardian. 'Confident, elegant ... Admirably ambitious'Daily Mail. From Romulus and Remus to the films of Fellini, Rome has always exerted a hold on the world's imagination. Now Ferdinand Addis brings the city of Rome to life by concentrating on vivid episodes from its long and unimaginably rich history. Each beautifully composed chapter is an evocative, self-contained narrative, whether it is the murder of Caesar; the near-destruction of the city by the Gauls in 387 BC; the construction of the Colosseum and the fate of the gladiators; Bernini's creation of the Baroque masterpiece that is St Peter's Basilica; the brutal crushing of republican dreams in 1849; the sinister degeneration of Mussolini's first state, or the magical, corrupt Rome of Fellini's La Dolce Vita. This is an epic, kaleidoscopic history of a city indelibly associated with republicanism and dictatorship, Christian orthodoxy and its rivals, high art and low life in all its forms. REVIEWS FOR ROME: 'Superb ... Rome's history is written in bloodand Addis, who has a vivid, pacey writing style, spares not the squeamish as he describes three millennia of violence from the first kings to Il Duce' The Times. 'This is a confident, elegantaccount of the city's progress ... [Addis's] version is admirably ambitious and succeeds splendidly in a task that would daunt lesser authors' Daily Mail. '[Addis] brings Rome's history alive through grand narrative... The snappy paragraphs are underpinned by serious reading ... Addis's chosen formula is to serve up selected highlights but to come at them from quirky angles' Guardian. 'From its ancient foundation to the Second World War, via Gauls, ghettos and gladiators, its 22 chapters focus on the themes of individuals, myths and beliefs' BBC World Histories. 'He brings the myth of Rome alive by concentrating on vivid episodes from its rich history. This is a book about people, and their experiences, prejudices and beliefs' Oxford Times.
Federico Fellini is often considered a disengaged filmmaker, interested in self-referential dreams and grotesquerie rather than contemporary politics. This book challenges that myth by examining the filmmaker’s reception in Italy, and by exploring his films in the context of significant political debates. By conceiving Fellini’s cinema as an individual expression of the nation’s “mythical biography,” the director’s most celebrated themes and images — a nostalgia for childhood, unattainable female figures, fantasy, the circus, carnival — become symbols of Italy’s traumatic modernity and perpetual adolescence.