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When Gus and Beto go to gather farm vegetables for Thanksgiving, Beto brings his camera along so that he can finish a homework assignment. Written in English and Spanish.
When Gus and Bean go to gather farm vegetables for Thanksgiving, Gus brings his camera along so that he can finish a homework assignment.
When Gus and Bean go to gather farm vegetables for Thanksgiving, Gus brings his camera along so that he can finish a homework assignment.
(abridged and revised) This reference grammar offers intermediate and advanced students a reason ably comprehensive guide to the morphology and syntax of educated speech and plain prose in Spain and Latin America at the end of the twentieth century. Spanish is the main, usually the sole official language of twenty-one countries,} and it is set fair to overtake English by the year 2000 in numbers 2 of native speakers. This vast geographical and political diversity ensures that Spanish is a good deal less unified than French, German or even English, the latter more or less internationally standardized according to either American or British norms. Until the 1960s, the criteria of internationally correct Spanish were dictated by the Real Academia Espanola, but the prestige of this institution has now sunk so low that its most solemn decrees are hardly taken seriously - witness the fate of the spelling reforms listed in the Nuevas normas de prosodia y ortograjia, which were supposed to come into force in all Spanish-speaking countries in 1959 and, nearly forty years later, are still selectively ignored by publishers and literate persons everywhere. The fact is that in Spanish 'correctness' is nowadays decided, as it is in all living languages, by the consensus of native speakers; but consensus about linguistic usage is obviously difficult to achieve between more than twenty independent, widely scattered and sometimes mutually hostile countries. Peninsular Spanish is itself in flux.
From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries. Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti
"A considerable tour de force by any standard." ?New York Times Book Review"
Richly photographed and authentically local, LA Mexicano showcases LA’s famously rich and complex Mexican-food culture, including recipes; profiles of chefs, bakers, restaurateurs, and vendors; and neighborhood guides. Part cookbook, part food journalism, and part love song to LA, it's the definitive resource for home cooks, hungry Angelenos, and food-loving visitors. With a foreword by Taco USA's Gustavo Arellano.
The second of Allan Ahlberg's mini-masterpieces for early readers. One lucky morning ... Mrs Gaskitt opens the post and finds she's won a prize! Next she kisses the postman! Never mind, though - the postman is Mr Gaskitt doing his very latest job. Meanwhile, Gus and Gloria get a new teacher, Mrs Plum, with silvery hair, a big smile and a huge suitcase, who is ever so helpful when things start to go missing in the classroom. And then Mrs Gaskitt finds she's won another prize! What happens next? "A delight from beginning to end. The pictures are outstanding and mark the advent of a really inspired illustrator." The Financial Times "Ahlberg's direct and funny storytelling style makes reading as near-effortless as possible." Guardian "Huge fun and ideal for early readers." Independent on Sunday
Two Latino boys experience carefree camaraderie despite one boy's disability, as fun and friendship overpower physical limitations.