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Everyone laughs at Felix the cat in school. He is a mischief maker. He even says his bag is magic and will take him to the moon. Can it really?
Felix, a lovable little mischief maker, gets in and out of a lot of trouble, and makes lots of new friends along the way.
One of America's genuine cartoon classics, Felix the Cat has delighted and entertained audiences for over eighty years, reaching nearly every corner of the globe in newspaper strips, animated cartoons, toys, games, and comic books, becoming so famous that Felix was chosen as Charles Lindbergh's mascot for his landmark transatlantic flight as well as being the very first image broadcast over television airwaves! And now, with Felix still appearing in everything from animated cartoons to video games to music CDs, Dark Horse adds Felix the Cat's Greatest Hits to the playlist, presenting a selection of stories featuring Felix, his friends and foes, and, of course, his Magic Bag of Tricks!
"Most of the artwork and stories in this book are by Otto Messmer. Don Oriolo has identified [several] pages as being by Joe Oriolo"--Colophon.
One of America's genuine cartoon classics, Felix the Cat has delighted and entertained audiences for over eighty years, reaching nearly every corner of the globe in newspaper strips, animated cartoons, toys, games, and comic books, becoming so famous that Felix was chosen as Charles Lindbergh's mascot for his landmark transatlantic flight as well as being the very first image broadcast over television airwaves! And now, with Felix still appearing in everything from animated cartoons to video games to music CDs, Dark Horse adds "Felix the Cat's Greatest Hits to the playlist, presenting a selection of stories featuring Felix, his friends and foes, and, of course, his Magic Bag of Tricks!
“What the fin is a metalshark bro? Well, here’s the liner notes summary: An everyday shark stumbles upon Satan’s nephew and is cured with the body of an anthropomorphic shark bro. With his newfound human physique and propensity for violence, he’s tasked with collecting the souls of those that have sworn allegiance to Satan. The only problem? He just wants to be a normal shark again! Naturally, he swears bloody vengeance and, uh, a whole lot of death ensues!”—Back cover.
In this collection of nonfiction pieces, John Updike gathers his responses to nearly two hundred invitations into print, each “an opportunity to make something beautiful, to find within oneself a treasure that would otherwise remain buried.” Introductions, reviews, and humorous essays, paragraphs on New York, religion, and lust—here is “more matter” commissioned by an age that, as the author remarks in his Preface, calls for “real stuff . . . not for the obliquities and tenuosities of fiction.” Still, the novelist’s shaping hand, his gift for telling detail, can be detected in many of these literary considerations. Books by Edith Wharton, Dawn Powell, John Cheever, and Vladimir Nabokov are incisively treated, as are biographies of Isaac Newton, Abraham Lincoln, Queen Elizabeth II, and Helen Keller. As George Steiner observed, Updike writes with a “solicitous, almost tender intelligence. The critic and the poet in him . . . are at no odds with the novelist; the same sharpness of apprehension bears on the object in each of Updike’s modes.”
This suspenseful and moving memoir of Africa recounts the experiences of Alma Gottlieb, an anthropologist, and Philip Graham, a fiction writer, as they lived in two remote villages in the rain forest of Cote d'Ivoire. With an unusual coupling of first-person narratives, their alternate voices tell a story imbued with sweeping narrative power, humility, and gentle humor. Parallel Worlds is a unique look at Africa, anthropological fieldwork, and the artistic process. "A remarkable look at a remote society [and] an engaging memoir that testifies to a loving partnership . . . compelling."—James Idema, Chicago Tribune