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Over recent decades, many museums, galleries and historic sites around the world have enjoyed an unprecedented level of large-scale investment in their capital infrastructure, in building refurbishments and new gallery displays. This period has also seen the creation of countless new purpose-built museums and galleries, suggesting a fundamental re-evaluation of the processes of designing and shaping of museums. Museum Making: Narratives, Architectures, Exhibitions examines this re-making by exploring the inherently spatial character of narrative in the museum and its potential to connect on the deepest levels with human perception and imagination. Through this uniting theme, the chapters explore the power of narratives as structured experiences unfolding in space and time as well as the use of theatre, film and other technologies of storytelling by contemporary museum makers to generate meaningful and, it is argued here, highly effective and affective museum spaces. Contributions by an internationally diverse group of museum and heritage professionals, exhibition designers, architects and artists with academics from a range of disciplines including museum studies, theatre studies, architecture, design and history cut across traditional boundaries including the historical and the contemporary and together explore the various roles and functions of narrative as a mechanism for the creation of engaging and meaningful interpretive environments.
"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.
The beautifully illustrated book, with 47 color plates, will restore Raphaelle Peale, eldest son of artist, naurtalist, and inventor Charles Willson Peale, to his rightful place in the annals of American art.
"Published by arrangement with Frontline Noir, an imprint of Books Noir, Scotland"--T.p. verso.
Paintings of flags by the prolific American Impressionist painter, noted for his urban and coastal scenes.
Johns’ drawings are distinctive in part for his use of several techniques in the same work (including freehand drawing tracing and imprinting) as well as for his superb handling of a variety of media, including graphite pencil, charcoal, pen and ink, pastel and watercolour. While his drawings are intimately connected with his paintings and prints, they are not necessarily produced in preparation for other works - often they are a way of refocusing attention on the subjects of the paintings, to provoke new thoughts about the images. This fascinating and beautifully illustrated study casts new light on one of America’s most important contemporary artists.