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Jimmy Santiago Baca, one of the foremost poets in America today, collaborates with two literacy professionals to present a teaching tool that includes curricular activities and probing questions crafted to help students heal through writing. Each exercise reinforces the theme that self-esteem borne from unique expression will improve student enjoyment and academic achievement.. Book Features: Draws on the extraordinary life and career of Jimmy Santiago Baca, who came to write poetry in prison and now has 28 works in print, ranging from a feature movie Blood In Blood Out to his bestselling memoir A Place to Stand.Based on the authors’ combined experience of facilitating hundreds of writing workshops.Offers field-tested recommendations to help educators inspire and fortify students suffering from doubt or damaged self-esteem.Includes detailed descriptions, exercises, and sample poetry to assist teachers and students in the writing process. “Kym and Denise provide tremendous support for the type of writing Jimmy teaches in his workshops. As you become comfortable and more familiar with the material, I encourage you to be creative and take advantage of the events that come up in the lives of your students.” —From the Afterword by Diane Torres-Velásquez, University of New Mexico “What a remarkable gift this book is! The authors have created an invaluable resource for educators who hope to connect students to the profound themes of social justice, personal journey, and the resilience of the human spirit.” —Deborah Appleman, Carleton College, author of Critical Encounters in High School English, Third Edition
This curriculum-based collection of lesson plans is designed to build student confidence for articulating their unique ideas and sensibilities about the world through literary expression. For this book, Jimmy Santiago Baca, one of the foremost poets in America today, collaborates with two National Writing Project Fellows and literacy professionals, Kym Sheehan and Denise VanBriggle. Together they present a teaching tool that uses poems from Baca’s incarceration as a young man, along with curricular activities and probing questions crafted to help students heal through writing. Each exercise reinforces the theme that a strong grasp of self-esteem borne from unique expression lends itself to the student enjoying day-to-day life at the highest creative and fulfilling level. Book Features: Draws on the extraordinary life and career of Jimmy Santiago Baca, who came to write poetry in prison and now has 28 works in print, ranging from a feature movie Blood In Blood Out to his bestselling memoir A Place to Stand. Based on the authors’ combined experience of facilitating hundreds of writing workshops. Offers field-tested recommendations to help educators inspire and fortify students suffering from doubt or damaged self-esteem. Includes detailed descriptions, exercises, and sample poetry to assist teachers and students in the writing process.
Poet-activist Jimmy Baca immerses the reader in an epic narrative poem, imagining the experience of motherhood in the context of immigration, family separation, and ICE raids on the Southern border. Jimmy Santiago Baca sends us on a journey with Sophia, an El Salvadorian mother facing a mountain of obstacles, carrying with her the burden of all that has come before: her husband’s murder, a wrenching separation from her young son at the border, then rape and abuse at the hands of ICE, yet persevering: “I keep walking/carrying you in my thoughts,” she repeats, as she wills her boy to know she is on a quest to find him.
The Spirit of Freedom offers accessible, useful, and life-affirming theology rooted in Quaker spirituality and Biblical wisdom. Collecting together short and inspiring essays on speaking of God, worshiping God, and being God's witnesses in the world, this book offers a spacious and relevant Quaker theology from a Christian perspective. It is an excellent companion piece to Mark Russ's first book, Quaker Shaped Christianity.
Acclaimed poet Jimmy Santiago Baca knows something is wrong with contemporary society. He’s afraid “that the whole network / that connects us / and society together / is going to collapse / that our lives / will be dependent on tiny / little blue wires / that can’t shake my hand / or share my joy, / that won’t challenge the police / to stop beating a brown man / or can’t do even something as small / and gentle as smile.” In this collection of new poems, Baca expresses his sense of responsibility to use his gift for the greater good. “If not me, then who / speaks to money, power, privilege / if not / an ordinary man / then who?” He chastises those who use their connections to benefit themselves at the expense of the impoverished, imprisoned and undocumented. Frequently, he takes aim at poets and politicians who put their lucrative positions ahead of their constituents: “Governor, if you choose a career / where you have to ignore the truth / and pillage the unfortunate, at least / outlaw automatic weapons.” While many of these poems are stinging rebukes against the wealthy and powerful and their disregard for children living in poverty and the environment, others are beautiful odes to his indigenous roots. There are buffalo with their gentle hearts, sacred places where he prays to his ancestors and the plants growing on steep mountainsides that give “me courage to keep clinging to hope and to learn / life’s most important lesson / practice how to lean in life so as not to fall.” Baca writes urgently about the most important themes of our generation, including education, justice, the environment and even the coronavirus. Ironically, he notes, “the enemy didn’t come at us crossing borders, / swinging machetes and machine guns.” No, nature herself has come to clean house, to give “Mother Earth a reprieve from our greed.”
First published in 1992, Writing and Censorship in Britain explores the issue of censorship, from a range of cultural and literary perspectives, from the Tudor period to the 1990s. Written by some of the leading experts in the field, this collection charts the struggles for artistic expression, reveals how censorship is appropriated as a legitimate tactic in the defence of oppressed and marginalised groups, and analyses the struggles writers have employed in the face of its complex dynamics. Here variously defined, defended and deplored, censorship emerges as both an unstable and a potent concept. Through it we define ourselves: as readers, as writers and as citizens. This book will be of interest to students of literature, history and law.
The Routledge Companion to the Future of Marketing provides the reader with a comprehensive and original set of visionary insights into the future of marketing. This prestigious collection aims to challenge the mindset of academics, moving their thinking processes from current thinking into new perspectives and advances in marketing knowledge. Selected Contents: Part 1: New Paradigms and Philosophical Insights Part 2: Contributions from other Scientific Fields Part 3: Reconnecting with Consumers and Markets Part 4: New Methodological Insights in Scholarly Research in the Field
This volume seeks to bring together, for the first time, a collection of documents and case-law from different parts of the world, which shows the Courts at work in providing judicial protection of economic, social and cultural rights.
Recently, there has been a notable rise in interest in the idea of "toleration", a rise that Ingrid Creppell argues comes more from distressing political developments than positive ones, and almost all of them are related to issues of identity: rampant genocide in the 20th Century, the resurgence of religious fundamentalism around the world; and ethnic-religious wars in Eastern Europe and the Middle East. In Toleration and Identity, Creppell argues that a contemporary ethic of toleration must include recognition of identity issues, and that the traditional liberal ideal of toleration is not sufficiently understood if we define it strictly as one of individual rights and freedom beliefs. Moving back and forth between contemporary debates and the foundational writings of Bodin, Montaigne, Lock, and Defoe, Toleration and Identity provides a fresh perspective on two key ideas deeply connected to current philosophical debates and political issues.
In 1998 the author, a professional prankster, trademarked the phrase "freedom of expression" to show how the expression of ideas was being restricted. Now he uses intellectual property law as the focal point to show how economic concerns are seriously eroding creativity and free speech.