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Answering a critical need for an accurate, in-depth history of Tibet, this single-volume resource reproduces essential, hard-to-find essays from the past fifty years of Tibetan studies. Covering the social, cultural, and political development of Tibet from the seventh century to the modern period, the volume is organized chronologically and regionally to complement courses in Asian and religious studies and world civilizations. Beginning with Tibet's emergence as a regional power and concluding with its profound contemporary transformations, this anthology offers both a general and ..
"As Leonora and Max embark on remarkable journeys together and apart, the full story of their tumultuous and passionate love affair unfolds, spanning time and borders as they seek to reunite and reclaim their creative power in a world shattered by war. When their paths cross with Peggy Guggenheim, an art collector and socialite working to help artists escape to America, nothing will be the same"--Provided by publisher
Apostolic Writings of Yah Chanan after the synoptic gospels of Matthew, Mark, and Luke. John Yah Chanan begins with the witness and affirmation of Yah Chanan John the Baptist and concludes with the death, burial, resurrection, and post-resurrection appearances of Eashoa Jesus. Chapter 21 states that the book derives from the testimony of the "disciple whom Eashoa Jesus loved" and early church tradition identified him as Yah Chanan John the Apostle, one of Eashoa Jesus' Twelve Apostles.
Named a Most Anticipated Book of 2023 by LitHub and The Millions! From one of the most engaging and brilliant writers of our time comes a “not to be missed” (LitHub) collection of eleven essays about growing up in Ireland during radical change; about cancer, priests, popes, homosexuality, and literature. “IT ALL STARTED WITH MY BALLS.” So begins Colm Tóibín’s fabulously compelling essay, laced with humor, about his diagnosis and treatment for cancer. Tóibín survives, but he has entered, as he says, “the age of one ball.” The second essay in this seductive collection is a memoir about growing up in the 1950s and ’60s in the small town of Enniscorthy in County Wexford, the setting for many of Tóibín’s novels and stories, including Brooklyn, The Blackwater Lightship, and Nora Webster. Tóibín describes his education by priests, several of whom were condemned years later for abuse. He writes about Irish history and literature, and about the long, tragic journey toward legal and social acceptance of homosexuality. In Part Two, Tóibín profiles three complex and vexing popes—John Paul II, Benedict XVI, and Francis. And in Part Three, he writes about a trio of authors who reckon with religion in their fiction. The final essay, “Alone in Venice,” is a gorgeous account of Tóibín’s journey, at the height of the pandemic, to the beloved city where he has set some of his most dazzling scenes. The streets, canals, churches, and museums were empty. He had them to himself, an experience both haunting and exhilarating. “A tantalizing glimpse into Tóibín’s full fictional powers,” (The Sunday Times, London) A Guest at the Feast is both an intimate encounter with a supremely creative artist and a glorious celebration of writing.
More than Christmas, Easter and points in between, the Christian year is a way of interpreting our lives through the eyes of faith. Travel through the year with Kimberlee Conway Ireton. With suggestions of practices, prayers and disciplines for each season, this book is an honest, brave introduction to a Christian way of marking time.
In the course of the last two decades, both the historical reconstruction of the Iron I–Iron IIA period in Israel and Judah and the literary-historical reconstruction of the Books of Samuel have undergone major changes. With respect to the quest for the “historical David”, terms like “empire” or “Großreich” have been set aside in favor of designations like “mercenary” or “hapiru leader”, corresponding to the image of the son of Jesse presented in I Sam. At the same time, the literary-historical classification of these chapters has itself become a matter of considerable discussion. As Leonhard Rost’s theory of a source containing a “History of David’s Rise” continues to lose support, it becomes necessary to pose the question once again: Are we dealing with a once independent ‘story of David’ embracing both the HDR and the “succession narrative” are there several independent versions of an HDR to be detected, or do I Sam 16–II Sam 5* constitute a redactional bridge between older traditions about Saul on the one hand and David on the other? In either case, what parts of the material in I Sam 16-II Sam 5 are based on ancient traditions, and may therefore serve as a source for any tentative historical reconstruction? The participants in the 2018 symposium at Jena whose essays are collected in this volume engage these questions from different redaction-critical and archaeological perspectives. Together, they provide an overview of contemporary historical research on the book of First Samuel.