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Looking at the works of diverse writers as the gens de couleur libre poets of antebellum New Orleans, this book focuses on the shifting and contradictory ways Catholicism has signified within southern literature and culture. It contributes to a more nuanced understanding of American and southern literary and cultural history.
"As he did in his fantastic debut Mosquitoland, David Arnold again shows a knack for getting into the mind of an eccentric teenager in clever, poignant fashion." —USA Today This is Noah Oakman → sixteen, Bowie believer, concise historian, disillusioned swimmer, son, brother, friend. Then Noah → gets hypnotized. Now Noah → sees changes: his mother has a scar on her face that wasn’t there before; his old dog, who once walked with a limp, is suddenly lithe; his best friend, a lifelong DC Comics disciple, now rotates in the Marvel universe. Subtle behaviors, bits of history, plans for the future—everything in Noah’s world has been rewritten. Everything except his Strange Fascinations . . . A stunning surrealist portrait, The Strange Fascinations of Noah Hypnotik is a story about all the ways we hurt our friends without knowing it, and all the ways they stick around to save us.
Looking at the works of diverse writers as the gens de couleur libre poets of antebellum New Orleans, this book focuses on the shifting and contradictory ways Catholicism has signified within Southern literature and culture. It contributes to a more nuanced understanding of American and Southern literary and cultural history.
"A comprehensive modern-day bestiary."--The New Yorker
-- Focuses on popular subjects that are bound to capture the reader's imagination -- Provides a window into American culture -- Encourages moral reasoning and fundamental thinking How some of the greatest robberies in history were pulled off.
Emotions of Menace and Enchantment examines four pivotal human emotions. It explores what defines these emotions, how they interact, and how they impact the experience of self-boundary. All four feelings speak to the boundary around the self, to whether we stiffen that boundary, relax it or worry about its fraying. Psychoanalysis has looked closely at conflicts that human beings experience, but has paid relatively less attention to the specific emotions through which conflict is known and managed. The disgust emotion is unique in operating like a gatekeeper that manages what approaches us closely. Disgust appears prominently in our relationship with the physical world, but surprisingly, is just as common in the world of politics. It moves people to action, including deeds of great violence. Horror occurs when we feel invaded and altered by something that leads to profound insecurity. Human beings behaving inhumanly is one common source of horror. While disgust is a moral emotion, horror makes no judgments but speaks to the misery of being unsafe. Awe opens the self to the outside world, and creates moments that sustain us through times of stress. Fascination also involves openness but its characteristic attitude and attention shows its differences from awe. It forms the foundation for deep learning. All four emotions find their way into psychopathology; for example, fascination plays a role in addiction and awe in masochism and cult formation. Emotions of Menace and Enchantment will help mental health professionals in psychoanalysis, psychotherapy, psychiatry and social work to better parse clinical encounters with the four emotions and to think as well about defensive patterns aimed at blunting contact with them. It will engage anyone interested in examining the roles these emotions play in politics, societal violence, addictions, and everyday joys and suffering.
"New light on both Dalí's well-known and little-studied works and his work as a response to modernism through a focus on Dalí's identification with the small and the marginal"--
We live in catastrophic times. The world is reeling from the deepest economic crisis since the Great Depression, with the threat of further meltdowns ever-looming. Global warming and myriad dire ecological disasters worsen—with little if any action to halt them—their effects rippling across the planet in the shape of almost biblical floods, fires, droughts, and hurricanes. Governments warn that there is no alternative to the bitter medicine they prescribe—or risk devastating financial or social collapse. The right, whether religious or secular, views the present as catastrophic and wants to turn the clock back. The left fears for the worst, but hopes some good will emerge from the rubble. Visions of the apocalypse and predictions of impending doom abound. Across the political spectrum, a culture of fear reigns.? Catastrophism explores the politics of apocalypse—on the left and right, in the environmental movement—and examines why the lens of catastrophe can distort our understanding of the dynamics at the heart of these numerous disasters—and fatally impede our ability to transform the world. Lilley, McNally, Yuen, and Davis probe the reasons why catastrophic thinking is so prevalent, and challenge the belief that it is only out of the ashes that a better society may be born. The authors argue that those who care about social justice and the environment should jettison doomsaying—even as it relates to indisputably apocalyptic climate change. Far from calling people to arms, they suggest, catastrophic fear often results in passivity and paralysis—and, at worst, reactionary politics.?
In this insightful and pathbreaking reflection on "doing nothing," Billy Ehn and Orvar Löfgren take us on a fascinating tour of what is happening when, to all appearances, absolutely nothing is happening. Sifting through a wide range of examples drawn from literature, published ethnographies, and firsthand research, they probe the unobserved moments in our daily lives—waiting for a bus, daydreaming by the window, performing a routine task—and illuminate these "empty" times as full of significance. Creative, insightful, and profound, The Secret World of Doing Nothing leads us to rethink the ordinary and find meaning in today’s hypermodern reality.
Thoroughly updated and revised throughout with brand new chapters on affective bodies, indeterminate bodies, assemblaged bodies and a new conclusion, and featuring essay and classroom questions for classroom use, The Body: Key Concepts, Second Edition, presents a concise and up-to-date introduction to, and analysis of, the complex and influential debates around the body in contemporary culture. Lisa Blackman outlines and illuminates those debates which have made the body central to current interdisciplinary thinking across the arts, humanities and sciences. Since body studies hit the mainstream, it has grown in new regions, including China, and moved in new directions to question what counts as a body and what it means to have and be a body in different contexts, milieu and settings. Lisa Blackman guides the reader through socio-cultural questions around representation, performance, class, race, gender, disability and sexuality to examine how current thinking about the body has developed and been transformed. Blackman engages with classic anthropological scholarship from Nancy Scheper-Hughes and Margaret Lock, revisits black feminist writings from the 1980s, as well as engaging with recent debates, thought and theorists who are inventing new concepts, methods and ways of apprehending embodiment which challenge binary and dualistic categories. It provides an overview of the proliferation of body studies into other disciplines, including media and cultural studies, philosophy, gender studies and anthropology, as well as mapping the future of body studies at the intersections of body and affect studies.