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Brecht's series of twenty-four interconnected playlets describe events which took place in ordinary German households in the 1930s. They dramatise with clinical precision the suspicion and anxiety experienced by ordinary people, particularly Jewish citizens, as the power of Hitler grew. Written in exile in Denmark and first staged in 1938 it was inspired in part by his recent trip to Moscow where he had been researching tasks for the anti-Nazi effort. This Student Edition features an extensive introduction and commentary and includes: a chronology of the Brecht's life and work; a synopsis of each playlet; an introduction to the context of the play; commentary on themes, characters, style and language; a review of the play in performance; notes on individual words and phrases in the text, and questions for further study.
This first English language biography of Bertolt Brecht (1898–1956) in two decades paints a strikingly new picture of one of the twentieth century's most controversial cultural icons. Drawing on letters, diaries and unpublished material, including Brecht's medical records, Parker offers a rich and enthralling account of Brecht's life and work, viewed through the prism of the artist. Tracing his extraordinary life, from his formative years in Augsburg, through the First World War, his politicisation during the Weimar Republic and his years of exile, up to the Berliner Ensemble's dazzling productions in Paris and London, Parker shows how Brecht achieved his transformative effect upon world theatre and poetry. Bertolt Brecht: A Literary Life is a powerful portrait of a great, compulsively contradictory personality, whose artistry left its lasting imprint on modern culture.
Poisoned. Ruined. Silenced. A family story. The heart-breaking true story of one woman’s fight for her family's future in the wake of one of the biggest medical scandals in the last 30 years. In 1988 Gill’s daughter is born and she is transfused with four units of blood. She does not know that the blood is probably harvested from Scottish or American prisoners. The prisoners probably did not know that their blood was infected with the Hepatitis C virus nor that the virus is destroying their livers. For the first ten years, Hepatitis C has no symptoms save unreasonable fatigue. Gill is falling asleep a lot. She falls asleep against radiators, and raises blisters which leave both shoulders patchworked with scars. She falls asleep at the wheel, drives off the road into a culvert and writes off the car. She falls asleep so often that she worries she is missing her son and daughter growing up. When her daughter is seven years old, she wakens to a letter from the Blood Transfusion Service, advising her that her transfusion was contaminated. Gill is treated with Alpha Interferon. The treatment fails because it is too late. The lawyer explains she cannot sue, because it is too late. Gill explains this situation to the bank. The bank withdraws her overdraft facility. Minus a salary and with no overdraft facility, she appeals to the Inland Revenue. The Inland Revenue threatens to close her husband down. This is for you mum, say her children, slamming Chumbawamba’s Tub-Thumping in the tape deck of the car she is about to sell. I get knocked down But I get up again You’re never going to keep me down. She sells the car, they sell the cottage. Her health and finances recover long enough for her to resume her career, before the side effects of Alpha Interferon force her to resign. In a panic to secure tuition fees, the family flee to London. And there, in the British Library’s Newspaper Archive, destitute again, Gill finds a quarter of a century of headlines. Lord Winston has called it the biggest treatment disaster in the history of the NHS. Despite years of warning from the United States, that Britain rely on safe blood donations from healthy volunteers, and build the new laboratory required to process them, nothing is done. When five thousand people are discovered to have been infected and two thousand die, the evidence is shredded. The slow poison of an official cover-up and an establishment refusal to hold a Public Inquiry almost finishes Gill off. They’re never going to keep you down? insists her family. ‘This is a story of medical incompetence, political malfeasance, financial hardship and real long-term horrible suffering. It is also one of the funniest, most buoyant, triumphant books I’ve read in ages - tragi-comedy at a very high level, delightful and admirable.’ Sara Maitland, author of Three Times Table, Gossip from the Forest and A Book of Silence 'This is a tale of bad luck and its rippling effects, a portrait of a family stretched to its limits by uncertainty and lack of accountability. The misfortune itself is not unheard-of, yet Gill Fyffe’s narrative approach is fresh and full of surprises: no heartwarming clichés of love triumphing in adversity, no crusading campaigns. The result is writing that rings bold and true.' Jennie Erdal author of Ghosting and The Missing Shade of Blue More about Gill Fyffe
'Brecht's dark, dazzling world-view...makes an absolutely devastating impact. The play is fuelled by the brilliant perception that everyone requires such a dual or split personality to survive.' Evening Standard Three gods come to earth hoping to discover one really good person. No one can be found until they meet Shen Te, a prostitute with a heart of gold. Rewarded by the gods, she gives up her profession and buys a tabacco shop but finds it is impossible to survive as a good person in a corrupt world without the support of her ruthless alter ego Shui Ta. Brecht's parable of good and evil was first performed in 1943 and remains one of his most popular and frequently produced plays worldwide. This Student Edition features an extensive introduction and commentary that includes a plot summary, discussion of the context, themes, characters, style and language as well as questions for further study and notes on words and phrases in the text. It is the perfect edition for students of theatre and literature.
Comprising more than 65 pieces - journal articles, reviews, extended essays, sketches, aphorisms, and fragments - this volume shows the range of Walter Benjamin's writing. His topics here include poetry, fiction, drama, history, religion, love, violence, morality and mythology.
A wealth of information is presented in this guide in a variety of formats, including a concise narrative history, a chronology and A to Z entries, to provide readers with a greater understanding of German history, from the Renaissance to the present day.
A fascinating study of one of the greatest German woman writers of the twentieth century
This Student Edition of Brecht's classic satire on the rise of Hitler features an extensive introduction and commentary that includes a plot summary, discussion of the context, themes, characters, style and language as well as questions for further study and notes on words and phrases in the text. It is the perfect edition for students of theatre and literature. Described by Brecht as 'a gangster play that would recall certain events familiar to us all', Arturo Ui is a witty and savage satire of the rise of Hitler -- recast by Brecht into a small-time Chicago gangster's takeover of the city's greengrocery trade. Using a wide range of parody and pastiche - from Al Capone to Shakespeare's Richard III and Goethe's Faust - Brecht's compelling parable continues to have relevance wherever totalitarianism appears today. Written during the Second World War in 1941, the play was one of the Berliner Ensemble's most outstanding box-office successes in 1959, and has continued to attract a succession of major actors, including Leonard Rossiter, Christopher Plummer, Antony Sher and Al Pacino.
The fields of literature and law intersect in frequent, and often surprising ways. This clear and concise book offers an introduction to the area, covering the history, key thinkers and ideas as well as detailed and fascinating studies into areas such as evidence and truth, inheritance, sex, vigilantism and justice. Each chapter examines a number of familiar authors and texts including Shakespeare, Brecht, Austen, Dickens, Ishiguro, Beecher-Stowe, Atwood, Miller. The book also opens up the broader study of law as it relates to culture in such areas as film, television, and digital media and how they affect such issues as a right to privacy, copyright and creative reworking, and censorship. Mark Fortier offers a concise, systemic introduction to the law and legal system for the lay person, covering basic notions of justice and law (fundamental justice, natural law, positive law) and the legal system (common law vs civil law, case law, statute, constitutional law, private law [tort, contract, property], criminal law, equity, basic rules of evidence, stare decisis, the adversarial system) as well as a very handy glossary of legal terms. This is a fascinating guide to a very topical and increasingly relevant area of literary studies.