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Landrum's 13th book is a self-help work on the inhibiting inner fears that either motivate or debilitate. He discusses the notion of fear, and how it stands in the way of individuals realizing their purpose in life.
If you can think differently about your personal problems, which might include the aftermath of traumatic events or deep feelings of rejection, you may find yourself in a positon to overcome hurtful memories that continue to upset you and interfere with your sense of self-worth. George Pugh, Ph.D., a practicing clinical psychologist, helps you find insight and direction in this new approach to understanding yourself and why you struggle with inner self-defeating voices that hold you back. After learning why you are resistant to changing problematic personality traits and why past efforts have left you at a loss and longing for more, you will be encouraged to take part in simple exercises that will remove the troubling inhibitions that prevent you from being who you truly are. In straightforward language you will achieve insights that will help you: understand that the personality forms around the basic principles of survival; recognize that survival strategies that served you well in the past hold you back in the present; release your true voice to speak from a position of honesty, integrity and personal strength; free what you have hidden your passion, connection and commitment to your personal journey. If you are willing to risk brief emotional upheaval and painful moments of reflection you will find your voice and release your true self. This book explains steps that will allow you to break free of a counterproductive lifestyle that binds you to a way of thinking and feeling that is safe but is lacking in joy and authenticity. The Icons Within helps the reader to understand the full effects of Iconic therapy. It provides a sense of hope in a multitude of dimensions hope that healing is possible, hope that life can hold so much more and hope that lifes potential can still be achieved. A. Thomas, therapist
The creative use of fear by news media and social control organizations has produced a "discurse of fear" - the awareness and expection that danger and risk are lurking everywhere. Case studies illustrates how certain organizations and social institutions benefit from the explotation of such fear construction. One social impact is a manipulated public empathy: We now have more "victims" than at any time in our prior history. Another, more troubling resutl is the role we have ceded to law enforcement and punishment: we turn ever more readily to the state and formal control to protect us from what we fear. This book attempts through the marshalling of significant data to interrupt that vicious cycle of fear discourse.
Reflections on the myriad forms that fear takes and an examination of the ways that love and fear intensify each other.
Living with anxiety, panic disorders or phobias can make you feel as though you don’t have full control of your life. Imagine sensing that every morning is a fresh minefield of terrors awaiting. Evading the perceived horrors, most individuals resort to excessive workloads, binge television viewing or overindulgence in carnal and gluttonous pleasures. This edition will neither alter, nor cure phobic and obsessive behavior. It promises no tactical reinforcement skills, zero practical advice and is clinically useless. Over 250 photographic images punctuate each phobia creating exaggerated impressions. Each image is displayed in a cliché evasive environment. The contents may prove entertaining and an explicit, but disarming view of a serious subject. The publication is significantly less expensive than a therapist’s hourly fee and does not require multiple consultations or interventions. Reciting elitist sounding vernacular may stimulate a sense of intellectual awe amongst simpletons and the impressionable. This pictorial directory is arbitrary, subtly ironic and subject to whimsical interpretation. The terminology may be effectively parroted during social or alcohol-laced gatherings (preferably together). Overindulgence of either however may banish you from the cocktail invitation circuit. Phobias and obsessions can be paralyzing, irrational, profoundly debilitating and not particularly amusing for those afflicted. They can also be useful for simply distinguishing individuals as harmless eccentrics. A phobia’s professional diagnosis and follow-up therapies stimulate a thriving global psychoanalytical industry. The photographer assumes entire credit and blame for his aperture’s interpretive intention. Use of photographic collage is periodically introduced. Malice is absent, a twisted perspective may miss awkwardly and the compilation is far from exhaustive. Fresh fears are stimulated and can be inserted liberally during these interesting times. Sequels are envisioned, but only if society continues on its present course. An individual is not necessarily crazy or abnormal because of their fears and neuroses. Phobias and their accompanying stressors and are universally shared. The directory is an image compilation scoured from the sane world bundled into frivolity and laced with mirth. Enjoy the diverse panorama…
A scholar examines 14 everyday objects featured in horror films and how they manifest their power and speak to society’s fears. Take a tour of the house where a microwave killed a gremlin, a typewriter made Jack a dull boy, a sewing machine fashioned Carrie’s prom dress, and houseplants might kill you while you sleep. In Household Horror, Marc Olivier highlights the wonder, fear, and terrifying dimension of objects in horror cinema. Inspired by object-oriented ontology and the nonhuman turn in philosophy, Olivier places objects in film on par with humans, arguing, for example, that a sleeper sofa is as much the star of Sisters as Margot Kidder, that The Exorcist is about a possessed bed, and that Rosemary’s Baby is a conflict between herbal shakes and prenatal vitamins. Household Horror reinvigorates horror film criticism by investigating the unfathomable being of objects as seemingly benign as remotes, radiators, refrigerators, and dining tables. Olivier questions what Hitchcock’s Psycho tells us about shower curtains. What can we learn from Freddie Krueger’s greatest accomplice, the mattress? Room by room, Olivier considers the dark side of fourteen household objects to demonstrate how the objects in these films manifest their own power and connect with specific cultural fears and concerns. “Provides a lively and highly original contribution to horror studies. As a work on cinema, it introduces the reader to films that may be less well-known to casual fans and scholars; more conspicuously, it returns to horror staples, gleefully reanimating works that one might otherwise assume had been critically “done to death” (Psycho, The Exorcist, The Shining).” —Allan Cameron, University of Auckland
Ro murmurs into my ear. "Don't be afraid, Dol. They're not coming for us." Still, he slips his arm around me and we wait until the sky is clear. Because he doesn't know. Not really. Everything changed on The Day. The day the Icon appeared in Los Angeles. The day the power stopped. The day Dol's family dropped dead. The day Earth lost a war it didn't know it was fighting. Since then, Dol has lived a simple life in the countryside with fellow survivor Ro-safe from the shadow of the Icon and its terrifying power. Hiding from the one truth she can't avoid. They're different. They survived. Why? When the government discovers their secret, they are forced to join faint-hearted Tima and charismatic Lucas in captivity. Called the Icon Children, the four are the only humans on Earth immune to the power of the Icons. Torn between brooding Ro and her evolving feelings for Lucas, between a past and a future, Dol's heart has never been more vulnerable. And as tensions escalate, the Icon Children discover that their explosive emotions-which they've always thought to be their greatest weaknesses-may actually be their greatest strengths. Bestselling author Margaret Stohl delivers a thrilling novel set in a haunting new world where four teens must piece together the mysteries of their pasts-in order to save their future.
'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.
A collection of scholarly essays on the role of women in Eastern Christianity in Antiquity and through to contemporary times.