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Fear Drive My Feet is Peter Ryan’s enduring account of his time patrolling isolated regions of New Guinea during World War II. Far from his fellow Australians and with Japanese forces closing in around him, the eighteen-year-old Ryan endures the hardships of the jungle, overcoming loneliness, fatigue and fear with quiet courage. He finds beauty in the rugged mountain landscapes of New Guinea, and admires the charm and resourcefulness of its people. Rarely out of print in the past four decades, Fear Drive My Feet is a classic memoir of the war in the Pacific, a major work of Australian war literature. For the work he describes in this book, Peter Ryan was awarded the Military Medal and mentioned in dispatches. Peter Ryan has been a newspaper columnist, the director of Melbourne University Press and an officer of the Victorian Supreme Court. He was an intelligence operative behind enemy lines in New Guinea in World War II. He lives in Melbourne. ‘Outstanding.’ Peter Pierce ‘A moving account of a young man’s lonely heroism.’ Edward ‘Weary’ Dunlop
Can Doug confront his own terror to save his brother's life?
J ill Ker Conway, one of our most admired autobiographers--author of The Road from Coorain and True North--looks astutely and with feeling into the modern memoir: the forms and styles it assumes, and the strikingly different ways in which men and women respectively tend to understand and present their lives. In a narrative rich with evocations of memoirists over the centuries--from Jean-Jacques Rousseau and George Sand to W. E. B. Du Bois, Virginia Woolf, Frank McCourt and Katharine Graham--the author suggests why it is that we are so drawn to the reading of autobiography, and she illuminates the cultural assumptions behind the ways in which we talk about ourselves. Conway traces the narrative patterns typically found in autobiographies by men to the tale of the classical Greek hero and his epic journey of adventure. She shows how this configuration evolved, in memoirs, into the passionate romantic struggling against the conventions of society, into the frontier hero battling the wilderness, into self-made men overcoming economic obstacles to create an invention or a fortune--or, more recently, into a quest for meaning, for an understandable past, for an ethnic identity. In contrast, she sees the designs that women commonly employ for their memoirs as evolving from the writings of the mystics--such as Dame Julian of Norwich or St. Teresa of Avila--about their relationship with an all-powerful God. As against the male autobiographer's expectation of power over his fate, we see the woman memoirist again and again believing that she lacks command of her destiny, and tending to censor her own story. Throughout, Conway underlines the memoir's magic quality of allowing us to enter another human being's life and mind--and how this experience enlarges and instructs our own lives.
‘In 1993, Manning Clark came under severe (posthumous) attack in the pages of Quadrant by none other than Peter Ryan, who had published five of the six volumes of Clark’s epic A History of Australia. In applying what he called “an overdue axe to a tall poppy”, Ryan lambasted the History as “an imposition on Australian credulity” and declared its author a fraud, both as a historian and a person. This unprecedented public assault by a publisher on his best-selling author was a sensation at the time and remains lodged in the public memory. In History Wars, Doug Munro forensically examines the right and wrongs of Ryan’s allegations, concluding that Clark was more sinned against than sinning and that Ryan repeatedly misrepresented the situation. More than just telling a story, Munro places the Ryan-Clark controversy within the context of Australia’s History Wars. This book is an illuminating saga of that ongoing contest.’ — James Curran, University of Sydney ‘The Ryan-Clark controversy … speaks to the place of Manning Clark in Australia’s national imagination. Had Ryan taken his axe to another historian, it’s unlikely that we would be still talking about it 30 years later. But Clark was the author and keeper of Australia’s national story, however imperfect his scholarship and however blinkered that story. Few, if any, historians in the Anglo-American world have occupied the space that Clark occupied by dint of will, force of personality, and felicity of pen.’ — Donald Wright, University of New Brunswick
In the campaign against Japan in the Pacific during the Second World War, the armed forces of the United States, Australia, and the Australian colonies of Papua and New Guinea made use of indigenous peoples in new capacities. The United States had long used American Indians as soldiers and scouts in frontier conflicts and in wars with other nations. With the advent of the Navajo Code Talkers in the Pacific theater, Native servicemen were now being employed for contributions that were unique to their Native cultures. In contrast, Australia, Papua, and New Guinea had long attempted to keep indigenous peoples out of the armed forces altogether. With the threat of Japanese invasion, however, they began to bring indigenous peoples into the military as guerilla patrollers, coastwatchers, and regular soldiers. Defending Whose Country? is a comparative study of the military participation of Papua New Guineans, Yolngu, and Navajos in the Pacific War. In examining the decisions of state and military leaders to bring indigenous peoples into military service, as well as the decisions of indigenous individuals to serve in the armed forces, Noah Riseman reconsiders the impact of the largely forgotten contributions of indigenous soldiers in the Second World War.
Now in paperback: A striking, widely praised work of experiential reportage on surmounting paralyzing fear
“A compelling story of everyday courage” (Elizabeth Gilbert). Patty Chang Anker grew up eager to please and afraid to fail. But after thirty-nine years, she decided it was time to stop being a chicken. Motivated initially to become a better role model for her two kids, she vowed to master the fears that were choking the fun and spontaneity out of life. She learned to dive into a swimming pool, ride a bike, do a handstand, and surf. As she shared her experiences, she discovered that most people suffer from their own secret terrors—of flying, driving, heights, public speaking, and more. It became her mission to help others do what they thought they couldn’t and to experience the joy and aliveness that is the true reward of becoming brave. Inspired and inspiring, this book draws on Anker’s interviews with teachers, therapists, coaches, and clergy to convey both practical advice and profound wisdom. Through her own journey and the stories of others, she conveys with grace and infectious exhilaration the most vital lesson of all: Fear isn’t the end point to life, but the point of entry.
Fear, compassion, evil, courage, hope, wonder, the exquisite terror of not knowing what will happen on the next page to characters you care about deeply—these are the marvels that Dean Koontz weaves into the unique tapestry of every novel. His storytelling talents have earned him the devotion of fans around the world, making him one of the most popular authors of our time, with more than 200 million copies of his books sold worldwide. Christopher Snow is different from all the other residents of Moonlight Bay, different from anyone you've ever met. For Christopher Snow has made his peace with a very rare genetic disorder shared by only one thousand other Americans, a disorder that leaves him dangerously vulnerable to light. His life is filled with the fascinating rituals of one who must embrace the dark. He knows the night as no one else ever will, ever can—the mystery, the beauty, the many terrors, and the eerie, silken rhythms of the night—for it is only at night that he is free. Until the night he witnesses a series of disturbing incidents that sweep him into a violent mystery only he can solve, a mystery that will force him to rise above all fears and confront the many-layered strangeness of Moonlight Bay and its residents. Once again drawing daringly from several genres, Dean Koontz has created a narrative that is a thriller, a mystery, a wild adventure, a novel of friendship, a rousing story of triumph over severe physical limitations, and a haunting cautionary tale. This ebook edition contains a special preview of Dean Koontz’s The Silent Corner.
As a top correspondent for Vanity Fair magazine, Amy Fine Collins leads a glamorous life, a charmed whirlwind of gala parties, couture clothing, and five-star travel. In Manhattan, where she is whisked around in taxis and limousines, she has been able to disregard her long-standing fear of driving, a legacy handed down from her accident-plagued family. But when the brilliant and determined Amy finally decides to confront her driving phobia, she does not foresee how far from her elegant turf this resolution will take her. A mysterious, good-looking Turk named Attila is dispatched to her doorstep in a dual-brake Acura, and in him Amy discovers not only a superhumanly skilled instructor but also a wise, patient, and capable man who, inexplicably and irresistibly, over the course of their yearlong lessons, begins to transform and transport her. Both a compelling portrait of an elusive, charismatic hero and an inspiring adventure story, The God of Driving recounts the evolving relationship of Amy and Attila as they zoom in and out of urban interstates and country byways, as close to home as Park Avenue and as far away as Hamburg -- in muscle cars, turbocharged Bentleys, and hang-on-for-your-life motorcycles. And while Attila is completely changing her life, Amy is entirely remaking his, prompting him to uncover -- and redeem -- his shadowy past. Vibrant and funny, The God of Driving is an offbeat, romantic odyssey -- a true-life tale of unlikely soul mates who bump into each other at the crossroads of high gears and high style.