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The complete and unexpurgated scripts of 'Fawlty Towers' - the most celebrated television sit-com of all time. (From back cover).
Fawlty Towers was only on our screens for 12 half-hour episodes, but it has stayed in our lives ever since. The Major; 'Don't mention the war!'; 'He's from Barcelona'; Basil the Rat -- everyone has a favourite line, moment or character. In this, the first biography of the show, Graham McCann holds up to the light each of the unpredictable elements - the demented brilliance of John Cleese, his creative partnership with Connie Booth - that added up to an immortal sitcom, beloved all over the world, even in Barcelona.
With crisp dialog, outrageous characters, and an absurd sense of humor, it's no wonder British sitcoms are so well-loved! Best of the Britcoms covers the most noteworthy situation comedies ever to cross the pond. Each entry combines a show summary with descriptions of standout episodes and behind-the-scenes details, plus gives you production data and full cast listings. And now, the revised edition of this Britcom classic contains seven new chapters on programs that have aired in the U.S. since the original edition was published, such as The Office, Extras, and My Family. Fans of old-school Britcoms won't be disappointed either, as the revised edition also includes the later developments of older series' storylines and detailed information on specials and cast reunions that have occurred in the intervening years. Pick up this book, kick back, and get to know a Britcom!
Fawlty Towers was only on our screens for 12 half-hour episodes, but it has stayed in our lives ever since. The Major; 'Don't mention the war!'; 'He's from Barcelona'; Basil the Rat -- everyone has a favourite line, moment or character. In this, the first biography of the show, Graham McCann holds up to the light each of the unpredictable elements - the demented brilliance of John Cleese, his creative partnership with Connie Booth - that added up to an immortal sitcom, beloved all over the world, even in Barcelona.
NEW YORK TIMES BESTSELLER • “John Cleese’s memoir is just about everything one would expect of its author—smart, thoughtful, provocative and above all funny. . . . A picture, if you will, of the artist as a young man.”—The Washington Post The legendary writer and performer of Monty Python and Fawlty Towers fame takes readers on a grand tour of his ascent in the entertainment world John Cleese’s huge comedic influence has stretched across generations; his sharp irreverent eye and the unique brand of physical comedy he perfected now seem written into comedy’s DNA. In this rollicking memoir, Cleese recalls his humble beginnings in a sleepy English town, his early comedic days at Cambridge University (with future Python partner Graham Chapman), and the founding of the landmark comedy troupe that would propel him to worldwide renown. Cleese was just days away from graduating Cambridge and setting off on a law career when he was visited by two BBC executives, who offered him a job writing comedy for radio. That fateful moment—and a near-simultaneous offer to take his university humor revue to London’s famed West End—propelled him down a different path, cutting his teeth writing for stars like David Frost and Peter Sellers, and eventually joining the five other Pythons to pioneer a new kind of comedy that prized invention, silliness, and absurdity. Along the way, he found his first true love with the actress Connie Booth and transformed himself from a reluctant performer to a world class actor and back again. Twisting and turning through surprising stories and hilarious digressions—with some brief pauses along the way that comprise a fascinating primer on what’s funny and why—this story of a young man’s journey to the pinnacle of comedy is a masterly performance by a master performer.
The legendary comedian, actor, and writer of Monty Python, Fawlty Towers, and A Fish Called Wanda fame shares his key ideas about creativity: that it’s a learnable, improvable skill. “Many people have written about creativity, but although they were very, very clever, they weren't actually creative. I like to think I'm writing about it from the inside.”—John Cleese You might think that creativity is some mysterious, rare gift—one that only a few possess. But you’d be wrong. As John Cleese shows in this short, practical, and often amusing guide, creativity is a skill that anyone can acquire. Drawing on his lifelong experience as a writer, Cleese shares his insights into the nature of creativity and offers advice on how to get your own inventive juices flowing. What do you need to do to get yourself in the right frame of mind? When do you know that you’ve come up with an idea that might be worth pursuing? What should you do if you think you’ve hit a brick wall? We can all be more creative. John Cleese shows us how.
Seminar paper from the year 2012 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,3, University of Paderborn (Institut für Anglistik/Amerikanistik), course: Hauptseminar 'Humour', language: English, abstract: Fawlty Towers, a British television series from the 1970’s, written by John Cleese and Connie Booth is famous for its eccentric characters, farcical humour and unintentionally funny moments. The life of Basil Fawlty, the choleric and perpetually overworked owner of a slightly run-down sea front hotel, his constantly nagging wife Sybil and their good-hearted but maltreated employees, the maid Polly and the Spanish waiter Manuel, is depicted throughout the series. All of them try to keep the hotel running and the guests satisfied despite several incidents and self-made catastrophes. Due to the fact that the series focuses on a hotel, plenty of different guests visit the hotel Fawlty Towers during the 12 episode run of the series. Almost every visit leads to copious amounts of awkward situations and there’s always something Basil Fawlty dislikes about his clientele - may it be their outer appearance, personal taste, social class or their cultural background. Bearing that in mind this homework will take a closer look at the portrayal of foreign characters throughout the series and their interactions with the British hotel staff. After a short introduction to the series and its main protagonists I’m going to point out how foreigners and people of different cultural backgrounds are portrayed in the series and which aspects of their behaviour or cultural peculiarities are made fun of. Furthermore, I will take a closer look at the English characters of the series as well. How do they interact with the foreign characters? Which stereotypes, prejudices or clichés towards the different nationalities do exists in the minds of British people and how does the series Fawlty Towers make fun of them?
'It achieves what it set out to do- explaining in ordinary language to ordinary people just how relationships work.' -Sun