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This edition includes Parts I and II complete. The backgrounds include the medieval Chapbook, the puppet play, and a surviving fragment of G.E. Lessing's Faust play. The author's plans and sketches, and a rich selection of his letters and comments to Eckermann, trace Goethe's lifelong involvement in the work, as does an analytical table showing the phases of composition. The contemporary reactions show how rapidly Faust came to be seen as a quintessential expression of German Romantic consciousness. The essays have been chosen to help readers perceive and understand Faust's extraordinary thematic and formal complexity--Cover.
Dr. Faustus is a great Elizabethan tragedy by Christopher Marlow originally published in 1600. The story is based on an earlier anonymous classic German legend involving worldly ambition, black magic and surrender to the devil. It remains one of the most famous plays of the English Renaissance. Dr. John Faustus, a brilliant, well-respected German doctor grows dissatisfied with the limits of human knowledge - logic, medicine, law, and religion, and decides that he has learned all that can be learned by conventional means. What is left for him, he thinks, but magic. His friends instruct him in the black arts, and he begins his new career as a magician by summoning up Mephastophilis, a devil. Despite Mephastophilis’s warnings about the horrors of hell, Faustus tells the devil to return to his master, Lucifer, with an offer of Faustus’s soul in exchange for twenty-four years of service from Mephastophilis. On the final night before the expiration of the twenty-four years, Faustus is overcome by fear and remorse. He begs for mercy, but it is too late. At midnight, a host of devils appears and carries his soul off to hell. Marlowe’s dramatic interpretation of the Faust legend is a theatrical masterpiece. With immense poetic skill, and psychological insight that greatly influenced the works of William Shakespeare and other dramatists, Dr. Faustus combines soaring poetry, psychological depth, and grand stage spectacle. Marlowe created powerful scenes that invest the work with tragic dignity, among them the doomed man’s calling upon Christ to save him and his ultimate rejection of salvation for the embrace of Helen of Troy.
This book is an interdisciplinary collection of essays examining Goethe’s Faust and its derivatives in European, North American, and South American cultural contexts. It takes both a canonic and archival approach to Faust in studies of adaptations, performances, appropriations, sources, and the translation of the drama contextualized within cultural environments ranging from Gnosticism to artificial intelligence. Lorna Fitzsimmons’ introduction sets this scholarship within a critical framework that draws together work on intertextuality and memory. Alan Corkhill looks at the ways in which the authority of the word is critiqued in Faust and Marlowe’s Dr. Faustus.Robert E. Norton revisits the question of Herder as Faust and the early twentieth-century context in which the claim resonated. J. M. van der Laan explores the symbolic possibilities of the mysterious Eternal-Feminine. Frederick Burwick examines Coleridge’s critique of Goethe’s Faust and his own plans for a Faustian tale on Michael Scott. Andrew Bush demonstrates how Estanislao del Campo’s poem “Fausto” retells Gounod’s opera in the sociolect of Argentine gauchos. David G. John examines complete productions of Goethe’s Faust by Peter Stein and the Goetheanum. Jörg Esleben surveys contemporary Canadian interplay with Goethe’s Faust. Susanne Ledanff discusses the significance of Goethe’s Faust for Werner Fritsch’s avant-garde “Theater of the Now.” Bruce J. MacLennan examines Faust from the perspective of a researcher in several Faustian technologies: artificial intelligence, autonomous robotics, artificial life, and artificial morphogenesis.
One of the great classics of European literature, Faust is Goethe's most complex and profound work. To tell the dramatic and tragic story of one man’s pact with the Devil in exchange for knowledge and power, Goethe drew from an immense variety of cultural and historical material, and a wealth of poetic and theatrical traditions. What results is a tour de force illustrating Goethe’s own moral and artistic development, and a symbolic, cautionary tale of Western humanity striving restlessly and ruthlessly for progress. Capturing the sense, poetic variety, and tonal range of the German original in present-day English, Stuart Atkins’s translation presents the formal and rhythmic dexterity of Faust in all its richness and beauty, without recourse to archaisms or interpretive elaborations. Featuring a new introduction by David Wellbery, this Princeton Classics edition of Faust is the definitive English version of a timeless masterpiece.
Excerpt from Faust, a Tragedy: The First Part N o thought of publication dwelt at that time in my mind. My life-long enjoyment of the beauties of the original, and the desire to render them accessible to the friends whom I have gathered around me in this my adopted country, by producing a translation at once more metrical and more lit eral than any then known to me, were the only motives that led to the beginning and urged the continuance of the pres ent work. I offer no excuses for an undertaking which, coming after Mr. Taylor's, may seem superfluous; nor will I apologize for its many imperfections. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Faust: A Tragedy I'r was my intention to have put forth this Translation without either preface or note, but lest I should be charged with presumption or affectation in so closely imitating Goethe - and because it has been said in different quarters that there was no want Of another version - that Goethe was already perfectly understood, and had had ample justice done to his faus'r - and that it was audacious in one unknown as a German scholar and to the literary world, to fancy that he could, in the face Of seven English translations, throw new light on the original text, or improve its garb; for these causes, with feelings some thing akin to pity towards such persons, and great diffi dence towards the republic Of literature, I have so far changed my mind as to Offer a few remarks as to the why and wherefore, and a statement Of my principles Of action in respect to the following translation. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Faust is a scholar who is highly successful yet dissatisfied with his life, yearning for "more than earthly meat and drink" in his life. He makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures and the Devil happily shows him the life as everyone else wants it, leaving the Doctor in some ever so worldly dilemmas... If you only read one german book in your life - it has to be this one! It is a must-read that is so essentially relevant and true that it never gets old.