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Faulkner's final novel, The Reivers, has been gently dismissed by scholars and critics as no more than its subtitle claims, A Reminiscence. Although the new millennium has seen a new appreciation for Faulkner's later novels, The Reivers is still perceived as a slightly fictionalized comic memoir romanticizing the early life of the author in the pre-civil rights American South. This volume takes this dismissal of The Reivers to task for failing to appreciate its employment of the Apuleian narrative of life-altering metamorphosis to offer, as his literary farewell, hope for humanity's self-redemption. Vernon L. Provencal studies the reception of The Golden Ass in The Reivers as comic novels of moral katabasis (wilful descent into the lawless underworld) and providential anabasis (societal and spiritual redemption). As the independent basis of the reception study, The Reivers receives its first ever detailed reading, while The Golden Ass is read anew from the teleological perspective offered by the (undervalued) prophecy that in the end the comic hero would become the book itself.
Apuleius’ tale of Cupid and Psyche has been popular since it was first written in the second century CE as part of his Latin novel Metamorphoses. Often treated as a standalone text, Cupid and Psyche has given rise to treatments in the last 400 years as diverse as plays, masques, operas, poems, paintings and novels, with a range of diverse approaches to the text. Apuleius’ story of the love between the mortal princess Psyche (or “Soul”) and the god of Love has fascinated recipients as varied as Romantic poets, psychoanalysts, children’s books authors, neo-Platonist philosophers and Disney film producers. These readers themselves produced their own responses to and versions of the story. This volume is the first broad consideration of the reception of C&P in Europe since 1600 and an adventurous interdisciplinary undertaking. It is the first study to focus primarily on material in English, though it also ranges widely across literary genres in Italian, French and German, encompassing poetry, drama and opera as well as prose fiction and art history, studied by an international team of established and young scholars. Detailed studies of single works and of whole genres make this book relevant for students of Classics, English, Art History, opera and modern film.
"The Golden Ass" or "The Metamorphoses" is the only Latin novel by Apuleius to survive in its entirety. Adapted from an earlier Greek story, "The Golden Ass" tells of the adventures of Lucius, a young man who is obsessed with magic. In attempting to perform a spell, Lucius inadvertently transforms himself into an ass. His long and arduous journey is ornately illustrated by Apuleius' witty, imaginative, and often explicit language, in a series of subplots that carry the reader through to Lucius' salvation by the goddess Isis. These include the stories of Cupid and Psyche, Aristomenes, Thelyphron and others. The novel reflects Apuleius' own fascination with magic and the occult, and although comical at times, contains very serious messages about impiety towards the gods, and the risks of tampering with the supernatural. Apuleius (c. 125-c. 180) was a student of Platonist philosophy and Latin prose writer.
Eager to learn the rules of magic, Lucius agrees to participate in a shapeshifting spell that suddenly goes awry, transforming the man into a donkey. His life is abruptly upended as he is attacked, stolen and sold multiple times before finding relief through divine intervention. Lucius is enamored with witchcraft and begs a woman to transform him into a bird. Unfortunately, she fails, and he is immediately turned into an ass. This leads to a tumultuous journey that takes Lucius away from his friends and puts him into the hands of strangers. He is sold by thieves, cooks and farmers, forced to engage in strange and laborious tasks. With each owner comes a different set of obstacles and inevitable misunderstandings. A rare text stemming from Roman antiquity, The Golden Ass is infused with mythological elements. The story covers a wide range of topics from witchcraft to adultery and murder. This expansive narrative has enough twists to keep any reader on the edge of their seat. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Golden Ass is both modern and readable.
Translated from the Latin by the poet and author of I, Claudius, this ancient Roman novel follows the many adventures of a man who transforms into an ass. Driven by his all-consuming curiosity, a young man of good parentage named Lucius Apuleius takes a trip to Thessaly. Along the way, amidst a series of bizarre adventures, he inadvertently offends a priestess of the White Goddess, who promptly turns him into an ass. How Lucius responds to his new misfortune, and ultimately finds a way to become human again, makes for a funny and fascinating tale. The Metamorphosis of Apuleius, referred to by St. Augustine as The Golden Ass, is the oldest novel written in Latin to survive in its entirety. Originally written by Lucius of Patrae, this translation by Robert Graves highlights the ribald humor and vivid sense of adventure present in the original. Providing a rare window into the daily lives of regular people in ancient Greece, Robert Graves’s translation of this classic tale is at once hilarious, informative, and captivating.
Apuleius (c. 125-c. 180) was a student of Platonist philosophy and Latin prose writer who produced the novel "Metamorphoses", more popularly known as "The Golden Ass". This work is the only Latin novel to survive in its entirety. Adapted from an earlier Greek story, "The Golden Ass" tells of the adventures of Lucius, a young man who is obsessed with magic. In attempting to perform a spell, Lucius inadvertently transforms himself into an ass. His long and arduous journey is ornately illustrated by Apuleius' witty, imaginative, and often explicit language, in a series of subplots that carry the reader through to Lucius' salvation by the goddess Isis. These include the stories of Cupid and Psyche, Aristomenes, Thelyphron and others. The novel reflects Apuleius' own fascination with magic and the occult, and although comical at times, contains very serious messages about impiety towards the gods, and the risks of tampering with the supernatural.