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Contributions by Josephine Adams, Jeff Allred, Garry Bertholf, Maxwell Cassity, John N. Duvall, Katherine Henninger, Maude Hines, Robert Jackson, Julie Beth Napolin, Rebecca Nisetich, George Porter Thomas, Jay Watson, and Yuko Yamamoto If it seems outrageous to suggest that one of the twentieth century’s most important literary cartographers of the private recesses of consciousness is also among its great novelists of family, William Faulkner nonetheless fits the bill on both counts. Family played an outsized role in both his life and his writings, often in deeply problematic ways, surfacing across his oeuvre in a dazzling range of distorted, defamiliarized, and transgressive forms, while on other occasions serving as a crucible for crushing forces of conformity, convention, and tradition. The dozen essays featured in this collection approach Faulkner’s many families—actual and imagined—as especially revealing windows to his work and his world. Contributors explore the role of the child in Faulkner’s vision of family and regional society; sibling relations throughout the author's body of work; the extension of family networks beyond blood lineage and across racial lines; the undutiful daughters of Yoknapatawpha County; the critical power of family estrangement and subversive genealogies in Faulkner’s imagination; forms of queer and interspecies kinship; the epidemiological imagination of Faulkner’s notorious Snopes family as social contagion; the experiences of the African American families who worked on the writer’s Greenfield Farm property; and Faulkner’s role in promoting a Cold War–era ideology of “the family of man” in post–World War II Japan.
A beautifully illustrated children’s book unlike any other—a tender and atmospheric tale written by William Faulkner as a present for his future stepdaughter “If you are kind to helpless things, you don’t need a Wishing Tree to make things come true.” A strange boy leads a birthday girl and her companions on a hunt for the wishing tree, which brings them many surprising and magical adventures. Written in 1927 and eventually published in 1964 as a limited edition featuring Don Bolognese’s striking illustrations, The Wishing Tree reveals another side to a visionary of American letters, making it a welcome gift to children and to all readers of Faulkner.
This is the first book to show in detail how the families William Faulkner created in his novels reflect his own family experiences. Gwendolyn Chabrier shows how Faulkner's earliest work presents a gloomy view of family relations, characterized by misalliance, adultery, and incestuous relationships. But then, drawing on his own experience, Faulkner gradually came to a new view of the family, both his own and those he created, and worked through to his later novel where both his life and that of his fictional families became more peaceful and rewarding.
What happens when you marry into a family that includes a Nobel Prize winner who is arguably the finest American writer of the twentieth century? Lawrence Wells, author of In Faulkner’s Shadow: A Memoir, fills this lively tale with stories that answer just that. In 1972, Wells married Dean Faulkner, the only niece of William Faulkner, and slowly found himself lost in the Faulkner mystique. While attempting to rebel against the overwhelming influence of his in-laws, Wells had a front-row seat to the various rivalries that sprouted between his wife and the members of her family, each of whom dealt in different ways with the challenges and expectations of carrying on a literary tradition. Beyond the family stories, Wells recounts the blossoming of a literary renaissance in Oxford, Mississippi, after William Faulkner’s death. Both the town of Oxford and the larger literary world were at a loss as to who would be Faulkner’s successor. During these uncertain times, Wells and his wife established Yoknapatawpha Press and the quarterly literary journal the Faulkner Newsletter and Yoknapatawpha Review. In his dual role as publisher and author, Wells encountered and befriended Larry Brown, Barry Hannah, Willie Morris, and many other writers. He became both participant and observer to the deeds and misdeeds of a rowdy collection of talented authors living in Faulkner’s shadow. Full of personal insights, this memoir features unforgettable characters and exciting behind-the-scene moments that reveal much about modern American letters and the southern literary tradition. It is also a love story about a courtship and marriage, and an ode to Dean Faulkner Wells and her family.
When the matriarch of the Bundren family dies, her family must confront the daunting task of transporting her body across the state of Mississippi for burial in her hometown. As they embark on this journey, with the coffin in tow, they face several trials and tribulations that not only complicate their travel but also highlight the innate dysfunction of the family's complex dynamic. This comprehensive volume explores the themes of William Faulkner's As I Lay Dying through the lens of family dysfunction, offering readers a critical look at the intersection between literature and sociology. The book examines Faulkner's life and influences and explores concepts such as the role of maternal influence and sibling rivalry within the novel and within the broader context of society. Chapters also offer a contemporary perspective on family dysfunction through discussion of topics such as the effects of emotional neglect and the role of maternal instincts.
A New York Times Notable Book of 2020 How do we read William Faulkner in the twenty-first century? asks Michael Gorra, in this reconsideration of Faulkner's life and legacy. William Faulkner, one of America’s most iconic writers, is an author who defies easy interpretation. Born in 1897 in Mississippi, Faulkner wrote such classic novels as Absolom, Absolom! and The Sound and The Fury, creating in Yoknapatawpha county one of the most memorable gallery of characters ever assembled in American literature. Yet, as acclaimed literary critic Michael Gorra explains, Faulkner has sustained justified criticism for his failures of racial nuance—his ventriloquism of black characters and his rendering of race relations in a largely unreconstructed South—demanding that we reevaluate the Nobel laureate’s life and legacy in the twenty-first century, as we reexamine the junctures of race and literature in works that once rested firmly in the American canon. Interweaving biography, literary criticism, and rich travelogue, The Saddest Words argues that even despite these contradictions—and perhaps because of them—William Faulkner still needs to be read, and even more, remains central to understanding the contradictions inherent in the American experience itself. Evoking Faulkner’s biography and his literary characters, Gorra illuminates what Faulkner maintained was “the South’s curse and its separate destiny,” a class and racial system built on slavery that was devastated during the Civil War and was reimagined thereafter through the South’s revanchism. Driven by currents of violence, a “Lost Cause” romanticism not only defined Faulkner’s twentieth century but now even our own age. Through Gorra’s critical lens, Faulkner’s mythic Yoknapatawpha County comes alive as his imagined land finds itself entwined in America’s history, the characters wrestling with the ghosts of a past that refuses to stay buried, stuck in an unending cycle between those two saddest words, “was” and “again.” Upending previous critical traditions, The Saddest Words returns Faulkner to his sociopolitical context, revealing the civil war within him and proving that “the real war lies not only in the physical combat, but also in the war after the war, the war over its memory and meaning.” Filled with vignettes of Civil War battles and generals, vivid scenes from Gorra’s travels through the South—including Faulkner’s Oxford, Mississippi—and commentaries on Faulkner’s fiction, The Saddest Words is a mesmerizing work of literary thought that recontextualizes Faulkner in light of the most plangent cultural issues facing America today.
Across the Creek, a collection of affectionate reminiscences, adds to the common lore about William Faulkner and his community. Jim Faulkner recounts stories abounding in folklore, humor, family history, and fictionalized history, and these offer an insider's view of the Faulkner family's life in the small southern town of Oxford, Mississippi. A sense of adventure and misadventure colors these personal accounts. “Aunt Tee and Her Two Monuments” explains the mystery of why the town has two Confederate statues. “Roasting Black Buster” tells how Faulkner's hired man mistakenly killed the prize bull for a family barbecue. “The Picture of John and Brother Will” recounts how Phil Mullen happened to take his well-known snapshot of the famous Faulkner brother novelists—John and William—one of the few pictures ever taken of them together. Here in this entertaining book are more family stories about a major American author whose life, family, and writing have generated continuing appeal and ever-renewed appreciation.
In Every Day by the Sun, Dean Faulkner Wells recounts the story of the Faulkners of Mississippi, whose legacy includes pioneers, noble and ignoble war veterans, three never-convicted mur­derers, the builder of the first railroad in north Mississippi, the founding president of a bank, an FBI agent, four pilots (all brothers), and a Nobel Prize winner, arguably the most important Ameri­can novelist of the twentieth century. She also reveals wonderfully entertaining and intimate stories and anecdotes about her family—in particular her uncle William, or “Pappy,” with whom she shared color­ful, sometimes utterly frank, sometimes whimsical, conversations and experiences. This deeply felt memoir explores the close re­lationship between Dean’s uncle and her father, Dean Swift Faulkner, a barnstormer killed at age twenty-eight during an air show four months be­fore she was born. It was William who gave his youngest brother an airplane, and after Dean’s tragic death, William helped to raise his niece. He paid for her education, gave her away when she was married, and maintained a unique relationship with her throughout his life. From the 1920s to the early civil rights era, from Faulkner’s winning of the Nobel Prize in Literature to his death in 1962, Every Day by the Sun explores the changing culture and society of Oxford, Mis­sissippi, while offering a rare glimpse of a notori­ously private family and an indelible portrait of a national treasure.
This is a genealogical study of the families of Russell Faulkner (ca.1775-1840s) of Edgefield District, SC; his son Elijah Faulkner (1813-1896), and his grandson Eligah Melvin Faulkner (1858-1941). It includes death and marriage records, obituaries, deeds, grave inscriptions and over 230 census records. It covers over 237 years of the Faulkner family in Edgefield, Greenwood, McCormick, and Aiken Counties, South Carolina
Polished and refitted into a new critical matrix, these essays by a distinguished Faulkner editor and scholar in no way resemble the casual self-anthologizing often encountered. Polk's stature as a critic meshes neatly with his work as an editor; his patent joy at the very sight of Faulkner manuscripts is inspiriting, and his professed commitment to Freudian readings is borne lightly (that is, expressed in sensible, jargon-free discourse that is both witty and brilliant). --J.M. Ditsky, Choice First published in 1996, this book by a major scholar of William Faulkner's writings collects choic