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'The best vicar ever' - Caitlin Moran THE NO. 1 SUNDAY TIMES BESTSELLING AUTHOR OF THE CANON CLEMENT SERIES FATHOMLESS RICHES is the Reverend Richard Coles' warm, witty and wise memoir in which he divulges with searing honesty and intimacy his pilgrimage from a rock-and-roll life of sex and drugs in the Communards to one devoted to God and Christianity. The result is one of the most unusual and readable life stories of recent times, and has the power to shock as well as to console. 'Sex, drugs, death, religion, more sex... it has got it all' - Guardian 'All the humour, quirky characters and incidents that life - and death- serve up' - Mail on Sunday 'One of the most immensely readable - and redeemable - memoirs of the year' - Sunday Times 'A frank, worldly-wise, bleakly comic memoir' - The Times 'Full of wit and humour about finding God, and Jimmy Sommerville' - Independent on Sunday
Celia Reynolds is the youngest in a set of triplets and the one with the least valuable power. Anne can see the future, and Jane can see the present, but all Celia can see is the past. And the past seems so insignificant -- until Celia meets Lo. Lo doesn't know who she is. Or who she was. Once a human, she is now almost entirely a creature of the sea -- a nymph, an ocean girl, a mermaid -- all terms too pretty for the soulless monster she knows she's becoming. Lo clings to shreds of her former self, fighting to remember her past, even as she's tempted to embrace her dark immortality. When a handsome boy named Jude falls off a pier and into the ocean, Celia and Lo work together to rescue him from the waves. The two form a friendship, but soon they find themselves competing for Jude's affection. Lo wants more than that, though. According to the ocean girls, there's only one way for Lo to earn back her humanity. She must persuade a mortal to love her . . . and steal his soul.
"The Perilous Realm is not just a world with stories in it. This world is Story. Whatever you might find in a story, you will find here. Adventures, strange encounters, riddles. Heroes and monsters. Bravery, goodness and terrible evil." Will has returned from his exhilarating adventure in the Realm and is back at home with his family trying to go through the motions of ordinary life. But he is dogged by feelings of restlessness and is desperate to see Rowen again. It's not long before he obeys the irresistible pull to return to Fable and resumes his quest. Will is shocked to discover that in the time since he left he's become a legend. He is greeted as a returning hero. Soon enough, Will may have to test his true heroism: Rowen is missing and in great danger. Will must stop the evil Malabron before Rowen and all of Fable are swept up by his wicked scheme.
Underground filmmaker Tina Mori became a legend with a stolen camera, then disappeared under mysterious circumstances. Film historian and debut novelist Brian Hauser delves into Mori's life and legacy, exploring the strange depths and fathomless shadows situated between truth, fiction, fantasy, and the uncanny.
Scarlett March lives to hunt the Fenris--the werewolves that took her eye when she was defending her sister Rosie from a brutal attack. Armed with a razor-sharp hatchet and blood-red cloak, Scarlett is an expert at luring and slaying the wolves. She's determined to protect other young girls from a grisly death, and her raging heart will not rest until every single wolf is dead. Rosie March once felt her bond with her sister was unbreakable. Owing Scarlett her life, Rosie hunts ferociously alongside her. But even as more girls' bodies pile up in the city and the Fenris seem to be gaining power, Rosie dreams of a life beyond the wolves. She finds herself drawn to Silas, a young woodsman who is deadly with an ax and Scarlett's only friend--but does loving him mean betraying her sister and all that they've worked for?
Daily meditations taken from the works of an acclaimed novelist, essayist, and preacher who has articulated what he sees with a freshness and clarity and energy that hails our stultified imaginations.
This exciting middle-grade adventure is Hoot for the Gilded Age—with scientific discoveries, secret plots, and surprisingly enormous fauna. When his asthma lands him at a health resort in the wilds of Gilded Age South Florida, twelve-year-old Algie Emsworth is over the moon. The scientific treasure trove of unexplored swamps may launch his dream career as a naturalist. But even Algie is startled when he happens upon a brand-new species and her brood in the karst springs surrounding the resort. Algie quickly realizes he must keep his discovery a secret: a famous collector of exotic animals is also staying at the hotel, and the new species is threatened by his very presence. An apparent curse has also descended upon the hotel, bringing with it a deadly red tide. But when the pool starts filling with ink and guests start getting mysterious, sucker-shaped wounds, Algie must pluck up his courage to find the truth about the goings-on at the Grand Hotel—and save the new species from destruction.
Western Europe is in a strangely neurotic condition of being smug and terrified at the same time. On the one hand, Europeans believe they have at last created an ideal social and political system in which man can live comfortably. In many ways, things have never been better on the old continent. On the other hand, there is growing anxiety that Europe is quickly falling behind in an aggressive, globalized world. Europe is at the forefront of nothing, its demographics are rapidly transforming in unsettling ways, and the ancient threat of barbarian invasion has resurfaced in a fresh manifestation. In The New Vichy Syndrome, Theodore Dalrymple traces this malaise back to the great conflicts of the last century and their devastating effects upon the European psyche. From issues of religion, class, colonialism, and nationalism, Europeans hold a “miserablist” view of their history, one that alternates between indifference and outright contempt of the past. Today’s Europeans no longer believe in anything but personal economic security, an increased standard of living, shorter working hours, and long vacations in exotic locales. The result, Dalrymple asserts, is an unwillingness to preserve European achievements and the dismantling of western culture by Europeans themselves. As vapid hedonism and aggressive Islamism fill this cultural void, Europeans have no one else to blame for their plight.
As a child, Gretchen's twin sister was taken by a witch in the woods. Ever since, Gretchen and her brother, Ansel, have felt the long branches of the witch's forest threatening to make them disappear, too. Years later, when their stepmother casts Gretchen and Ansel out, they find themselves in sleepy Live Oak, South Carolina. They're invited to stay with Sophia Kelly, a beautiful candy maker who molds sugary magic: coveted treats that create confidence, bravery, and passion. Life seems idyllic and Gretchen and Ansel gradually forget their haunted past -- until Gretchen meets handsome local outcast Samuel. He tells her the witch isn't gone -- it's lurking in the forest, preying on girls every year after Live Oak's infamous chocolate festival, and looking to make Gretchen its next victim. Gretchen is determined to stop running and start fighting back. Yet the further she investigates the mystery of what the witch is and how it chooses its victims, the more she wonders who the real monster is. Gretchen is certain of only one thing: a monster is coming, and it will never go away hungry.
Short stories on themes drawn from life in California, written and illustrated by native sons.