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For two sisters growing up surrounded by the Civil War, there is conflict both outside and inside their house.
From the bestselling author of THE ZION COVENANT and THE ZION CHRONICLES series!.
Now with 250K copies in print! Revised and Updated Edition. Anne affirms that Heaven truly is the home of your dreams: a home of lasting value that's fully paid for and filled with family, where you will be wanted and welcomed. Best of all, Heaven is a home you are invited to claim as your own. With over 40 percent new and revised content, Anne Graham Lotz has updated her classic book on Heaven for a whole new generation of readers, and also for herself. With her father, mother, and husband now gone, Lotz beautifully adds her own vulnerability and stories to the journey contained in Heaven: My Father's House. Jesus promised us, "In My Father's house are many rooms...I am going there to prepare a place for you." Amid the turbulence of today's world, we cling to the hope of a heavenly home where we will be welcomed into eternal peace and safety. Anne affirms that Heaven truly is the home of your dreams: a home of lasting value that's fully paid for and filled with family, where you will be wanted and welcomed. Best of all, Heaven is a home you are invited to claim as your own.
A historian's personal journey into the complex questions of immigration, home and nation From Ireland to London in the 1950s, Derry in the Troubles to contemporary, de-industrialised Manchester, Joyce finds the ties of place, family and the past are difficult to break. Why do certain places continue to haunt us? What does it mean to be British after the suffering of Empire and of war? How do we make our home in a hypermobile world without remembering our pasts? Patrick Joyce's parents moved from Ireland in the 1930s and made their home in west London. But they never really left the homeland. And so as he grew up among the streets of Paddington and Notting Hill and when he visited his family in Ireland he felt a tension between the notions of home, nation and belonging. Going to My Father's House charts the historian's attempt to make sense of these ties and to see how they manifest in a globalised world. He explores the places - the house, the street, the walls and the graves - that formed his own identity. He ask what place the ideas of history, heritage and nostalgia have in creating a sense of our selves. He concludes with a plea for a history that holds the past to account but also allows for dynamic, inclusive change.
This book clearly introduces uss to the meaning of church membership, the traits of a good church, and how we are to function as parts of the body. Includes practical discussions of church leadership, male and female roles, confrontation, unity & prayer.
From the Pulitzer Prize-winning New York Times journalist: a pathbreaking examination of our huge crime and incarceration problem that looks at the influence of the family--specifically one Oregon family with a generations-long legacy of lawlessness. The United States currently holds the distinction of housing nearly one-quarter of the world's prison population. But our reliance on mass incarceration, Fox Butterfield argues, misses the intractable reality: As few as 5 percent of families account for half of all crime, and only 10 percent account for two-thirds. In introducing us to the Bogle family, the author invites us to understand crime in this eye-opening new light. He chronicles the malignant legacy of criminality passed from parents to children, grandchildren, and even great-grandchildren. Examining the long history of the Bogles, a white family, Butterfield offers a revelatory look at criminality that forces us to disentangle race from our ideas about crime and, in doing so, strikes at the heart of our deepest stereotypes. And he makes clear how these new insights are leading to fundamentally different efforts at reform. With his empathic insight and profound knowledge of criminology, Butterfield offers us both the indelible tale of one family's transgressions and tribulations, and an entirely new way to understand crime in America.
For his final new series, New York Times mega-bestselling author E. Lynn Harris introduces Bentley L. Dean, owner of the hottest modeling agency in Miami's sexy South Beach. Only the world's most beautiful models make the roster of Picture Perfect Modeling agency and they only do shoots for the most elite photographers and magazines. They are fashionista royalty—and the owners, Bentley L. Dean and his beautiful partner Alexandra, know it. But even Picture Perfect isn't immune from hard times, so when Sterling Sneed, a rich, celebrity party planner promises to pay a ludicrously high fee for some models, Bentley finds he can't refuse. Even though the job is not exactly a photo shoot, Bentley agrees to supply fifteen gorgeous models as eye candy for an "A" list party—to look good, be charming and, well, entertain the guests. They don't have to do anything they don't want to, but... His models are pros and he figures they can handle the pressure, until one drops out and Bentley asks his protégé Jah, a beautiful kid who Bentley treats as if he were his own son, to substitute. Suddenly, the stakes are much higher, particularly when Jah falls in love with the hottest African American movie star in America. Seth Sinclair is very handsome, very famous, and very married—and his closeted gay life makes him very dangerous as well. Can Bentley's fatherly guidance save Jah from making a fatal mistake?
In the year 1910, at age twenty, Karl Artur Johan Gustafsson leaves Sweden to follow his older siblings to America. Renamed "Carl Arthur Gustafson" at Ellis Island, he begins a new life in Forestville/Bristol Connecticut where he falls in love with and marries Jennie Anderson. Together they build their "house," guiding their family through the rapidly changing events of the 20th century. In this multi-layered, multiple-generational story, their third child takes her readers on a journey through WWI, the Great Depression, WWII, changing technologies, changing roles, and the tumultuous sixties and seventies.
It had not been a conscious decision to cling to the better memories of his childhood. It had just happened when Hannah came along and the possibility of a brighter future dragged his scowling face away from the details of his past. Now, standing in the middle of the poorly part-mowed field, in front of the house that was hiding all the reasons he had run away, he wondered if it would be possible to hold the past and present in tension.' Robbie Hanright has a normal, settled life in Dublin. With a wife and baby, an undemanding job and a nice home, everything is just as he wants it. However, after an enduring estrangement from the rural landscape of his youth, Robbie receives a phone call from his sister asking him to come home. Left with little choice, Robbie returns once more to County Down, and to Larkscroft Farm, to confront the father who tormented his childhood and face up to a history he wants only to forget. Set against the backdrop of a decaying farmhouse and fragile family connections, My Father's House is a powerful, lyrical story of loss and regret, through which Bethany Dawson reveals an affecting compassion for the profound, and often painful, complexities of family life.
Donald and Lillian were never a match made in heaven, but they have a child, Tina, and she is the love of Donald's heart. For her he would give up everything: his home, his work and even his freedom. When his marriage fails, he does just that. A chance meeting with a stranger on a train changes his life - and his daughter's - in ways he could never have imagined. From her earliest years Tina is exceptional, a brilliant student and a joyous person with a loving spirit. At university she falls in love with Gilbert who, three years older than she, graduates from law school just as she is about to enter medical school. Together they go to New York, where they learn a truth about Donald that shatters Tina's regard for the father who has for so long protected and cherished her. When a terrible lie has been told for love, can it be forgiven?