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Historical drama based on true events in 17th Century England. Father Nicholas Postgate was a Catholic priest who served the Catholic people of North Yorkshire when it was illegal to do so. Father Postgate served for over 50 years. Finally captured at Matthew Lyth's house performing a baptism, Father Postgate was taken to York in 1679 where he was hung, drawn and quartered. The story not only tells Father Postgates story but centres around the ordinary Catholic folk of North Yorkshire and the persecution they suffered for being Catholics.
Father Nicholas Postgate is one of our best-loved martyrs whose lonely mission in the wilds of the North York Moors has captured the imagination of people of all faiths. Known as 'The Good Samaritan of the Moors' due to his generosity to all regardless of their status or religion, he walked around his huge 'parish' of Blackamoor, always declining the offer of a horse. He shared his food and clothes and visited people in remote areas to offer both spiritual and practical help, wanting to understand the plight of the poor and to empathise with them in every way. Most remarkably he began this work when he was more than sixty years old, and continued almost into his eighties. Although born in those moors, he attended the English College at Douai where he earned the degree of Doctor of Divinity, and then returned to England to work as a chaplain for wealthy families in great houses. That secret work took him to places far away from his beloved Blackamoor. Returning to the moors in the early 1660s, he embarked on a completely new role that was to earn him everlasting admiration. This work nourishing the Catholic faith came to the notice of Parliament just when the fabricated 'Popish Plot' of Titus Oates brought a return of the persecution of Catholics. A highly experienced Government agent, whose employer was alleged to have been murdered by Catholics, was ordered to hunt down, capture and prosecute Father Postgate. This book, the most comprehensive ever written about the martyr, relates that story and reveals previously unpublished information about Father Nicholas Postgate DD, Martyr of the Moors.
Stuart Finch is going on holiday with his family. They are all looking forward to a week in Blackpool. Sea, sand and fresh fish and chips! Driving on the motorway the car has a tyre blow out and somersaults across the motorway and down the embankment. Stuart is suddenly woken up by Mary, his wife shouting at him. Stuart had fallen asleep at the wheel and dreamt that they had crashed. In Blackpool Stuart meets an old man named James who claims to be an angel. What follows next is a web of intrigue, an earth tremor and a near miss at sea. Stuart attends his own funeral and plans to murder his family, urged on by James the angel.......
"This book is an edited collection of nineteen essays written by a range of experts and some newer scholars in the areas of early modern British and Irish history and religion. In addition to English Catholicism, developments in Ireland, Scotland, and Wales, as well as ongoing connections and interactions with Continental Catholicism, are well incorporated throughout the volume"--
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A study of clerical reaction to the sizeable number of Catholics who outwardly conformed to Protestantism in late 16c England. An important and satisfying monograph... Many insights emerge from this rich and original study, whichwhets the appetite for more. ENGLISH HISTORICAL REVIEW [Diarmaid MacCulloch] `Church Papist' was a nickname, a term of abuse, for those English Catholics who outwardly conformed to the established Protestant Church and yet inwardly remained Roman Catholics. The more dramatic stance of recusancy has drawn historians' attention away from this sizeable, if statistically indefinable, proportion of Church of England congregations, but its existence and significance is here clearly revealed through contemporary records, challenging the sectarian model of post-Reformation Catholicism perpetuated by previous historians. Alexandra Walsham explores the aggressive reaction of counter-Reformation clergy to the compromising conduct of church papists and the threat theyposed to Catholicism's separatist image; alongside this she explains why parish priests simultaneously condoned qualified conformity. This scholarly and original study thus draws into focus contemporary clerical apprehensions andanxieties, as well as the tensions caused by the shifting theological temper ofthe late Elizabethan and early Stuart church.ALEXANDRA WALSHAM is Lecturer in History at the University of Exeter.
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.