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Few ideas in Chinese discourse are as ubiquitous as ming, variously understood as “command,” “allotted lifespan,” “fate,” or “life.” In the earliest days of Chinese writing, ming was already present, invoked in divinations and etched into ancient bronzes; it has continued to inscribe itself down to the twenty-first century in literature and film. This volume assembles twelve essays by some of the most eminent scholars currently working in Chinese studies to produce the first comprehensive study in English of ming’s broad web of meanings. The essays span the history of Chinese civilization and represent disciplines as varied as religion, philosophy, anthropology, literary studies, history, and sociology. Cross-cultural comparisons between ancient Chinese views of ming and Western conceptions of moira and fatum are discussed, providing a specific point of departure for contrasting the structure of attitudes between the two civilizations. Ming is central to debates on the legitimacy of rulership and is the crucial variable in Daoist manuals for prolonging one’s life. It has preoccupied the philosopher and the poet and weighed on the minds of commoners throughout imperial China. Ming was the subject of the great critic Jin Shengtan’s last major literary work and drove the narrative of such classic novels as The Investiture of the Gods and The Romance of the Three Kingdoms. Confucius, Mencius, and most other great thinkers of the classical age, as well as those in ages to come, had much to say on the subject. It has only been eschewed in contemporary Chinese philosophy, but even its effacement there has ironically turned it into a sort of absent cause. Contributors: Stephen Bokenkamp, Zong-qi Cai, Robert Campany, Woei Lien Chong, Deirdre Sabina Knight, Christopher Lupke, Mu-chou Poo, Michael Puett, Lisa Raphals, P. Steven Sangren, David Schaberg, Patricia Sieber.
"By examining how narrative strategies reinforce or contest deterministic paradigms, this work describes modern Chinese fiction’s unique contribution to ethical and literary debates over the possibility for meaningful moral action. How does Chinese fiction express the desire for freedom as well as fears of attendant responsibilities and abuses? How does it depict struggles for and against freedom? How do the texts allow for or deny the possibility of freedom and agency? By analyzing discourses of agency and fatalism and the ethical import of narrative structures, the author explores how representations of determinism and moral responsibility changed over the twentieth century. She links these changes to representations of time and to enduring commitments to human-heartedness and social justice. Although Chinese fiction may contain some of the most disconsolate pages in the twentieth century’s long literature of disenchantment, it also bespeaks, Knight argues, a passion for freedom and moral responsibility. Responding to ongoing conflicts between the claims of modernity and the resources of past traditions, these stories and novels are often dominated by challenges to human agency. Yet read with sensitivity to traditional Chinese conceptions of moral experience, their testimony to both the promises of freedom and the failure of such promises opens new perspectives on moral agency."
Presents David Foster Wallace critiques philosopher Richard Taylor's work implying that humans have no control over the future and includes essays linking Wallace's critique with his later works of fiction.
A number of features characterize late Ming vernacular fiction as part of the general cultural expansion of that period. These features centrally include the exposition of sexual transgression and the function of containment, by which is meant the ideology of the control of desires. The late Ming writers are studiously devoted to illustrating minute, obscene, or erotic details that belief the decorum of the orthodox surface. However, this subversiveness of detail decreases in intensity from the late Ming to the early Qing, when values of containment are reinvoked. Related topics are: the theme of causality and its role in the story's mapping of the logic of adultery; adultery as an emblem of the woman's escape from containment and the use of the narrative topos of the gap in the wall as a locus of sexual transgression.
Originally published in 1980, Alber’s translation of Semanov’s study aimed to contribute to the studies of Chinese literature and the knowledge of Lu Hsün’s work to an English-speaking reader. Lu Hsün was an influential democrat and humanist in early twentieth Century China and his work had a great influence on literature in China. Semanov therefore attempted to place his life and work in the context of his literary predecessors as well as commenting on his world view, his teaching and place in history. This title will be of interest to students of Asian studies and Literature.
In the spring of 1946, Communists and Nationalist Chinese were battled for control of Manchuria and supremacy in the civil war. The Nationalist attack on Siping ended with a Communist withdrawal, but further pursuit was halted by a cease-fire brokered by the American general, George Marshall. Within three years, Mao Zedong's troops had captured Manchuria and would soon drive Chiang Kai-shek's forces off the mainland. Did Marshall, as Chiang later claimed, save the Communists and determine China's fate? Putting the battle into the context of the military and political struggles fought, Harold M. Tanner casts light on all sides of this historic confrontation and shows how the outcome has been, and continues to be, interpreted to suit the needs of competing visions of China's past and future.
Few ideas in Chinese discourse are as ubiquitous as ming, variously understood as "command," "allotted lifespan," "fate," or "life." This volume assembles twelve essays by some of the most eminent scholars currently working in Chinese studies to consider ming's broad web of meanings