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Get swept away to the enchanting South of France with this “exquisite and shimmering” (Lisa Jewell, New York Times bestselling author of Then She Was Gone) suspenseful historical novel, where perilous secrets lurk under the glitz and glam of seaside wealth. She didn’t have an enemy in the world…until she inherited a fortune. London 1948: Eve Forrester is stuck in a loveless marriage, isolated in her gray and gloomy house when out of the blue, she receives a letter. A wealthy stranger has left her a mysterious inheritance but in order to find out more, she must travel to the glittering French Riviera. There, Eve discovers she has been bequeathed an enchanting villa overlooking the Mediterranean Sea and suddenly, life could not be more glamorous. But while she rubs shoulders with the rich and famous, challengers to her unexplained fortune begin to emerge—challengers who would love to see Eve gone forever. Alone in paradise, Eve must unlock the story behind her surprise bequest—before her unexpected twist of fate turns deadly… With Rachel Rhys’s “thrilling, seductive, and utterly absorbing” (Paula Hawkins, #1 bestselling author of The Girl on the Train) prose, Fatal Inheritance is an intoxicating story of dysfunctional families and long-hidden secrets, set against the decadence of the Côte d’Azur.
"YOU DON'T BELONG HERE." Someone wants to stop Becki Graw from claiming her inheritance. Police officer Joshua Rayne is just as determined to keep his beautiful neighbor safe. She may not be the tomboy Josh remembers, but she's just as stubborn. Becki is intent on keeping her grandparents' remote farmhouse-no matter the danger. Becki's feelings for her childhood crush may be rekindled, but she's seen too much to risk opening her heart. As the threats against Becki escalate, the list of suspects grows longer. Josh must convince Becki to trust him with her heart-and her life-before a madman ends their chance at happiness...permanently.
Weaving his own moving family story with a sweeping history of cancer research, Lawrence Ingrassia delivers an intimate, gripping tale that sits at the intersection of memoir and medical thriller Ingrassia lost his mother, two sisters, brother, and nephew to cancer—different cancers developing at different points throughout their lives. And while highly unusual, his family is not the only one to wonder whether their heartbreak is the result of unbelievable bad luck, or if there might be another explanation. Through meticulous research and riveting storytelling, Ingrassia takes us from the 1960s—when Dr. Frederick Pei Li and Dr. Joseph Fraumeni Jr. first met, not yet knowing that they would help make a groundbreaking discovery that would affect cancer patients for decades to come—to present day, as Ingrassia and countless others continue to unpack and build upon Li and Fraumeni’s initial discoveries, and to understand what this means for their families. In the face of seemingly unbearable loss, Ingrassia holds onto hope. He urges us to “fight like Charlie,” his nephew who battled cancer his entire life starting with a rare tumor in his cheek at the age of two—and to look toward the future, as gene sequencing, screening protocols, CRISPR gene editing, and other developing technologies may continue to extend lifespans and perhaps, one day, even offer cures.
Mara, Brehon of the Burren, must battle superstitious beliefs and fears as she sets out to solve a brutal murder. When a woman’s body is discovered, strangled and bound with rope to the stone torso of Fár Breige, the ancient stone god which stands sentinel above the haunted caves and ancient fortifications of the Atlantic cliffs, the locals believe it was the god who killed her. In life, Clodagh O’Lochlainn had been a disgrace to her clan, tormenting her former priestly lover, jeering at her husband, robbing her relatives: but could she really have been slaughtered by a vengeful god, as the local population believes? Abandoning preparations for the celebration of her fiftieth birthday, Mara, Brehon of the Burren, with the assistance of Fachtnan and her scholars, takes up the task of solving the murder. Ignoring the ancient legends, she concentrates instead on bringing a mortal killer to justice. But it’s only when Fachtnan’s small daughter is lost in the labyrinth of passages among the caves that the horrifying truth begins to emerge.
The struggle between the fecund Stewarts and the barren Tudors is generally seen only in terms of the relationship between Elizabeth I and her cousin, Mary Queen of Scots. But very little has been said about the background to their intense rivalry. Here, Linda Porter examines the ancient and intractable power struggle between England and Scotland, a struggle intensified during the reigns of Elizabeth and Mary's grandfathers. Henry VII aimed to provide stability when he married his daughter, Margaret, to James IV of Scotland in 1503. But he must also have known that Margaret's descendants might seek to rule the entire island. Crown of Thistles is the story of a divided family, of flamboyant kings and queens, cultured courts and tribal hatreds, blood feuds, rape and sexual licence on a breath-taking scale, and violent deaths. It also brings alive a neglected aspect of British history - the blood-spattered steps of two small countries on the fringes of Europe towards an awkward unity that would ultimately forge a great nation. Beginning with the unlikely and dramatic victories of two usurping kings, one a rank outsider and the other a fourteen-year-old boy who rebelled against his own father, the book sheds new light on Henry VIII, his daughter, Elizabeth, and on his great-niece, Mary Queen of Scots, still seductive more than 400 years after her death.
Victor Brombert is an unrivaled interpreter of French literature; and the writers he considers in this latest book are ones with whom he has a long acqualntance. These essays--eleven of them appearing in English for the first time and some totally new--give us an acute analysis of the major figures of the nineteenth century and a splendid lesson in criticism. Brombert shows how a text works--its structure and narrative devices, and the symbolic function of characters, episodes, words--and he highlights the distinctive postures and styles of each writer. He gives us a sense of the hidden inner text as well as the techniques writers have devised to lead their readers to the discovery of what is hidden. With wonderful subtlety he unravels the reader's participatory response, whether it be Hugo reading Shakespeare, Sartre reading Hugo, Stendhal reading Rousseau, T. S. Eliot misreading Baudelaire, or Baudelaire, Balzac, and Flaubert reading their own sensibilities. This book is a sterling example of the finest kind of literary criticism--wise, intelligent, responsive, sympathetic--that reveals central aspects of the creative process and returns the reader joyfully to the texts themselves.