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Alice Whelan isn't imagining the horrors that she finds on Falcon Island, home of her retired movie star mother, Diana Hamilton, and her sixth husband, Leland Braddock. Who's the mysterious girl named Sarah who's locked away in the mansion tower? What connection does the captive have with the elaborate greenhouse that Leland and his brother Justin are maintaining in the nearby woods? And what strange and unholy experiments are the two men conducting with their...FATAL FLOWERS? A novel of riveting horror and suspense by a master storyteller!
Fatal Flowers is the third in a colorful cozy mystery series from Jess Dylan, set in the Flower House—where you’re as likely to find a killer as a chrysanthemum. As Aerieville, Tennessee’s Flower House finally gains in popularity, Sierra Ravenswood finds herself feeling ready for new challenges. Luckily, the shop has grabbed the attention of the mayor’s daughter, and bride-to-be, Marissa Lakely. Sierra is thrilled, and nervous, to land her most important job yet: providing flowers for the biggest wedding Aerieville has ever seen. Fortunately, Marissa bucks all stereotypes and is far from a bridezilla—but her wedding planner, Taz Banyan, has apparently taken on the role for himself. He’s uptight, intense, and a little intimidating. But Taz aside, everything seems to be under control...until Sierra makes a startling discovery in the great room: the wedding planner, lying in a heap at the bottom of the stairs, in very bad shape. In fact, he survives only long enough to mutter: "It was the snake." As Granny Mae would say, seeing a snake is rarely a good sign, and this was clearly no exception. With the town on edge and the wedding up in the air, Sierra refuses to stop asking questions in her determination to put an end to this latest danger—so both Aerieville and the Flower House can flourish once more.
The disturbing chronicle of Daniell's transition from a passive young girl to a modern woman explores the myths of white male supremacy and the pampered Southern belle.
Why should there be just one answer...? asks Phiz Tarleton, the hero of All Flowers Die. Phiz, also known as The Optiontunist due to his passionately inquisitive nature, is in search of all life's options. But when his eager questioning leads to his teacher's fatal heart attack, he blames himself for cutting short the options of another. Greatly affected by this tragedy, Phiz carefully manipulates his destiny to preach the importance of gasping all that life has to offer. As the leader of the successful rock band, Brian's Sandbox, Phiz attempts to spread his message through his music. But when circumstances beyond his control thwart his plans, Phiz's mission takes a devastating turn, resulting in his most poignant gift and ultimate sacrifice.
"... fascinating... " -- Theological Book Review By examining women's conversion experiences, the author provides a corrective to the much popularized TV evangelism. She examines the stories U.S. women have told of their profound realization of their sinfulness and the necessity of turning to God's grace and love for forgiveness.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
In this groundbreaking study, Kathaleen E. Amende explores the works and lives of late-twentieth-century southern women writers to show how conservative Christian ideals of femininity shaped notions of religion, sexuality, and power in the South. Drawing from the work of authors such as Rosemary Daniell and Connie May Fowler, whose characters -- like the authors themselves -- grow up believing that Jesus should be a girl's first "boyfriend," Amende demonstrates many ways in which these writers commingled the sexual and the sacred. Amende also looks at the writings of Lee Smith, Sheri Reynolds, Dorothy Allison, and Valerie Martin to discuss how southern women authors and their characters grappled with opposing cultural expectations. Often in their work, characters mingle spiritual devotion and carnal love, allowing for salvation despite rejecting traditional roles or behaviors. In Martin's A Recent Martyr, novitiate Claire disavows southern norms of femininity -- courtship, marriage, and motherhood -- but submits to Jesus as she would to a husband. Teenage protagonist Ninah Huff in Reynolds's Rapture of Canaan imagines that her out-of-wedlock child is the offspring of Christ because of her conviction that Jesus was present during conception. Grounded in cultural and gender studies and informed by historical, religious, and devotional literature, Amende's timely and accessible book demonstrates the tenuous divide between feminine sexuality and Christianity in a southern context.