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We are living in a food and body image obsessed culture. We are encouraged to over-consume by the marketing and media that surround us and then berated by those same forces for doing so. At the same time, we are bombarded with images of unnaturally thin celebrities who go to enormous lengths to retain an unrealistic body image, either by extremes of dieting or through plastic surgery or both. The spiritual realm is not immune from these pressures, as can be seen in the flourishing of biblically and faith based weight loss programs that encourage women to lose weight physically and gain spiritually. Isherwood examines this environment in light of Christian tradition, which has often had a difficult relationship with sexuality and embodiment and which has promoted ideals of restraint and asceticism. She argues that part of the reason for our current obsession and bizarre treatment of issues around weight, size and looks is that secular society has unknowingly absorbed many of its negative attitudes towards the body from its Christian heritage. Isherwood argues powerfully that there are resources within Christianity that can free us from this thinking, and lead us towards a more holistic, incarnational view of what it is to be human. The Fat Jesus provides a fascinating study of the complex ways that food, women and religion interconnect, and proposes a theology of embrace and expansion emphasizing the fullness of our incarnation.
Timothy (later St. Timothy) is in his study in Thessalonika, where he is bishop of Macedonia. It is A.D. 96, and Timothy is under terrific pressure to record his version of the Sacred Story, since, far in the future, a cyberpunk (the Hacker) has been systematically destroying the tapes that describe the Good News, and Timothy's Gospel is the only one immune to the Hacker's deadly virus. Meanwhile, thanks to a breakthrough in computer software, an NBC crew is racing into the past to capture—live from the suburb of Golgotha—the Crucifixion, for a TV special guaranteed to boost the network's ratings in the fall sweeps. As a stream of visitors from twentieth-century America channel in to the first-century Holy Land—Mary Baker Eddy, Shirley MacLaine, Oral Roberts and family—Timothy struggles to complete his story. But is Timothy's text really Hacker-proof? And how will he deal with the truth about Jesus' eating disorder? Above all, will he get the anchor slot for the Big Show at Golgotha without representation by a major agency, like CAA 1,896 years in the future? Tune in.
Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.
In the What Would Jesus Eat Cookbook, you'll discover an enormously effective'and delicious'way of eating based on Biblical principles. You'll find that you can lose weight, prevent disease, enjoy more balanced meals, and attain vibrant health by changing the way you eat. A companion to the bestselling What Would Jesus Eat?, this cookbook offers inspired ideas for good eating and good living. Modeled on Jesus' example, The What Would Jesus Eat Cookbook emphasizes whole foods that are low in fat, salt, and sugar and high in nutrients and satisfying flavor. This modern approach to an ancient way of eating offers a healthy alternative to today's fast food culture.
What God's children believe Because Jesus is risen, the world is made new. This is the good news. That's what I believe. Join FatCat as he discovers what all God's children believe. Everyone in God's big family believes these truths. And if you believe, then you are in that family too! How do God's children grasp the message of God's word? The church's answer has always been the catechism--simple confessions of deep truths. FatCat expresses the catechism in a fun and accessible way for God's children of all ages. With vibrant illustrations and thoughtful reflections for each line of the Apostles' Creed, children can visualize, memorize, understand, and confess the faith passed down over centuries.
You are already enough, and you are not too much. J. Nicole Morgan grew up fat and loving Jesus. But she was forever burdened by what she saw as her biggest spiritual flaw: her weight. In Fat and Faithful, she shares her journey from body shame to fat acceptance and shows us how to care for the image of God found in every body--including our own. When the world tells us that our bodies are too much, J. Nicole Morgan reminds us that all people--no matter their size, shape, or ability--are beloved of God. Bodies of all sizes, shapes, colors, ethnicities, genders, sexual orientations, and abilities are expressions of the body of Christ. When our first prayer isn't about changing our bodies, we create space to care for our neighbors and to celebrate the unique ways we are equipped to serve our communities in the bodies we have. Fat and Faithful shows us that the world is wider than the size of our waistline.
Featured as an Essence magazine "56 New Books We Can’t Wait To Read In 2022." Awarded a third place by the Association of Catholic Publishers for spirituality and an honorable mention by the Catholic Media Association for inclusion in the Church. What does musical icon Luther Vandross—and his physical appearance—have to do with appreciating the people and cultures that make up the Catholic Church? Marcia Lane-McGee and Shannon Wimp Schmidt, hosts of the Plaid Skirts and Basic Black podcast, explain that Christmas celebrations of Black Catholic families are not complete without the annual argument about which version of Luther—fat or skinny—created better music. The light-hearted debate is also about remembering the past and providing hope for the future. In Fat Luther, Slim Pickin’s, the duo share their faith and reflections on the liturgical year to honor the Black Catholic experience and to help other Catholics understand Black culture. With the humor, vulnerability, honesty, and pop culture references that their podcast is known for, Lane-McGee and Schmidt explore the Church as an important model for how to welcome diversity while maintaining and celebrating culturally distinct traditions and practices. As our nation continues to confront racism, including within its churches, this ground-breaking book examines the intersection of faith, race, culture, and identity with hopefulness, humor, and joy. Lane-McGee and Schmidt share their experiences as Black women in the Church and invite Catholic women from all walks of life to look with new eyes at the feasts and seasons of the liturgical year through the lens of Black Catholic culture. The Church is a communion of many cultures, languages, and ethnicities, yet it has been unified for more than two-thousand years. Black Catholics bring unique gifts of culture and history to the Church and the United States that provide an essential perspective on the work for racial justice, a strong framework for addressing the sin of racism, confident guidance for embracing diversity, and a beautiful demonstration of faith infusing even the darkest moments with hope. In Fat Luther, Slim Pickin’s, you will learn that: You can embrace liturgical celebrations even if they’re a little janky—that is, haphazard and messy—by making do with what you have and focusing on actually doing something and being human rather than doing it perfectly. Soul food epitomizes the genius of Black Americans who can make sustenance even from “slim pickin’s”—the scraps. Ordinary Time offers us a chance to cultivate our “Catholic Shine”—finding beauty in the everyday stuff of life, revealing the mystery of God. As we remember afresh Christ’s suffering on the Cross each Lent we see the parallel to how racism in America can be both history and an ongoing suffering. The laity, especially women, have an important role as the “neck of the Church”—turning the head toward the most urgent needs of our time and working as Christ in the world. Fat Luther, Slim Pickin’s offers examples of holy people—including Servant of God Sr. Thea Bowman, Venerable Fr. Augustus Tolton, St. John XIII, St. Martin De Porres, and St. Joan of Arc—as companions for the liturgical journey. You will also learn more about Black history and experience, and your own faith, through primers on “one drop” laws, appreciation vs. appropriation, Black hair, the legacy of slavery, code switching, and the three-fifths compromise. Reflection questions are included in each chapter, making this book perfect for individual or group study.
The alternative history, paranormal romantic adventure of a young fat woman with low self esteem who falls into another world where fat people lead happy, normal, guilt-free lives. Most of her life Jenny has felt she's not good enough, not attractive enough, because she's fat. Then one day she stumbles through a portal between a world that values thinness and one that values roundness. Sometimes falling can wake you up.
Hannah Bacon draws on qualitative research conducted inside one UK secular commercial weight loss group to show how Christian religious forms and theological discourses inform contemporary weight-loss narratives. Bacon argues that notions of sin and salvation resurface in secular guise in ways that repeat well-established theological meanings. The slimming organization recycles the Christian terminology of sin – spelt 'Syn' – and encourages members to frame weight loss in salvific terms. These theological tropes lurk in the background helping to align food once more with guilt and moral weakness, but they also mirror to an extent the way body policing techniques in Christianity have historically helped to cultivate self-care. The self-breaking and self-making aspects of women's Syn-watching practices in the group continue certain features of historical Christianity, serving in similar ways to conform women's bodies to patriarchal norms while providing opportunities for women's self-development. Taking into account these tensions, Bacon asks what a specifically feminist theological response to weight loss might look like. If ideas about sin and salvation service hegemonic discourses about fat while also empowering women to shape their own lives, how might they be rethought to challenge fat phobia and the frenetic pursuit of thinness? As well as naming as 'sin' principles and practices which diminish women's appetites and bodies, this book forwards a number of proposals about how salvation might be performed in our everyday eating habits and through the cultivation of fat pride. It takes seriously the conviction of many women in the group that food and the body can be important sites of power, wisdom and transformation, but channels this insight into the construction of theologies that resist rather than reproduce thin privilege and size-ist norms.