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FAST FUNNY WOMEN is a broad collection: 75 women writers, ages 20 to 89, were invited by editor Gina Barreca to make a party out of their life's most unnerving, challenging, illuminating, desperate, and hilarious moments. Political campaigners, devoted teachers, lousy daughters, good mothers, would-be nuns, admired sportswriters, grad-school-wanna-bes, revenge-driven sisters, frustrated roommates, body-fluid-sorting professionals, lace-loving fashion mavens, intrepid daters, hungry lovers, justice-seeking nasty-women, ACE wedding celebrants, trapped wives, and women with all kinds of ammunition tell their stories-- and their stories are all under 750 words. You know many of these brilliant women, but you've never heard them like this: with new works commissioned for the book from NYT Bestseller and member of the American Academy of Poets, Marge Piercy, Pulitzer-Prize winner Jane Smiley, NYT bestseller graphic artist Mimi Pond, New Yorker staff cartoonist Liza Donnelly, Commander of the British Empire Fay Weldon, bestselling author of "Love, Loss, and What I Wore" Ilene Beckerman, "Sylvia" creator Nicole Hollander, stand-up comics Lisa Landry and Leighann Lord, filmmakers Ferne Pear
It’s no secret that most New Yorker readers flip through the magazine to look at the cartoons before they ever lay eyes on a word of the text. But what isn’t generally known is that over the decades a growing cadre of women artists have contributed to the witty, memorable cartoons that readers look forward to each week. Now Liza Donnelly, herself a renowned cartoonist with the New Yorker for more than twenty years, has written this wonderful, in-depth celebration of women cartoonists who have graced the pages of the famous magazine from the Roaring Twenties to the present day. An anthology of funny, poignant, and entertaining cartoons, biographical sketches, and social history all in one, VeryFunny Ladies offers a unique slant on 20th-century and early 21st-century America through the humorous perspectives of the talented women who have captured in pictures and captions many of the key social issues of their time. As someone who understands firsthand the cartoonist’s art, Donnelly is in a position to offer distinctive insights on the creative process, the relationships between artists and editors, what it means to be a female cartoonist, and the personalities of the other New Yorker women cartoonists, whom she has known over the years. Very Funny Ladies reveals never-before-published material from The New Yorker archives, including correspondence from Harold Ross, Katharine White, and many others. This book is history of the women of the past who drew cartoons and a celebration of the recent explosion of new talent from cartoonists who are women. Donnelly interviewed many of the living female cartoonists and some of their male counterparts: Roz Chast, Liana Finck, Amy Hwang, Victoria Roberts, Sam Gross, Lee Lorenz, Michael Maslin, Frank Modell, Bob Weber, as well as editors and writers such as David Remnick, Roger Angell, Lee Lorenz, Harriet Walden (legendary editor Harold Ross’s secretary). The New Yorker Senior Editor David Remnick and Cartoon Editor Emma Allen contributed an insightful foreword. Combining a wealth of information with an engaging and charming narrative, plus more than seventy cartoons, along with photographs and self-portraits of the cartoonists, Very Funny Ladies beautifully portrays the art and contributions of the brilliant female cartoonists in America’s greatest magazine.
In this collection of hilarious essays that mull everything from the horror of chin hairs to why the "glass ceiling" is better described as a thick layer of men, Barreca tells women to stop believing the lies and conquer the world.
When a down-on-her-luck divorcée meets a determined-to-dominate detective, they find out that falling in love can be murder. . . . Nell Dysart's in trouble. Weighed down by an inexplicable divorce and a loss of appetite for everything, Nell is sleepwalking through life until her best friend finagles a job for her with a shabby little detective agency that has lots of potential and a boss who looks easy to manage. Gabe McKenna isn't doing too well, either. His detective agency is wasting time on a blackmail case, his partner has decided he hates watching cheating spouses for money, and his ex-wife has just dumped him . . . again. The only thing that's going his way is that his new secretary looks efficient, boring, and biddable. But looks can be deceiving, and soon Nell and Gabe are squaring off over embezzlement, business cards, vandalism, dognapping, blackmail, Chinese food, unprofessional sex, and really ugly office furniture, all of which turn out to be the least of their problems. Because soon, there are murders. And shortly after that, Nell and Gabe start falling in love. . . .
Just the Funny Parts is a juicy and scathingly funny insider look at how pop culture gets made. For more than thirty years, writer, producer and director Nell Scovell worked behind the scenes of iconic TV shows, including The Simpsons, Late Night with David Letterman, Murphy Brown,NCIS,The Muppets, and Sabrina, the Teenage Witch, which she created and executive produced. In 2009, Scovell gave up her behind-the-scenes status when the David Letterman sex scandal broke. Only the second woman ever to write for his show, Scovell used the moment to publicly call out the lack of gender diversity in late-night TV writers’ rooms. “One of the boys” came out hard for “all of the girls.” Her criticisms fueled a cultural debate. Two years later, Scovell was collaborating with Sheryl Sandberg on speeches and later on Lean In, which resulted in a worldwide movement. Now Scovell is opening up with this fun, honest, and often shocking account. Scovell knows what it’s like to put words in the mouths of President Barack Obama, Mark Harmon, Candice Bergen, Bob Newhart, Conan O’Brien, Alyssa Milano, and Kermit the Frog, among many others. Through her eyes, you’ll sit in the Simpson writers’ room… stand on the Oscar red carpet… pin a tail on Miss Piggy…bond with Star Trek’s Leonard Nimoy… and experience a Stephen King-like encounter with Stephen King. Just the Funny Parts is a fast-paced account of a nerdy girl from New England who fought her way to the top of the highly-competitive, male-dominated entertainment field. The book delivers invaluable insights into the creative process and tricks for navigating a difficult workplace. It's part memoir, part how-to, and part survival story. Or, as Scovell puts it, “It’s like Unbroken, but funnier and with slightly less torture.”
A celebration of the most groundbreaking women in comedy who used humor to shake up the status quo and change perceptions of gender and comedy forever. The League of Extraordinarily Funny Women celebrates the outstanding contributions of fifty women in comedy past and present. From legends like Lucille Ball, Joan Rivers, and Tina Fey to current comedy heroes like Issa Rae, Lena Waithe, Abbi Jacobson, and Tig Notaro, this beautifully illustrated book charts a rich lineage of women using humor to speak truth to power, tangle with sensitive subjects, challenge the status quo, and do anything but sit still and stay quiet when laughs are on the line. Some of these women broke boundaries as pioneers on stage as well as in front of and behind the camera. Others penned their way into the history of American humor, redrawing the boundaries of writers' rooms to include diverse voices and perspectives. Through their collective work as stand-ups, sketch and improv comics, humor writers, and slapstick film stars, these women formed a network forged by creativity, guts, and a deep love of what comedy can do and be. In the process, they continue to pass their knowledge and insights from woman to woman, from funny generation to funny generation, offering support, inspiration, and, above all, laughter.
Gina Barreca is back and she's telling women to lean in, be loud and be funny!
NEW YORK TIMES BESTSELLER • In this collection of personal essays, the beloved star of Gilmore Girls and Parenthood reveals stories about life, love, and working as a woman in Hollywood—along with behind-the-scenes dispatches from the set of the new Gilmore Girls, where she plays the fast-talking Lorelai Gilmore once again. With a new bonus chapter In Talking as Fast as I Can, Lauren Graham hits pause for a moment and looks back on her life, sharing laugh-out-loud stories about growing up, starting out as an actress, and, years later, sitting in her trailer on the Parenthood set and asking herself, “Did you, um, make it?” She opens up about the challenges of being single in Hollywood (“Strangers were worried about me; that’s how long I was single!”), the time she was asked to audition her butt for a role, and her experience being a judge on Project Runway (“It’s like I had a fashion-induced blackout”). In “What It Was Like, Part One,” Graham sits down for an epic Gilmore Girls marathon and reflects on being cast as the fast-talking Lorelai Gilmore. The essay “What It Was Like, Part Two” reveals how it felt to pick up the role again nine years later, and what doing so has meant to her. Some more things you will learn about Lauren: She once tried to go vegan just to bond with Ellen DeGeneres, she’s aware that meeting guys at awards shows has its pitfalls (“If you’re meeting someone for the first time after three hours of hair, makeup, and styling, you’ve already set the bar too high”), and she’s a card-carrying REI shopper (“My bungee cords now earn points!”). Including photos and excerpts from the diary Graham kept during the filming of the recent Gilmore Girls: A Year in the Life, this book is like a cozy night in, catching up with your best friend, laughing and swapping stories, and—of course—talking as fast as you can.
From the Whiting Award–winning author of Pretend I’m Dead and one of the most exhilarating new voices in fiction, a “thoroughly delightfully, surprisingly profound” (Entertainment Weekly) one-of-a-kind novel about a cleaning lady named Mona and her struggles to move forward in life. Soon to be an FX television show starring Lola Kirke. Mona is twenty-six and cleans houses for a living in Taos, New Mexico. She moved there mostly because of a bad boyfriend—a junkie named Mr. Disgusting, long story—and her efforts to restart her life since haven’t exactly gone as planned. For one thing, she’s got another bad boyfriend. This one she calls Dark, and he happens to be married to one of Mona’s clients. He also might be a little unstable. Dark and his wife aren’t the only complicated clients on Mona’s roster, either. There’s also the Hungarian artist couple who—with her addiction to painkillers and his lingering stares—reminds Mona of troubling aspects of her childhood, and some of the underlying reasons her life had to be restarted in the first place. As she tries to get over the heartache of her affair and the older pains of her youth, Mona winds up on an eccentric, moving journey of self-discovery that takes her back to her beginnings where she attempts to unlock the key to having a sense of home in the future. The only problems are Dark and her past. Neither is so easy to get rid of. Jen Beagin’s Vacuum in the Dark is an unforgettable, astonishing read, “by turns nutty and forlorn…Brash, deadpan, and achingly troubled” (O, The Oprah Magazine). Beagin is “a wonderfully funny writer who also happens to tackle serious subjects” (NPR).
A brilliant novel about a woman determined to make a name for herself as a sitcom star in 1960's London from the bestselling author of Dickens and Prince, High Fidelity and About a Boy Funny Girl is a lively account of the adventures of the intrepid young Sophie Straw as she navigates her transformation from provincial ingénue to television starlet amid a constellation of delightful characters. Insightful and humorous, Funny Girl does what Nick Hornby does best: endears us to a cast of characters who are funny if flawed, and forces us to examine ourselves in the process.