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The UK Border Agency and their predecessors have consistently generated a large number of complaints to the Ombudsman, not just in terms of the number of complaints received, but also the number of complaints accepted for investigation and the high proportion which are upheld. The complaints are mostly from people in this country who are facing long delays awaiting a decision on their application to the Agency. Applicants ought to be told what to expect and be safe and properly supported while awaiting a decision and that decision ought to be 'fast and fair'. Delays by the Agency in deciding such applications mean that people who should be given permission to stay are often left unable to support themselves and uncertain as to their future; and those who should be removed remain here, with their chances of eventually being allowed to stay increasing because of the Agency's delay. The Agency's biggest problem is the huge backlog of old asylum applications which has built up over a number of years, leaving hundreds of thousands of applicants waiting for years for a final decision. This report contains summaries of 11 cases which are illustrative of the complaints referred to the Parliamentary Ombudsman about the UK Border Agency. They involve applications for asylum; as well as the Agency's core immigration and nationality work, and applications for residence cards, which confirm rights under European law.
The make-take-waste paradigm of fast fashion explains much of the producer and consumer behavior patterns towards fast fashion. The evolution from a two-season fashion calendar to fast fashion, characterized by rapid product cycles from retailers and impulse buying by consumers, presents new challenges to the environment, workplace and labour practices. This book provides a comprehensive overview of new insights into consumer behaviour mechanisms in order to shift practices toward sustainable fashion and to minimize the negative impacts of fast fashion on the environment and society. Concepts and techniques are presented that could overcome the formidable economic drivers of fast fashion and lead toward a future of sustainable fashion. While the need for change in the fashion industry post-Rana Plaza could not be more obvious, alternative and more sustainable consumption models have been under-investigated. The paucity of such research extends to highly consumptive consumer behaviours regarding fast fashion (i.e. impulse buying and throwaways) and the related impediments these behaviours pose for sustainable fashion. Written by leading researchers in the field of sustainable fashion and supported by the Textile Institute, this book evaluates fashion trends, what factors have led to new trends and how the factors supporting fast fashion differ from those of the past. It explores the economic drivers of fast fashion and what social, environmental and political factors should be maintained, and business approaches adopted, in order for fast fashion to be a sustainable model. In particular, it provides consumer behaviour concepts that can be utilized at the retail level to support sustainable fashion.
Explains what fairness is and ways to be fair.
I Am Not a Tractor! celebrates the courage, vision, and creativity of the farmworkers and community leaders who have transformed one of the worst agricultural situations in the United States into one of the best. Susan L. Marquis highlights past abuses workers suffered in Florida’s tomato fields: toxic pesticide exposure, beatings, sexual assault, rampant wage theft, and even, astonishingly, modern-day slavery. Marquis unveils how, even without new legislation, regulation, or government participation, these farmworkers have dramatically improved their work conditions. Marquis credits this success to the immigrants from Mexico, Haiti, and Guatemala who formed the Coalition of Immokalee Workers, a neuroscience major who takes great pride in the watermelon crew he runs, a leading farmer/grower who was once homeless, and a retired New York State judge who volunteered to stuff envelopes and ended up building a groundbreaking institution. Through the Fair Food Program that they have developed, fought for, and implemented, these people have changed the lives of more than thirty thousand field workers. I Am Not a Tractor! offers a range of solutions to a problem that is rooted in our nation’s slave history and that is worsened by ongoing conflict over immigration.
When you have magic on your side, anything is possible. At least that’s what Ephraim Scott thinks when he first discovers the unusual coin that grants his wishes. With it Ephraim overhauls his troubled home life and also his nonexistent love life. He even tries to help his friends with their problems. But every wish comes with a twist. Each flip of the coin gives Ephraim what he wants, but bad things happen too--ripples of dark consequences he doesn’t intend and can’t predict. The more Ephraim tries to fix the situation, the worse it gets. The people closest to him are changing in terrible ways and Ephraim must figure out how to harness the coin’s power before anyone gets hurt...or worse. Fair Coin is the winner of the 2012 Andre Norton Award and was a finalist for both the 2013 British Fantasy Award and the 2013 Compton Crook Award.
Since their inception with New York's Crystal Palace Exhibition in the mid-nineteenth century, world's fairs have introduced Americans to “exotic” pleasures such as belly dancing and the Ferris Wheel; pathbreaking technologies such as telephones and X rays; and futuristic architectural, landscaping, and transportation schemes. Billed by their promoters as “encyclopedias of civilization,” the expositions impressed tens of millions of fairgoers with model environments and utopian visions. Setting more than 30 world’s fairs from 1853 to 1984 in their historical context, the authors show that the expositions reflected and influenced not only the ideals but also the cultural tensions of their times. As mainstays rather than mere ornaments of American life, world’s fairs created national support for such issues as the social reunification of North and South after the Civil War, U.S. imperial expansion at the turn of the 20th-century, consumer optimism during the Great Depression, and the essential unity of humankind in a nuclear age.
Juliane Faris is a brilliant programmer determined to change the world through scientific and technical advancement. Blinded by ambition, she will do whatever it takes to secure her legacy even if it means agreeing to participate in an experimental procedure. Juliane has a supercomputer for a brain and she isn't afraid to use it. Perhaps she should be. Set in the not too distant future, The Fair & Foul is earth-based science fiction dealing with the next era of human evolution. The line between humanity and technology is blurring, and what seems like magic is only a scientific discovery away.
Why'd I get the smaller half? Why don't you yell at her? Why does my team always lose? Why can't we have a pet giraffe? Because that's life. And life can't always go the way we want it to. But with this delightful and witty book, Amy Krouse Rosenthal and Tom Lichtenheld reassure us that everyone, including pigs, planets, and square pegs, sometimes thinks: It's not fair!
Every child has a voice -- if we take the time to listen. In this appealing, energetic picture book, two kids with different challenges and strengths find they are just what the other needs to navigate classroom life. Tyson does everything fast -- so fast he often disrupts the class. His teacher is always saying, "Too fast, Tyson!" And often he ends up playing all alone. Suze, the new girl, is nonverbal with special needs. Sometimes her classmates don't know what those needs are. But Tyson understands. Taking the time to interpret her cues, Tyson forms a special friendship with Suze, and teaches his classmates what it means to listen and understand others. Claudia Dávila's bright, energetic art captures the joy of moving at your own speed and connecting with a friend who can ride alongside.