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150 years after Alice's Adventures in Wonderland was first published, Lewis Carroll's eponymous heroine has become one of the most familiar figures in the cultural landscape. The enduringly iconic figure of the Victorian child, Alice has inspired countless fashion designers, illustrators and stylists. The 'Alice Look' has been embraced across the world, by young and old alike, and by both the feted and the forgotten. Fashioning Alice is the first book to chart the emergence of Alice as a style icon. Kiera Vaclavik traces the evolution of Alice's visual identity in the nineteenth century and explores the myriad ways in which she was dressed – on the page, on the stage, and in the home. The book also draws on historical sources to examine amateur performance and play not just in the UK but in the USA, Japan and Australia. Illustrated throughout, Fashioning Alice is a ground-breaking exploration of Alice's visual career that offers a compelling case study of the intersections between fashion and fiction.
This book is a modern exploration of how we engage with fashion today. Through a series of articles this book shows the ‘ways’ through which we can approach fashion. The articles are organized around the following six sections: marketing, consuming, educating, communicating, embodying and positioning - each with a mix of research approaches and strategies. From sustainability and consumerism to street-style and street-food. From how fashion is taught across the globe to how fashion is communicated through photography and the media. We invite the readers to be curators themselves, and to create their own ‘augmented knowledge’ of fashion, by reading the varied themes in this book. Contributors are Claire Allen, Deidra Arrington, Naomi Braithwaite, Jill Carey, Federica Carlotto, Karen Dennis, Doris Domoszlai, Linsday E. Feeny, Nádia Fernandes, Jacque Lynn Foltyn, Alessia Grassi, Chris Jones, Lan Lan, Peng Liu, Mario Matos Ribeiro, Natalie C. McCreesh, Alex McIntosh, Alice Morin, Nolly Moyssi, Maria Patsalosavvi, Laura Petican, Jennifer Richards, Susanne Schulz, Ines Simoes, Helen Storey, Steve Swindells, Stephen Wigley, Gaye Wilson and Cecilia Winterhalter.
After working as a stylist in Paris, Elizabeth Hawes (1903–71) launched one of the first American design houses in Depression-era New York. Hawes was an outspoken critic of the fashion industry and a champion of ready-to-wear styles. Fashion Is Spinach, her witty and astute memoir, offers an insider's critique of the fashion scene during the 1920s and '30s. "I don't know when the word fashion came into being, but it was an evil day," Hawes declares. Style, she maintains, reflects an era's mood, altering only with changes in attitude and taste. Fashion, conversely, exists only to perpetuate sales. Hawes denounces the industry's predatory practices, advising readers to reject ever-changing fads in favor of comfortable, durable, flattering attire. Decades ahead of her time, she offers a fascinating and tartly observed behind-the-scenes look at the fashion industry's economics, culture, and ethics.
Dress plays a crucial role in fairy tales, signaling the status, wealth, or vanity of particular characters, and symbolizing their transformation. While fairy tales often provide little information beyond what is necessary to a plot, clothing and accessories are often vividly described, enhancing the sense of wonder integral to the genre. Cinderella's glass slipper is perhaps the most famous example, but it is one of many enchanted or emblematic pieces of dress that populate these tales. This is the first book to examine the history, significance, and imagery of classic fairy tales through the lens of high fashion. A comprehensive introduction to the topic of fairy tales and dress is followed by a series of short essays on thirteen stories: Cinderella, Little Red Riding Hood, The Fairies, Sleeping Beauty, Beauty and the Beast, Snow White, Rapunzel, Furrypelts, The Little Mermaid, The Snow Queen, The Swan Maidens, Alice in Wonderland, and The Wizard of Oz. Generously illustrated, these stories are creatively and imaginatively linked to examples of clothing by Comme des Garçons, Dolce and Gabbana, Charles James, and Alexander McQueen, among many others.
This book is a journey through the fairy-tale wardrobe, explaining how the mercurial nature of fashion has shaped and transformed the Western fairy-tale tradition. Many of fairy tale’s most iconic images are items of dress: the glass slippers, the red capes, the gowns shining like the sun, and the red shoes. The material cultures from which these items have been conjured reveal the histories of patronage, political intrigue, class privilege, and sexual politics behind the most famous fairy tales. The book not only reveals the sartorial truths behind Cinderella’s lost slippers, but reveals the networks of female power woven into fairy tale itself.
150 years after Alice's Adventures in Wonderland was first published, Lewis Carroll's eponymous heroine has become one of the most familiar figures in the cultural landscape. The enduringly iconic figure of the Victorian child, Alice has inspired countless fashion designers, illustrators and stylists. The 'Alice Look' has been embraced across the world, by young and old alike, and by both the feted and the forgotten. Fashioning Alice is the first book to chart the emergence of Alice as a style icon. Kiera Vaclavik traces the evolution of Alice's visual identity in the nineteenth century and explores the myriad ways in which she was dressed – on the page, on the stage, and in the home. The book also draws on historical sources to examine amateur performance and play not just in the UK but in the USA, Japan and Australia. Illustrated throughout, Fashioning Alice is a ground-breaking exploration of Alice's visual career that offers a compelling case study of the intersections between fashion and fiction.
"The Alice Look is the first book to chart the emergence of Lewis Carroll's Alice as a style icon during the Victorian period and her contemporary legacies. Kiera Vaclavik here traces the evolution of Alice's visual identity and the ways in which Alice has been dressed in print, visual culture and performance back to Carroll's own day. The book also draws on historical sources to examine non-professional performance and play in the UK, USA, Japan and Australia. Illustrated throughout with 90 images of Alice in fashion, The Alice Look is a ground-breaking study of the character's visual legacy"--
Fashioning Lives combines analysis of archival documents, literature, and film with the experiences of contemporary Black Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) individuals to demonstrate the usefulness of literacy as a historical and sociological lens for examining black queer cultural production and consumption. In addition, Eric Darnell Pritchard provides a theoretical framework for future analysis of the intersections of race and queerness in literacy, composition, and rhetoric.
Traces the evolution of men's clothes from the conventions laid down by the Victorians to the textile developments that determine fashion today.