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While there have been scholarly commentaries on the philosophy of fashion, none yet have attempted to engage fashion on its own hybrid, inflected, and heterogeneous terms. Celebrating the plurality and audacity inherent in its subject, Fashion Statements presents insightful, playful, and accessible essays on the philosophy of fashion.
While there have been scholarly commentaries on the philosophy of fashion, none yet have attempted to engage fashion on its own hybrid, inflected, and heterogeneous terms. Celebrating the plurality and audacity inherent in its subject, Fashion Statements presents insightful, playful, and accessible essays on the philosophy of fashion.
Everywhere we look, people are using fashion to communicate self and society--who they are, and where they belong. Transglobal Fashion Narratives presents an international, interdisciplinary analysis of those narratives. Moving from sweatshop to runway, page to screen, camera to blog, and artist to audience, the book examines fashion as a mediated form of content in branding, as a literary and filmic device, and as a personal form of expression by industry professionals, journalists, and bloggers.
These conference proceedings are the output of one of the first academic events of its nature happening globally, targeting fashion from a communication sciences perspective, including, in a broad sense, cultural heritage studies and marketing. The chapters present theoretical and empirical interdisciplinary work on how various communication practices impact the fashion industry and on societal fashion-related practices and values. The special focus of this volume is how digital transformation is changing the field and its utility to practitioners. Using these academic insights, practitioners can understand the core causes and reasons for trends and developments in the field of fashion communication and marketing.

Fashion Theology

Reverend / Pastor of Theological Formation and Director of the Pastor Residency Program Robert Covolo

Published: 2020-08-15

Total Pages: 178


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What is fashion? Where does it come from? Why has it come to permeate modern life? In the last half century, questions like these have drawn serious academic reflection, resulting in a new field of research--fashion studies--and generating a rich multidisciplinary discussion. Yet theology's voice has been conspicuously absent in this conversation. The time has finally come for theology to break her silence and join this decades-long conversation. Fashion Theology is the first of its kind: a serious and long-overdue account of the dynamic relationship between theology and fashion. Chronicling the epic journey from ancient Christian sources to current developments in fashion studies, cultural theologian Robert Covolo navigates the rich history of Christian thought as well as recent political, social, aesthetic, literary, and performance theory. Far from mere disparity or quick resolution, Covolo demonstrates that fashion and theology inhabit a mutual terrain that has, until recently, scarcely been imagined. Covolo retraces the way theologians have taken up fashion across history, unveiling how Christian thinkers have been fascinated with fashion well before the academy's current focus, and bringing these insights into the conversation with fashion itself: the logic by which fashion operates, how fashion shapes our world, and the way fashion imperceptibly molds our personal lives. Within fashion's realms reside some of life's greatest challenges: the foundations of political power, the basis for social order, the nature of aesthetics, how we inhabit time, and the means by which we tell stories about our lives--challenges, it turns out, that theologians also explore. Fashion favors the bold; theology demands humility. Holding the two together, Fashion Theology trailblazes an interdisciplinary path informed by a thoughtful engagement with the Christian witness. For those traversing this spectacle of unexpected crossroads and hotly contested terrain, the promise of fashion theology awaits with its myriad unexplored vistas. --Malcolm Barnard, Senior Lecturer in Visual Culture, Loughborough University
It has long been said that clothes make the man (or woman), but is it still true today? If so, how has the information clothes convey changed over the years? Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed. Crane compares nineteenth-century societies—France and the United States—where social class was the most salient aspect of social identity signified in clothing with late twentieth-century America, where lifestyle, gender, sexual orientation, age, and ethnicity are more meaningful to individuals in constructing their wardrobes. Today, clothes worn at work signify social class, but leisure clothes convey meanings ranging from trite to political. In today's multicode societies, clothes inhibit as well as facilitate communication between highly fragmented social groups. Crane extends her comparison by showing how nineteenth-century French designers created fashions that suited lifestyles of Paris elites but that were also widely adopted outside France. By contrast, today's designers operate in a global marketplace, shaped by television, film, and popular music. No longer confined to elites, trendsetters are drawn from many social groups, and most trends have short trajectories. To assess the impact of fashion on women, Crane uses voices of college-aged and middle-aged women who took part in focus groups. These discussions yield fascinating information about women's perceptions of female identity and sexuality in the fashion industry. An absorbing work, Fashion and Its Social Agendas stands out as a critical study of gender, fashion, and consumer culture. "Why do people dress the way they do? How does clothing contribute to a person's identity as a man or woman, as a white-collar professional or blue-collar worker, as a preppie, yuppie, or nerd? How is it that dress no longer denotes social class so much as lifestyle? . . . Intelligent and informative, [this] book proposes thoughtful answers to some of these questions."-Library Journal
Style Statement is an inspiring take on the power of style and authenticity. Deemed "style psychotherapists," Carrie and Danielle are the creators of the Style Statement: a two-word compass that helps you make more confident choices in life -- from your wardrobe to your relationships, your living room to your career plans. Part workbook, part inspirational narrative, Style Statement presents a series of inquiries that lead readers to the personal words that guide the spirit, look and feel of their life. The first word represents your foundation, your 80%. The second word, your 20%, is what motivates and distinguishes you. Via Carrie and Danielle's Lifestyle Map, readers then explore how their own unique Style Statement can generate momentum in every area of their life.
Fashion Narrative and Translation explores fashion in narrative and translation featuring a corpus of descriptions in comparative literature. The book is divided into themes introducing crucial issues in fashion discourse and translation studies, including cinematic adaptation ‘from page to screen’ and costume design.
From journalist, fashionista, and clothing resale expert Elizabeth L. Cline, “the Michael Pollan of fashion,”* comes the definitive guide to building an ethical, sustainable wardrobe you'll love. Clothing is one of the most personal expressions of who we are. In her landmark investigation Overdressed: The Shockingly High Cost of Cheap Fashion, Elizabeth L. Cline first revealed fast fashion’s hidden toll on the environment, garment workers, and even our own satisfaction with our clothes. The Conscious Closet shows exactly what we can do about it. Whether your goal is to build an effortless capsule wardrobe, keep up with trends without harming the environment, buy better quality, seek out ethical brands, or all of the above, The Conscious Closet is packed with the vital tools you need. Elizabeth delves into fresh research on fashion’s impacts and shows how we can leverage our everyday fashion choices to change the world through style. Inspired by her own revelatory journey getting off the fast-fashion treadmill, Elizabeth shares exactly how to build a more ethical wardrobe, starting with a mindful closet clean-out and donating, swapping, or selling the clothes you don't love to make way for the closet of your dreams. The Conscious Closet is not just a style guide. It is a call to action to transform one of the most polluting industries on earth—fashion—into a force for good. Readers will learn where our clothes are made and how they’re made, before connecting to a global and impassioned community of stylish fashion revolutionaries. In The Conscious Closet, Elizabeth shows us how we can start to truly love and understand our clothes again—without sacrificing the environment, our morals, or our style in the process. *Michelle Goldberg, Newsweek/The Daily Beast