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This vintage book contains a comprehensive textbook for clothing designers, teachers of clothing technology, and senior students. With detailed diagrams and a wealth of useful and interesting information, this timeless handbook is highly recommended for those with an interest in fashion and design, and would make for a worthy addition to collections of related literature. Contents include: “The Human Body”, “Physical Proportions”, “The Sizing of Garments”, “Size and Movement”, “The Garment Pattern”, “Garment Balance”, “Measurement”, “Applying The Measurements to the Pattern”, “Garment Shape”, “The Designing of Speciality Garments”, and “The Grading of Patterns”. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, high-quality edition complete with a specially commissioned new introduction on embroidery.
This captivating book reproduces arguably the most extraordinary primary source documents in fashion history. Providing a revealing window onto the Renaissance, they chronicle how style-conscious accountant Matthäus Schwarz and his son Veit Konrad experienced life through clothes, and climbed the social ladder through fastidious management of self-image. These bourgeois dandies' agenda resonates as powerfully today as it did in the sixteenth century: one has to dress to impress, and dress to impress they did. The Schwarzes recorded their sartorial triumphs as well as failures in life in a series of portraits by illuminists over 60 years, which have been comprehensively reproduced in full color for the first time. These exquisite illustrations are accompanied by the Schwarzes' fashion-focussed yet at times deeply personal captions, which render the pair the world's first fashion bloggers and pioneers of everyday portraiture. The First Book of Fashion demonstrates how dress – seemingly both ephemeral and trivial – is a potent tool in the right hands. Beyond this, it colorfully recaptures the experience of Renaissance life and reveals the importance of clothing to the aesthetics and every day culture of the period. Historians Ulinka Rublack's and Maria Hayward's insightful commentaries create an unparalleled portrait of sixteenth-century dress that is both strikingly modern and thorough in its description of a true Renaissance fashionista's wardrobe. This first English translation also includes a bespoke pattern by TONY award-winning costume designer and dress historian Jenny Tiramani, from which readers can recreate one of Schwarz's most elaborate and politically significant outfits.
Projects to transform garments with just a few key modifications, and basic sewing skills.
This volume leads the reader through the essential stages of creating a garment, from pattern cutting and draping a mannequin, to finishing and haberdashery.
Basic sewing skills, equipment, and procedures are described and instructions for making numerous garments are given
Tailoring is the complete photo guide to sewing jackets and coats. Written by sewing professionals, this book teaches the trusted, proven methods for sewing tailored jackets with impeccable details and perfect fit. Written for the intermediate sewer who wants to move on to more challenging projects, this book ensures success with detailed, step-by-step instructions, more than 400 photos, in-depth discussions about products and how to use them. Tailoring offers guidance for every aspect of tailoring a jacket: fitting and pattern alteration, fabrics and tools, interfacings, interlinings, seams and finishes, hand stitches, collars, pressing, topstitching, shaping shoulders, setting in sleeves, sewing pockets, vents, and making perfect buttonholes.
Nancy Zieman's pattern fitting approach is easy - no cutting, slashing, tucking or pinching—just logical and easy pivot-and-slide techniques, providing a painless method to follow that results in a garment that is comfortable and attractive. Once you learn Nancy's techniques for fitting, you will find it easy to make every garment you sew fit your size and shape. Multiple fitting charts are included in the book, as well as an index for locating technical information at a glance.
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.