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Besides products and services multinational corporations also sell myths, values and immaterial goods. Such »meta-goods« (e.g. prestige, beauty, strength) are major selling points in the context of successful marketing and advertising. Fashion adverts draw on deeply rooted human values, ideals and desires such as values and symbols of social recognition, beautification and rejuvenation. Although the reference to such meta-goods is obvious to some consumers, their rootedness in philosophical theories of human nature is less apparent, even for the marketers and advertisers themselves. This book is of special interest for researchers and students in the fields of Cultural Studies, Media Studies, Marketing, Advertising, Fashion, Cultural Critique, Philosophy, Sociology, Anthropology and Psychology, and for anyone interested in the ways in which fashion operates.
Alice Temperley, one of the most accomplished British designers working today, creates clothing that is coveted by the likes of Kate Hudson, Sarah Jessica Parker, Olga Kurylenko, Rita Ora, Poppy Delevingne, Helen Mirren, Adele, Naomie Harris, and The Duchess of Cambridge. This book is conceived as a celebration of Alice Temperley's aesthetic and conveys the effortless decadence and handcrafted allure of her brand. This book highlights the key moments that have inspired the last decade of work—focusing on the personal moments that have shaped her brand. Filled with captivating photographs from Temperley London photo shoots and fashion editorials, ALICE TEMPERLEY: ENGLISH MYTHS AND LEGENDS gives an in-depth look into the inspirations and processes behind the creation of the collections. While her first Rizzoli book, TRUE BRITISH (2011), was a chronological story about the first 10 years of the brand, ENGLISH MYTHS AND LEGENDS gives a more intimate view of what defines Temperley London today and its evolution; revealing both practical and sentimental moments of the designer’s generative history.
In the spirit of works by Jia Tolentino and Anne Helen Peterson, a smart and incisive essay collection centered on the fashion industry—its history, its importance, why we wear what we wear, and why it matters—from Elle Magazine’s fashion features director. Why does fashion hold so much power over us? Most of us care about how we dress and how we present ourselves. Style offers clues about everything from class to which in-group we belong to. Bad Feminist for fashion, Dress Code takes aim at the institutions within the fashion industry while reminding us of the importance of dress and what it means for self-presentation. Everything—from societal changes to the progress (or lack thereof) of women’s rights to the hidden motivations behind what we choose to wear to align ourselves with a particular social group—can be tracked through clothing. Veronique Hyland examines thought-provoking questions such as: Why has the “French girl” persisted as our most undying archetype? What does “dressing for yourself” really mean for a woman? How should a female politician dress? Will gender-differentiated fashion go forever out of style? How has social media affected and warped our sense of self-presentation, and how are we styling ourselves expressly for it? Not everyone participates in painting, literature, or film. But there is no “opting out” of fashion. And yet, fashion is still seen as superficial and trivial, and only the finest of couture is considered as art. Hyland argues that fashion is a key that unlocks questions of power, sexuality, and class, taps into history, and sends signals to the world around us. Clothes means something—even if you’re “just” wearing jeans and a T-shirt.
The bestselling classic that redefined our view of the relationship between beauty and female identity. In today's world, women have more power, legal recognition, and professional success than ever before. Alongside the evident progress of the women's movement, however, writer and journalist Naomi Wolf is troubled by a different kind of social control, which, she argues, may prove just as restrictive as the traditional image of homemaker and wife. It's the beauty myth, an obsession with physical perfection that traps the modern woman in an endless spiral of hope, self-consciousness, and self-hatred as she tries to fulfill society's impossible definition of "the flawless beauty."
In the wake of Brexit, the Commonwealth has been identified as an important body for future British trade and diplomacy, but few know what it actually does. How is it organized and what has held it together for so long? How important is the Queen's role as Head of the Commonwealth? Most importantly, why has it had such a troubled recent past, and is it realistic to imagine that its fortunes might be reversed?In The Empire's New Clothes,? Murphy strips away the gilded self-image of the Commonwealth to reveal an irrelevant institution afflicted by imperial amnesia. He offers a personal perspective on this complex and poorly understood institution, and asks if it can ever escape from the shadow of the British Empire to become an organization based on shared values, rather than a shared history.
This book ‘What’s God got to do with it’? is expansive and visionary in its scope; and, it examines issues like ‘creation’, sexuality, gender, population, war, money, and so on. It is part academic, journalistic, descriptive, and prescriptive, even if personal. Some chapters are short, while others are long. This book poses some very searching questions, and provides some startling, and revolutionary answers to these important religious problems using the full range of religious, psychological, linguistic, and scientific tools to do so. These questions, for example, are: Why are we here? Where are we going? Is there a God, or not? If there is a ‘good’ God, why is there suffering, and death? So this monograph, seeks to address these questions, and other deep ones about existence, and human behaviours. So I invite you to come along with me on this journey of discovery towards Genesis: New Beginnings.
The globalization of the world’s markets has forced luxury brands to, in turn, become global and accessible in many developing countries and emerging markets. As a result, the demand for these luxury products has increased globally, creating a need for an education in luxury that acknowledges the global perspective yet, at the same time, incorporates subtle regional nuances into luxury and fashion marketing. Keeping this global and regional perspective, Luxury and Fashion Marketing: The Global Perspective examines the elements of luxury marketing that contribute to superior luxury brand performance. Specifically, this volume focuses on mission statements, logos, airport retailing, franchising, challenges in luxury marketing, fashion relating to politics, environment, and beachwear, and case studies on luxury brands and emerging markets. Luxury and Fashion Marketing: The Global Perspective is unique in that it is written in a simple and engaging style to explain the theories and concepts of luxury in relation to the ordinary in the global context. Each chapter has to-do activities, making the book essential reading for students, trainers, and practitioners interested in luxury and fashion marketing and management.
Learning how to think through fashion is both exciting and challenging, being dependent on one s ability to critically engage with an array of theories and concepts. This is the first book designed to accompany readers through the process of thinking through fashion. It aims to help them grasp both the relevance of social and cultural theory to fashion, dress, and material culture and, conversely, the relevance of those fields to social and cultural theory. It does so by offering a guide through the work of selected major thinkers, introducing their concepts and ideas. Each chapter is written by an expert contributor and is devoted to a key thinker, capturing the significance of their thought to the understanding of the field of fashion, while also assessing the importance of this field for a critical engagement with these thinkers ideas. This is a guide and reference for students and scholars in the fields of fashion, dress and material culture, the creative industries, sociology, cultural history, design and cultural studies."
Fashion, Upcycling, and Memory questions practices and explores its profound connection to memory and sustainability. Through a practice-based researcher lens, the research examines the intricate interplay between upcycling and memory, unveiling assemblages of concepts, objects, and values that inspire action. This book takes readers on a journey through the multidimensional relationship between individuals and clothing. It delves into the disposal of garments and the transformative aspirations embedded within the fashion industry. Employing the unique research methodology known as "A/r/t/ography," which merges artistic practice, rigorous research, and educational development, this book unearths the dynamic interplay between upcycling and memory. The author unravels the intricate web of connections within upcycling through diverse practices, methods, and insightful interviews. By critically questioning established norms and scrutinizing the actions of fashion designers, the book makes significant contributions to existing literature. Additionally, it offers practical recommendations for sustainable fashion education, making it an indispensable resource for individuals involved in the textile and fashion field. Enhanced with visual aids such as images and illustrations, this book ensures an engaging reading experience that immerses readers in the research-based discourse.
The Fashion Handbook explores the varied and diverse aspects of the business, bringing together critical concepts with practical information about the industry's structure and core skills, as well as offering advice on real working practices and providing information about careers and training.--[book cover].