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Fabric colors, patterns, textures, and fibers reveal as much about a culture as do the furnishings and clothing that relied on the fabrics. In the 1960s, traditional plaids became popular at the same time as bold prints and geometrics, notably Op Art and "psychedelic" patterns. Nearly 600 close-up color photographs of 1960s fabrics with informative captions and index comprise this book for designers, historians, and students of fashion and textiles.
"Cool" colors were hot for fabrics in the late 1960s. Hundreds of splashy colors and designs from the offerings of 1960s European and American textile manufacturers are presented in full color photos. Full descriptions and fabric content information make this a useful resource for designers and historians.
The fabrics of the 60s reflect the changes in the larger society.The wide range of sixties designs rmove from the comforting tranquility of the early years to the bolder, "hip" end of the decade. This is a nostalgic tour of pastel and splashy florals, patchwork calicos, denims and stripes, wild abstract geometrics, and neon paisleys.
An engrossing study of Leo Africanus and his famous book, which introduced Africa to European readers Al-Hasan al-Wazzan--born in Granada to a Muslim family that in 1492 went to Morocco, where he traveled extensively on behalf of the sultan of Fez--is known to historians as Leo Africanus, author of the first geography of Africa to be published in Europe (in 1550). He had been captured by Christian pirates in the Mediterranean and imprisoned by the pope, then released, baptized, and allowed a European life of scholarship as the Christian writer Giovanni Leone. In this fascinating new book, the distinguished historian Natalie Zemon Davis offers a virtuoso study of the fragmentary, partial, and often contradictory traces that al-Hasan al-Wazzan left behind him, and a superb interpretation of his extraordinary life and work. In Trickster Travels, Davis describes all the sectors of her hero's life in rich detail, scrutinizing the evidence of al-Hasan's movement between cultural worlds; the Islamic and Arab traditions, genres, and ideas available to him; and his adventures with Christians and Jews in a European community of learned men and powerful church leaders. In depicting the life of this adventurous border-crosser, Davis suggests the many ways cultural barriers are negotiated and diverging traditions are fused.
Travel back in time to the era when Carnaby Street led the world, a golden age of youthful innovation and exhilarating pop culture, and a fashion scene that defined a generation. The 1960s was one of the most exciting fashion decades of the twentieth century, during which British pop and youth culture gave birth to styles that would set international trends. This book reveals how the sweeping social changes of the 1960s affected the British look, how designers and entrepreneurs such as Mary Quant and John Stephen made London the fashion city of the decade, and the influence of public figures such as the Beatles, the Rolling Stones, Cathy McGowan, Twiggy and Jean Shrimpton on the national identity of a country finally recovering from a prolonged period of austerity.
Perhaps more so than any other decade, the sixties had the broadest impact on the twentieth-century Western world. Across society, culture and the arts, youth voices rose to prominence and had a significant influence on new trends. Mature polished elegance was replaced by young liveliness as the fashionable ideal. Although only the most daring young followers of fashion wore the tiny miniskirts and borderline-unwearable plastic and metal outfits publicised in the press, stylish and smart fashion was increasingly available to all, with an emphasis on self-expression. New style icons such as Twiggy combined girl-next-door looks with trendy, aspirational and accessible outfits, and popular culture heavily influenced mainstream fashion. This beautifully illustrated book offers a concise guide to changing styles across the decade.
A sourcebook of 1960s fashion print – the apogee of fashion print – that will be the inspiration for designers for years to come. The creativity of the period is given full expression in this sourcebook of hundreds of designs that makes it an essential for contemporary design practitioners and students. The book contains exclusive illustrations and original artwork from designers as well as finished prints. Each short chapter introduction is followed by a range of illustrations with captions to give provenance and relevance. The prints are arranged in the chapters: • Art into Pop: fashion prints that saw the influence of Pop Art • Revivals and Reflections: Biba''s revival of 19th-century designs • Flower Power: floral designs, from Marimekko to Ken Scott • Lost in multicoloured hues, kaleidoscopic colours and psychedelia prints • Magical Mystery Tour: the influence of other cultures on print design
From poodle skirts of the 1950s to baby doll dresses of the 1990s, the fabrics of our everyday lives are featured in this handy reference guide to the materials of the last half century. A companion to Dating Fabrics: A Color Guide 1800-1960, this source is ideal for those studying fashion and clothing trends from the late twentieth century, as well as collectors of recent quilts. Today's quilts may have elements of more than one decade because many quilters collect a great deal of fabric, and may draw from one group of fabric over a long period of time. The recent proliferation of reproduction fabrics has caused concern for the ability to differentiate the old from the new in reproduction quilts and repairs. An informative section on these fabrics from the 1980-2000 era provides a blueprint for building confident conclusions as to the fabric's origins. For ease in identification, prints are shown actual size and specific fabric lines and styles are grouped and sorted by date, then color. Dating divisions coincide with turning points in history which influenced attitudes and styles, and are highlighted by a brief history of each era.
A fascinating look at one of the most experimental, volatile, and influential decades, Film, Fashion, and the 1960s, examines the numerous ways in which film and fashion intersected and affected identity expression during the era. From A Hard Day's Night to Breakfast at Tiffany's, from the works of Ingmar Bergman to Blake Edwards, the groundbreaking cinema of the 1960s often used fashion as the ultimate expression for urbanity, youth, and political (un)awareness. Crumbling hierarchies brought together previously separate cultural domains, and these blurred boundaries could be seen in unisex fashions and roles played out on the silver screen. As this volume amply demonstrates, fashion in films from Italy, France, England, Sweden, India, and the United States helped portray the rapidly changing faces of this cultural avant-gardism. This blending of fashion and film ultimately created a new aesthetic that continues to influence the fashion and media of today.
"A tribute to a time when style -- and maybe even life -- felt more straightforward, and however arbitrary, there were definitive answers." -- Sadie Stein, Paris Review As a glance down any street in America quickly reveals, American women have forgotten how to dress. We lack the fashion know-how we need to dress professionally and beautifully. In The Lost Art of Dress, historian and dressmaker Linda Przybyszewski reveals that this wasn't always true. In the first half of the twentieth century, a remarkable group of women -- the so-called Dress Doctors -- taught American women that knowledge, not money, was key to a beautiful wardrobe. They empowered women to design, make, and choose clothing for both the workplace and the home. Armed with the Dress Doctors' simple design principles -- harmony, proportion, balance, rhythm, emphasis -- modern American women from all classes learned to dress for all occasions in ways that made them confident, engaged members of society. A captivating and beautifully illustrated look at the world of the Dress Doctors, The Lost Art of Dress introduces a new audience to their timeless rules of fashion and beauty -- rules which, with a little help, we can certainly learn again.