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Royal Ascot is a unique occasion in the British social season and arguably the last where formal day dress is still required. Ascot is attended by royals, movie stars, the international jet set, the British establishment and also every strata in society, all united in their mission to dress their best for an occasion led by the presence of HM The Queen. Fashion at Royal Ascot is a breathtaking sweep through the history of international fashion seen through the prism of this unique occasion. James Sherwood, who is not only the BBCs Royal Ascot fashion commentator but will also be acting as the fashion commentator for the Royal Wedding in April 2011, has written the text, which is arranged chronologically in five chapters interspersed with twelve photo-essays.
**THE INSTANT NEW YORK TIMES BESTSELLER** Veteran style journalist Elizabeth Holmes expands her popular Instagram series, So Many Thoughts, into a nuanced look at the fashion and branding of the four most influential members of the British Royal Family: Queen Elizabeth II; Diana, Princess of Wales; Catherine, The Duchess of Cambridge; and Meghan, The Duchess of Sussex. Kate Middleton and Meghan Markle are global style icons, their every fashion choice chronicled and celebrated. With all eyes on them, the duchesses select clothes that send a message about their values, interests, and priorities. Their thoughtful sartorial strategies follow in the footsteps of Queen Elizabeth II and Diana, Princess of Wales, two towering figures known for using their personal style to great acclaim. With one section devoted to each woman, HRH is a celebration of their stories and their style, pairing hundreds of gorgeous photographs with extensive research. A picture emerges of the British monarchy’s evolution and the power of royal fashion, showing there’s always more than what meets the eye.
The importance of fashion and design in an events context remains under-researched, despite their ubiquity and significance from a societal and economic perspective. Fashion-themed events, for example, appeal to broad audiences and may tour the globe. Staging these events might help to brand destinations, boost visitor numbers and trigger popular debates about the contributions that fashion and design can make to identity. They may also tell us something about our culture and wider society. This edited volume for the first time examines fashion and design events from a social perspective, including the meanings they bestow and their potential economic, cultural and personal impacts. It explores the reasons for their popularity and influence, and provides a critique of their growth in different markets. Events examined include fashion weeks, fashion or design themed exhibitions, historical re-enactments, extreme/alternative fashion and design events, and large-scale public events such as royal weddings and horse races. International examples and case studies are drawn from countries as diverse as the USA, UK, Germany, Bhutan, New Zealand and Australia. These are used to develop and critique various thematic concepts linked to fashion and design events, such as identity, gender, aspirations and self-image, commodification, authenticity, destination development and marketing, business strategy and protection/infringement of intellectual property. Fashion, Design and Events also provides a futurist view of these types of events and sets out a future research agenda. This book has a unique focus on events associated with fashion and design and features a swathe of disciplinary backgrounds. It will appeal to a broad academic audience, such as students of art and design, cultural studies, tourism, events studies, sociology and marketing.
This book is a modern exploration of how we engage with fashion today. Through a series of articles this book shows the ‘ways’ through which we can approach fashion. The articles are organized around the following six sections: marketing, consuming, educating, communicating, embodying and positioning - each with a mix of research approaches and strategies. From sustainability and consumerism to street-style and street-food. From how fashion is taught across the globe to how fashion is communicated through photography and the media. We invite the readers to be curators themselves, and to create their own ‘augmented knowledge’ of fashion, by reading the varied themes in this book. Contributors are Claire Allen, Deidra Arrington, Naomi Braithwaite, Jill Carey, Federica Carlotto, Karen Dennis, Doris Domoszlai, Linsday E. Feeny, Nádia Fernandes, Jacque Lynn Foltyn, Alessia Grassi, Chris Jones, Lan Lan, Peng Liu, Mario Matos Ribeiro, Natalie C. McCreesh, Alex McIntosh, Alice Morin, Nolly Moyssi, Maria Patsalosavvi, Laura Petican, Jennifer Richards, Susanne Schulz, Ines Simoes, Helen Storey, Steve Swindells, Stephen Wigley, Gaye Wilson and Cecilia Winterhalter.
Great Britain has a long tradition of spectacular seasonal events, parties, pomp and ceremony. But times have moved on since the days of formal manners and dress codes and with many exclusive events now accessible to everyone, it can be tricky to know where to go, what to wear and how to act. Luckily, Her Ladyship is on hand to guide you though the social minefield of the British Season. This practical guide will take you on a tour of all the best events, including Chelsea Flower Show, Glyndebourne Festival, Lord's Test Cricket, The Epsom Derby and Royal Ascot, Wimbledon, Henley Royal Regatta, Glorious Goodwood, Cowes Week and many more. Her Ladyship is always on hand to explain what happens where, giving invaluable advice on dress codes and traditional customs along the way. Insider's tips on getting tickets and what not to miss at each event make this the must-have companion of the Season.
The past 70 years have seen a 25-year-old Princess transform into a nonagenarian monarch who is respected and loved the world over. A woman whose views are never heard, Queen Elizabeth II has deployed fashion as a means to communicate and signal her position to the crowds who gather to see her in public and the millions who watch her television broadcasts: 'I must be seen to be believed,' she has said. The Queen's evolving attitude to dress reflects a visual landscape that began as genteel reportage in mostly black and white and has over the years evolved into today's technicolour 24/7 news cycle, flashed around the world in seconds and driven by social media. Incredibly, in her 70th year as monarch, the Queen feels as relevant as ever before – and she is, undoubtedly, a style icon. The Queen: 70 Years of Majestic Style celebrates the fashion evolution of Elizabeth II in her unprecedented Platinum Jubilee year.
Increasing numbers of women are engaging in the development and discussion of modest dressing; a movement matched by a growing media and popular demand for intelligent commentary about the topic. Modest Fashion sets out to meet that need.As a trend, modest dressing is spreading across the world, yet it is rarely viewed as 'fashion'. Studying consumers and producers, retailers and bloggers, Modest Fashion provides an up to the minute account of the art of dressing modestly - and fashionably.Leading scholars in the area, along with journalists, fashion designers, entrepreneurs and bloggers discuss the emergence of a niche market for modest fashion among and between Jewish, Christian and Muslim faith groups as well as secular dressers. Crossing creeds and cultures, analysing commentary alongside commerce, the book probes the personal and the political as well as religious, aesthetic and economic implications of contemporary dress practices and the debates that surround them.
The interdisciplinary essays in Showing Off, Showing Up examine acts of showing, a particular species of performance that relies on competition and judgment, active spectatorship, embodied excess, and exposure of core values and hidden truths. Acts of showing highlight those dimensions of performance that can most manipulate spectators and consumers, often through over-the-top heightening and skewing of presentation. Many forms of showing and of heightened performance, however, operate more enigmatically and covertly while still profoundly affecting the social world, even if our reactions to them are initially flippant or unconcerned because “it’s just a show.” Examining a wide range of examples—from dog shows to competitive dancing to carnivals to striptease, the essays illuminate how such events variously foster competition, exaggerate a characteristic, and reveal hidden truths. There is as much to be learned about the power of showing through subtlety and underlying intentionality as through overt display. The book’s theoretical introduction and 12 essays by leading scholars reveal how diverse, particularly efficacious genres of showing are theoretically connected and why they merit more concerted attention, especially in the 21st century.
Choosing how to behave in unfamiliar situations is one of the many minefields with which modern life abounds. In this amusing yet practical guide to modern manners, Her Ladyship offers invaluable advice on every aspect of etiquette, both royal and everyday. With guidance on basic good manners in a range of situations, whether at home, at work or abroad, as well as advice on what to wear when, eating out and dating, you will never again worry about awkward or embarrassing encounters. If you've ever wondered how to meet and greet the Queen and other royals, how to correctly address party invitations or about elegant ways of sitting down, standing up and getting in and out of cars, this guide is for you.
A law professor and cultural critic offers an eye-opening exploration of the laws of fashion throughout history, from the middle ages to the present day, examining the canons, mores and customs of clothing rules that we often take for granted