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This groundbreaking book explores the interpretative potential and analytical capacity of the concept ‘fascist warfare’. Was there a specific type of war waged by fascist states? The concept encompasses not only the practice of violence at the front, but also war culture, the relationship between war and the fascist project, and the construction of the national community. Starting with the legacy of the First World War and using a transnational approach, this collection presents case studies of fascist regimes at war, spanning Nazi Germany, Fascist Italy, Francoist Spain, Croatia, and Imperial Japan. Themes include the idea of rapid warfare as a symbol of fascism, total war, the role of modern technology, the transfer of war cultures between regimes, anti-partisan warfare as a key feature, and the contingent nature and limits of fascist warfare.
From the invasion of Ethiopia in 1935 through to the waning months of the Second World War in 1945, Fascist Italy was at war. This monograph challenges existing scholarship by arguing that Fascist Italy played a significant and distinct role in shaping international relations between 1935 and 1945, creating a Fascist decade of war.
This book explores, from a transnational viewpoint, the historical relationship between war veterans and fascism in interwar Europe. Until now, historians have been roughly divided between those who assume that 'brutalization' (George L. Mosse) led veterans to join fascist movements and those who stress that most ex-soldiers of the Great War became committed pacifists and internationalists. Transcending the debates of the brutalization thesis and drawing upon a wide range of archival and published sources, this work focuses on the interrelated processes of transnationalization and the fascist permeation of veterans' politics in interwar Europe to offer a wider perspective on the history of both fascism and veterans' movements. A combination of mythical constructs, transfers, political communication, encounters and networks within a transnational space explain the relationship between veterans and fascism. Thus, this book offers new insights into the essential ties between fascism and war, and contributes to the theorization of transnational fascism.
Focuses on the appropriation of visual elements of the classical, medieval, and Renaissance past in Mussolini's Italy.
This book takes up the stimuli of new international historiography, albeit focusing mainly on the two regimes that undoubtedly provided the model for Fascist movements in Europe, namely the Italian and the German. Starting with a historiographical assessment of the international situation, vis-à-vis studies on Fascism and National Socialism, and then concentrate on certain aspects that are essential to any study of the two dictatorships, namely the complex relationships with their respective societies, the figures of the two dictators and the role of violence. This volume reaches beyond the time-frame encompassing Fascism and National Socialism experiences, directing the attention also toward the period subsequent to their demise. This is done in two ways. On the one hand, examining the uncomfortable architectural legacy left by dictatorships to the democratic societies that came after the war. On the other hand, the book addresses an issue that is very much alive both in the strictly historiographical and political science debate, that is to say, to what extent can the label of Fascism be used to identify political phenomena of these current times, such as movements and parties of the so-called populist and souverainist right.
This book evaluates the current and future state of fascism studies, reflecting on the first hundred years of fascism and looking ahead to a new era in which fascism studies increasingly faces fresh questions concerning its relevance and the potential reappearance of fascism. This wide-ranging work celebrates Roger Griffin’s contributions to fascism studies – in conceptual and definitional terms, but also in advancing our understanding of fascism – which have informed related research in a number of fields and directions since the 1990s. Bringing together three ‘generations’ of fascism scholars, the book offers a combination of broad conceptual essays and contributions focusing on particular themes and facets of fascism. The book features chapters, which, although diverse in their approaches, explore Griffin’s work while also engaging critically with other schools of thought. As such, it identifies new avenues of research in fascism studies, placing Griffin’s work within the context of new and emerging voices in the field.
In the last years, the discussion around what is fascism, if this concept can be applied to present forms of politics and if its seeds are still present today, became central in the political debate. This discussion led to a vast reconsideration of the meaning and the experience of fascism in Europe and is changing the ways in which scholars of different generations look at this political ideology and come back to it and it is also changing the ways in which we consider the experience of Italian fascism in the European and global context. The aim of the book is building a general history of Fascism and its historiography through the analysis of 13 different fundamental aspects, which were at the core of Fascist project or of Fascist practices during the regime. Each essay considers a specific and meaningful aspect of the history of Italian fascism, reflecting on it from the vantage point of a case study. The essays thus reinterrogates the history of Fascism to understand in which way Fascism was able to mould the historical context in which it was born, how and if it transformed political, cultural, social elements that were already present in Italy. The themes considered are violence, empire, war, politics, economy, religion, culture, but also antifascism and the impact of Fascism abroad, especially in the Twenties and at the beginnings of the Thirties. The book could be both used for a general public interested in the history of Europe in the interwar period and for an academic and scholarly public, since the essays aim to develop a provocative reflection on their own area of research.
European Holocaust Studies (EHS) publishes key international research results on the murder of the European Jews and its wider contexts. In recent years, scholars have rediscovered Hannah Arendt`s "boomerang thesis" – the "coming home" of European colonialism as genocide on European soil – as well as Raphael Lemkin`s work around his definition of genocide and the importance of its colonial dimensions. Germany and other European states are increasingly engaging in debates on comparing the Holocaust to other genocides and cases of mass killing, memorialization, "decolonization" and attempts to come to terms with the past ("Vergangenheitsbewältigung").
The July 1936 coup d'tat against the Spanish Second Republic brought together a diversity of anti-Republican political and social groups under the leadership of rebel Africanista military officers. In the ensuing Civil War this coalition gradually came under the rule of Generalissimo Franco. This volume explores the hypothesis that the violence and combat experiences of the war were the fundamental ideological crucible for the Francoist regime. The rebels were a group of reactionary and anti-liberal forces with little ideological or political coherence, but they emerged from the conflict not only victorious but ideologically united under the dictator's power. Key to understanding this transition are the different political cultures of the rebel army, how the combatants' war experiences contributed to the transformation of diverse rebel groups, and the role of foreign armed intervention. The contributors examine not only the endogenous Spanish political and military cultures of the Francoist coalition, but also the transnational influence of foreign groups. The roots of Francoist political culture are found in the Falangist and Carlist militias, and Civil Guard units, that lent their support to the military rebellion. The war experiences of conscripts, colonial troops, and junior officers forged the Francoist ideology. It was reinforced by fascist influences and assistance from Germany and Italy, and the lesser-known contributions of Swiss and White Russian volunteers. At the beginning of the conflict the rebel side was not homogeneous. But it weaved together a complex, transnational web of political and military interests in the midst of a bloody and destructive war, transforming itself in the process to a political and dictatorial platform that was to rule Spain for many years.
This book compares the Italian Fascist and the Spanish Falangist political cultures from the early 1930s to the early 1940s, using the idea of the nation as the focus of the comparison. It argues that the discourse on the nation represented a common denominator between these two manifestations of the fascist phenomenon in Mussolini’s Italy and Franco’s Spain. Exploring the similarities and differences between these two political cultures, this study investigates how Fascist and Falangist ideologues defined and developed their own idea of the nation over time to legitimise their power within their respective countries. It examines to what extent their concept of the nation influenced Italian and Spanish domestic and foreign policies. The book offers a four-level framework for understanding the evolution of the fascist idea of the nation: the ideology of the nation, the imperial projects of Fascism and Falangism, race and the nation, and the place of these cultures in the new Nazi continental order. In doing so, it shows how these ideas of the nation had significant repercussions on fascist political practice.