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The book traces the progenitors of the Harlan County, Kentucky, Cobb, Pope, and Ball families from their known North American origins in colonial Virginia, Maryland, and North Carolina to their eventual settlement in eastern Tennessee, western Virginia, and southeastern Kentucky. Substantial national, state, and local history is included in the narrative for the purpose of setting the people discussed in the context of their times. Issues such as the Methodist Church and the slavery issue, and Kentucky and the secession crisis are considered, as is Harlan County and the Civil War. Much attention is given to Harlan County's political history, from its Democratic-Whig beginnings to the Radical Republicanism of the Reconstruction Era (1865-1877. The narrative ends about 1900. Roughly 100 of the 500 pages of the book are exhibits.
This is Part I of a two-part work concerning the family of Benjamin D. Asberry (1822-1902), an descendant of Henry (1630-1682) and Martha Durrant Asbury (1650-1709) of Maryland and Virginia. Part II concerns the Cobb, Pope and Ball families of Harlan County, Kentucky.
These sketches are the result of years of inquiry, research and compilation intended to give such traditions and facts as could be had from reliable sources and records. The demand for sketches of many of Pitt's prominent men made necessary the addition of a second part. Advertisements were necessary from a financial standpoint and are included in the back, separate and apart.
Elias Fort was born before 1646 and died in 1677/1678.
G.C. “Red” Jones’s classic memoir of growing up in rural eastern Kentucky during the Depression is a story of courage, persistence, and eventual triumph. His priceless and detailed recollections of hardscrabble farming, of the impact of Prohibition on an individualistic people, of the community-destroying mine wars of “Bloody Harlan,” and of the drastic dislocations brought by World War II are essential to understanding this seminal era in Appalachian history.