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This catalogue accompanied the exhibition that was organized to coincide with the September 1999 exhibition "Egyptian Art in the Age of the Pyramids" at The Metropolitan Museum of Art. An introductory essay and critical commentary by noted art historians accompany the color reproductions of works by Hosny and Henien. Oversize: 11x11". Annotation copyrighted by Book News, Inc., Portland, OR
Lists exhibits in the United States, Europe, and Canada, with highlights, cost, hours, addresses, and other data.
Directed at nonspecialists and specialists alike, this book provides factual information about Egypt since 1760, with special emphasis on the modern period, together with appropriate historical interpretation. It stresses people, events, and institutions relevant to Egypt's political, economic, social, intellectual, and cultural development.
Directory of museums and art galleries in America with details of their exhibitions.
Egypt’s was the first non-Western country to undergo an industrial revolution. It was a major commercial center during the 19th and early 20th centuries. It was one of the first countries to have (albeit briefly) a constitutional government. Its struggle for independence was among the earliest in the non-Western world. Its capital, Cairo, has served as a headquarters and a meeting place for nationalist leaders. Its schools and universities attracted students from many other African and Asian countries. For the Arab world, its educational and legal institutions set the pattern that most other Arabic-speaking countries have followed. Its books, magazines, and newspapers circulate widely. Its radio and television broadcasting became the model for other Arab states. The leadership of Jamal Abd al-Nasir and Anwar al-Sadat profoundly influenced other Arab and Third World leaders. And the demonstrations in Cairo’s Tahrir Square became the iconic movement for the so-called “Arab Spring” in the rest of the Middle East. This fourth edition of Historical Dictionary of Egypt covers its history from its emergence as an independent actor during the reign of Ali Bey (1760-1772) up to and including the first two years of the Arab Spring (February 2013). This is done through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on of persons, events, institutions, political groups, economic and social conditions, policies, relationships with other countries, ideas, religions, ideologies, and commodities relevant to the modern history of Egypt. This book is an excellent access point for students, researchers, and anyone wanting to know more about Egypt.
The present volume, Publications of The Metropolitan Museum of Art, 1964-2005, is a successor to a volume published by the Museum in 1965 entitled Publications of The Metropolitan Museum of Art, 1870-1964. These two bibliographic volumes endeavor to list all the known books, pamphlets, and serial publications bearing the Museum's imprint, and issued by the institution during the first 135 years of its existence (through June 2005). The first volume was compiled by Albert TenEyck Gardner, at the time an Associate Curator of American Paintings and Sculpture, and the present volume has been compiled from the Annual Reports issued by the Museum during the relevant years. Together the two volumes testify to the tremendous contributions made to knowledge by the curators and conservators of the Metropolitan and by the many other experts who have contributed to the Museum's exhibition catalogues. Various issues of the Bulletin emphasize the great sweep of the Museum's acquisitions during these years, and the exhibition catalogues--a number of them Alfred H. Barr Jr., Award or the George Wittenborn Award--testify to the continuity of the institution's dedicated program to enrich people's lives through knowledge of art. (This title was originally published in 2006.)