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Founded in 1836, the Maine State Museum is America’s oldest state museum and is known to many as “Maine’s Smithsonian” because of the breadth and diversity of its holdings—nearly a million objects covering every aspect of the state’s cultural, biological, and geological history—and the thousands of stories its collections tell. For this book the museum selected and photographed 112 artifacts and specimens that, together, tell an epic story of the land and its people from prehistoric times to the present. It is a story covering 395 million years, a story told with a walrus skull and fossils, tourmaline and spear points, mammoth tusks and bone fishhooks, Norse coins and caulking irons, militia flags and survey stakes, treaty documents and wooden tankards, a temperance banner and a locomotive, Joshua Chamberlain’s pistol and a cod tub trawl, a Lombard log hauler and a woman’s WWII welding outfit, L. L. Bean boots and German POW snowshoes, and many more objects from the museum’s collections. Short narratives written by museum curators are woven around each item—including photos of related objects—and the ensemble has been honed, polished, and introduced by museum director Bernard Fishman. This is a book that historians and Maine residents and visitors will delve into again and again, unearthing new treasures with each reading.
Lobsters, blueberries, moose, and rugged coastlines dotted with lighthouses are emblematic of the state of Maine. But underlying these simple icons is the rich natural heritage of Maine that drives the economy and shapes the state's culture. The history of Maine’s natural heritage has been co-produced by the both the natural and human worlds. The essays and photographs gathered here paint a vivid portrait of Maine's wild places and wild creatures, as well as of human impacts and the way the state's heritage has changed.
Although humble in their function, these carefully crafted barns have shaped the landscape of Maine for centuries. Built long before the days of plastic and plywood, the barns have survived for generations, each with a story to tell. In Bridgton, one barn offered comfort to a 16 year-old boy when his father was injured; another New Gloucester barn was so important to one family that its likeness was engraved on their headstones. Some owners said they would rather see their homes burn than their barns, and others have dedicated their lives and countless funds to restoring and preserving these buildings. From modest English to grand Victorian, Don Perkins examines the structures, origins, and evolution of Maine's barns, demonstrating the vital and precious role they play in people's lives.
A place called Crockett's Corner began as a seventeenth century colonial settlement that grew into a stable and sustainable nineteenth century American agrarian landscape. During thetwentieth century, in a rapid but staged process, the landscape was changed into an edge city. These changes were the direct result, especially after 1938, of prevailing public policies which acted to constrain some land uses while supporting others.Landscape change has had unintended consequences, including local social network destruction,historic building demolition, and unmitigated air and non-point source water pollution. Raising awareness of the deep history of this place may help empower advocates for historic preservation, open space, environmental protection and more sustainable land use practices in the future.
Once there were no stone walls. For the fiercely idealistic Yankee homesteader, a small family farm was worth fighting for, and the rocky soil yielded far more than walls. Cleared and plowed, it fed a family and provided a living. Oxen gave way to horses, horses to tractors, and still the farm persisted and the family persevered, each generation overcoming the challenges of their day. Two hundred years later, the farm, ever generous in its rewards, has not changed; but society has shifted, forgetting its connection to the land that nourishes us. It is time we remembered. Birth, Death and a Tractor is the story of a small family farm in Somerville, Maine, from its settling in the early 1800s to its perilous transfer to a new farm family in 2008. Chronicling the history of seven generations, it is a reminder of the role small farms have played in our national and family histories, and a challenge to find innovative ways to re-connect our communities to this rich but threatened resource.
A classic work on farm buildings made by nineteenth-century New Englanders refreshed with a new introduction. Big House, Little House, Back House, Barn portrays the four essential components of the stately and beautiful connected farm buildings made by nineteenth-century New Englanders that stand today as a living expression of a rural culture, offering insights into the people who made them and their agricultural way of life. A visual delight as well as an engaging tribute to our nineteenth-century forebears, this book, first published nearly forty years ago, has become one of the standard works on regional farmsteads in America. This new edition features a new preface by the author.
Everywhere we go in rural New England, the past surrounds us. In the woods and fields and along country roads, the traces are everywhere if we know what to look for and how to interpret what we see. A patch of neglected daylilies marks a long-abandoned homestead. A grown-over cellar hole with nearby stumps and remnants of stone wall and orchard shows us where a farm has been reclaimed by forest. And a piece of a stone dam and wooden sluice mark the site of a long-gone mill. Although slumping back into the landscape, these features speak to us if we can hear them and they can guide us to ancestral homesteads and famous sites. Lavishly illustrated with drawings and color photos.Provides the keys to interpret human artifacts in fields, woods, and roadsides and to reconstruct the past from surviving clues.Perfect to carry in a backpack or glove box.A unique and valuable resource for road trips, genealogical research, naturalists, and historians.