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This is a brilliant and refreshing book, which gives ample and well-deserved voice to women...It is a book that will definitely be of interest to scholars and students in the fields of history, anthropology, political science, religion, and political economy. It is a must read for scholars and students in Women's Studies Programs. - Felix K. Ekechi; Professor Emeritus(History); Kent State University This orginal and insightful work's sensible and balanced view of Igbo women's power and authority is modulated by a profound understanding of the ways in which women negotiated indigenous cultural spaces and at the same time negotiated with and refashioned pre-colonial and colonial contexts. Farmers, Traders, Warriors, and Kings is a major event in African gender studies publishing. - Obioma Nnaemeka; Professor of French, Women's Studies, and African/African Diaspora Studies; Indiana University, Indianapolis Nwando Achebe's book is rich in accounts of the life histories of recent powerful goddesses that were constructed by the Nsukka Igbo from the late 19th century... She] recounts these case studies with passion and fascination. This is another important addition to the growing literature in Igbo studies, gender studies and African historiography. - Ifi Amadiume; Professor of Religion and African and African American Studies; Dartmouth College A] landmark in African historiography. In the best tradition of the discpline, Dr. Achebe] reminds us after all that history, however academically grounded, should aim to delight as well as educate. Nwando Achebe is ahead of her generation not only in the depth of her sensibility but in the facility with which she represents the structures of feeling of her Igbo society. - Isidore Okpewho; Distinguished Professor of the Humanities; State University of New York, Binghamton There is an adage that the Igbo have no kings. Farmers, Traders, Warriors and Kings focuses on an area in Igboland where, contrary to this popular belief, Igbos not only have kings, but female kings. It is an area where women served as warriors and even married many wives. Because women in Nsukka Division served as prominent actors in a complex set of interactions, relationships and manifestations unmatched elsewhere in Igboland, the author argues that researchers cannot adequately analyze the landscape of Nsukka Division (or any other African society, for that matter) without investigating the central place of women and the female principle in the spiritual world of the society. The author examines the political, economic, and religious structures that allowed women and the female principle to achieve measures of power and looks at some of the ways they reacted and adjusted to the challenges of European rule. Such an investigation into the history of this gender dynamic yields important results for both African History and Women's Studies. Achebe focuses on the evolution of gender politics and female power in Nigeria's northern Igboland over the first six decades of the 20th century. This time period, approximately 1900-1960, is important because it allows for the exploration of continuity and change in Nsukka women's activities, as well as the female principle, over three periods: late pre-colonial, colonial, and post-colonial Nigeria. Along the way, she raises and answers questions relating to scholarship on women, sex, and gender in Africa by uncovering the complexities of the Igbo gender construct, arguing, for example, that sex and gender did not coincide in northern Igboland. Consequently, women were able to occupy positions that were exclusively monopolized by men in other societies, and men, likewise, occupied positions that would have otherwise been monopolized by women. Expanding on this premise, the author calls for a revision of traditional classifications of African women
Examines the roots of white supremacy and mass incarceration from the vantage point of history Why, asks Pem Davidson Buck, is punishment so central to the functioning of the United States, a country proclaiming “liberty and justice for all”? The Punishment Monopoly challenges our everyday understanding of American history, focusing on the constructions of race, class, and gender upon which the United States was built, and which still support racial capitalism and the carceral state. After all, Buck writes, “a state, to be a state, has to punish ... bottom line, that is what a state and the force it controls is for.” Using stories of her European ancestors, who arrived in colonial Virginia in the seventeenth and eighteenth centuries, and following their descendants into the early nineteenth century, Buck shows how struggles over the right to punish, backed by the growing power of the state governed by a white elite, made possible the dispossession of Africans, Native Americans, and poor whites. Those struggles led to the creation of the low-wage working classes that capitalism requires, locked in by a metastasizing white supremacy that Buck’s ancestors, with many others, defined as white, helped establish and manipulate. Examining those foundational struggles illuminates some of the most contentious issues of the twenty-first century: the exploitation and detention of immigrants; mass incarceration as a central institution; Islamophobia; white privilege; judicial and extra-judicial killings of people of color and some poor whites. The Punishment Monopoly makes it clear that none of these injustices was accidental or inevitable; that shifting our state-sanctioned understandings of history is a step toward liberating us from its control of the present.
"This book is a copublication of The Cotsen Institute of Archaeology and The Field Museum"--Copyright page.
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An unapologetically African-centered monograph that reveals physical and spiritual forms and systems of female power and leadership in African cultures. Nwando Achebe’s unparalleled study documents elite females, female principles, and female spiritual entities across the African continent, from the ancient past to the present. Achebe breaks from Western perspectives, research methods, and their consequently incomplete, skewed accounts, to demonstrate the critical importance of distinctly African source materials and world views to any comprehensible African history. This means accounting for the two realities of African cosmology: the physical world of humans and the invisible realm of spiritual gods and forces. That interconnected universe allows biological men and women to become female-gendered males and male-gendered females. This phenomenon empowers the existence of particular African beings, such as female husbands, male priestesses, female kings, and female pharaohs. Achebe portrays their combined power, influence, and authority in a sweeping, African-centric narrative that leads to an analogous consideration of contemporary African women as heads of state, government officials, religious leaders, and prominent entrepreneurs.
Covers the history of the entire African continent, from prehistory to the present day A Companion to African History embraces the diverse regions, subject matter, and disciplines of the African continent, while also providing chronological and geographical coverage of basic historical developments. Two dozen essays by leading international scholars explore the challenges facing this relatively new field of historical enquiry and present the dynamic ways in which historians and scholars from other fields such as archaeology, anthropology, political science, and economics are forging new directions in thinking and research. Comprised of six parts, the book begins with thematic approaches to African history—exploring the environment, gender and family, medical practices, and more. Section two covers Africa’s early history and its pre-colonial past—early human adaptation, the emergence of kingdoms, royal power, and warring states. The third section looks at the era of the slave trade and European expansion. Part four examines the process of conquest—the discovery of diamonds and gold, military and social response, and more. Colonialism is discussed in the sixth section, with chapters on the economy transformed due to the development of agriculture and mining industries. The last section studies the continent from post World War II all the way up to modern times. Aims at capturing the enthusiasms of practicing historians, and encouraging similar passion in a new generation of scholars Emphasizes linkages within Africa as well as between the continent and other parts of the world All chapters include significant historiographical content and suggestions for further reading Written by a global team of writers with unique backgrounds and views Features case studies with illustrative examples In a field traditionally marked by narrow specialisms, A Companion to African History is an ideal book for advanced students, researchers, historians, and scholars looking for a broad yet unique overview of African history as a whole.
Since the late nineteenth century, fears that marriage is in crisis have reverberated around the world. Each chapter in Domestic Tensions, National Anxieties considers a moment in which proclamations of marriage crisis have erupted, revealing how people deployed the institution to debate relationships, the nation, and the problems of both.
The Igbo are one of the most populous ethnic groups in Nigeria and are perhaps best known and celebrated in the work of Chinua Achebe. In this landmark collection on Igbo society and arts, Toyin Falola and Raphael Chijioke Njoku have compiled a detailed and innovative examination of the Igbo experience in Africa and in the diaspora. Focusing on institutions and cultural practices, the volume covers the enslavement, middle passage, and American experience of the Igbo as well as their return to Africa and aspects of Igbo language, society, and cultural arts. By employing a variety of disciplinary perspectives, this volume presents a comprehensive view of how the Igbo were integrated into the Atlantic world through the slave trade and slavery, the transformations of Igbo identities and culture, and the strategies for resistance employed by the Igbo in the New World. Moving beyond descriptions of generic African experiences, this collection includes 21 essays by prominent scholars throughout the world.
A groundbreaking investigation into the migration of martial arts techniques across continents and centuries The presence of African influence and tradition in the Americas has long been recognized in art, music, language, agriculture, and religion. T. J. Desch-Obi explores another cultural continuity that is as old as eighteenth-century slave settlements in South America and as contemporary as hip-hop culture. In this thorough survey of the history of African martial arts techniques, Desch-Obi maps the translation of numerous physical combat techniques across three continents and several centuries to illustrate how these practices evolved over time and are still recognizable in American culture today. Some of these art traditions were part of African military training while others were for self-defense and spiritual discipline. Grounded in historical and cultural anthropological methodologies, Desch-Obi's investigation traces the influence of well-delineated African traditions on long-observed but misunderstood African and African American cultural activities in North America, Brazil, and the Caribbean. He links the Brazilian martial art capoeira to reports of slave activities recorded in colonial and antebellum North America. Likewise Desch-Obi connects images of the kalenda African stick-fighting techniques to the Haitian Revolution. Throughout the study Desch-Obi examines the ties between physical mastery of these arts and changing perceptions of honor. Including forty-five illustrations, this rich history of the arrival and dissemination of African martial arts in the Atlantic world offers a new vantage for furthering our understanding of the powerful influence of enslaved populations on our collective social history.